He was the first professor of Afro-American studies at Harvard University. In recognition of his merits, the Ephraim Isaac Prize for Excellence in African Languages is given annually to the Harvard graduate who writes the best essay in African studies.

Early life
Isaac was born to an Ethiopian mother and a Yemeni Jewish father in Wolega Kifele Hager, Nejo, Ethiopia, in 1936. His actual date of birth is unknown. In high school, he randomly chose 29 May as his nominal birthday. He received his early education in Ethiopia.

Career
Isaac has been a professor at various universities and has published scholarly articles and books. He was the first faculty appointment in Harvard University’s Department of African and Afro-American Studies in 1969, and he played an important role in the early history of the department. Committed to this emerging field of scholarship, Isaac continued as a faculty member until 1977 and taught almost half of the students enrolled in the program.

Isaac has also lectured at:

Princeton University Department of Near Eastern Studies, 1983–1985; introduced the first African language course in 1984; was visiting professor of religion and African American studies 1995–2001; and remains a fellow of Butler College.
Hebrew University (ancient Semitic languages)
University of Pennsylvania (religion, Semitic languages)
Howard University (Divinity School)
Lehigh University (religion)
Bard College (religion, history)
His subjects range from those mentioned above to Biblical Hebrew, rabbinic literature, Ethiopian history, the concept and history of slavery and ancient African civilizations. He was a fellow at the National Endowment for the Humanities and the Institute for Advanced Studies. He has been a fellow at Harvard University’s W. E. B. Du Bois Research Institute (1985–1986) and at the Center of Theological Inquiry at Princeton (1989–1992).

Isaac had a long-running dispute with the president of Harvard regarding the denial of his strong nomination for tenure by the then Department of African American Studies. After several appeals by the president of Harvard to drop the charges, Isaac won a major victory when the United States Court of Appeals for the First Circuit in Boston ruled in his favor by that rejected the president’s appeal, after which the president proposed to settle the case out of court, offering Isaac a fellowship position and paying all legal fees.

In November 2021, Canadian author Jeff Pearce leaked a video that appeared to show Isaac in a virtual meeting with Eleni Gabre-Madhin and several Western diplomats working to topple Ethiopian Prime Minister Abiy Ahmed’s government to create a transitional government in favor of the Tigray People’s Liberation Front (TPLF) during the Tigray War. Despite both being able to refute the allegations, they were barred from traveling to Ethiopia, and a wide range of condemnation came from within Ethiopia and its diaspora.

Peace contributions and activities
Contributions

As a peace activist, Isaac has made important contributions to peace and reconciliation. He founded an ad hoc Peace Committee at a critical stage in 1989. The committee – a dozen Ethiopian elders – facilitated bilateral negotiations between the government and conflicting parties at home and abroad. This created a forum for a peaceful resolution to the violence and bloody conflict. The committee accelerated the July 1991 end of the 30-year civil war in the Horn of Africa. The committee also helped raise funds to defray the cost of the Addis Ababa Conference for a Peaceful and Democratic Transition at the end of the war. A transitional government of Ethiopia was formed, and the Transitional Council later became the Parliament of Ethiopia. He participated in the conference as an observer, and gave one of the three concluding addresses. In 1992, he organized, with the help of fellow elders, Dr. Haile Sellasie Belay and Dr. Tilahun Beyene, an international teleconference of religious reconciliation – with eight conflicting Ethiopian archbishops and several other religious leaders. It resulted in the resolution of serious religious disputes that arose among the archbishops of the Ethiopian Orthodox Tewahedo Church regarding church administration and appointment of a patriarch.

Between 1998 and 2000, he led an Ethio-Eritrean peace delegation to Ethiopia and Eritrea during the tragic war between the two. This delegation was the only group from the region that both sides found acceptable or welcome. Since 2007, he has promoted reconciliation and repatriation of several Ethiopian and Somali liberation front movements in exile. In 2007, he negotiated the release of 30 Ethiopian political leaders and members of parliament. Isaac has also negotiated the release of about 35,000 prisoners and has helped organize inter-political party dialogues, an election board, national police chiefs and justices seminars. This was done in cooperation with the John Jay College of Criminal Justice in New York and other experts, and an interfaith symposium to promote the value of democratic and human rights to strengthen peace and reconciliation efforts. In 2009, he was actively engaged behind the scenes in the Ethiopian government treaty with a major branch of the Ogaden National Liberation Front. In 2012, he was involved with the release of two kidnapped Germans and in 2013, the release of two Swedish journalists. He continues his peace and reconciliation work.

Activities
Isaac is currently the international chair of the Horn of Africa Board of Peace and Development Organization (Addis Ababa, Asmara) and the former president of the Yemenite Jewish Federation of America. He founded (1960), and was chair of the Committee for Ethiopian Literacy, the first African/Ethiopian federal tax-exempt organization: the National Literacy Campaign of Ethiopia (NCLO), for which he was executive director from 1967 to 1974, which made millions literate in the late 1960s. In 1959, he organized the founding meeting of the Ethiopian Students Association in North America (ESANA) in Chicago, becoming the first president of the organization.

He is on editorial boards of two international scholarly journals: Journal of Afroasiatic Languages and Second Temple Jewish Literature. Isaac is a member of the board or advisory council of several interfaith and intercultural groups and organizations, nationally and internationally. These include the Temple of Understanding, the Institute of Religion and Public Policy, Tanenbaum Center for Interreligious Understanding, Princeton Fellowship in Prayer, Institute for Jewish Community Research, and the Oxford Forum in England. In this capacity, Isaac has contributed to numerous peace and reconciliation dialogues in the Middle East, Africa and Ireland.

In the 1980s he was an active member of the Harvard-Radcliffe Alumni Association against Apartheid. He was nominated twice to the Harvard University Board of Overseers on an Anti-apartheid slate along with fifteen other distinguished Harvard alumni, including those who struggled against South African Apartheid and Archbishop Tutu. In 1993 (Chicago, IL) he was a signatory to the groundbreaking Document Toward a Global Ethic along with the Dalai Lama, the late Joseph Cardinal Bernardin of Chicago, and others, as a Jewish delegate to the Parliament of World’s Religions and a member of the about 150 Assembly of Religious and Spiritual Leaders. He was the first to propose in October 1993 to the Parliament the idea of a “united nations” of world religions (UR) to promote world peace and prosperity. Between 1994 and 2005 (New York, NY), he was an active member of the National Committee on American Foreign Policy at the height of their involvement with the Northern Ireland peace process. In 2004 (Amman, Jordan) he contributed to peace meetings as a member of the peace delegation of Peacemakers in Action of the Tanenbaum Center for Interreligious Understanding, sponsored by Prince Hassan Ibn Talal with the Tanenbaum Center for Interreligious Understanding. In 2005 (Amman, Jordan) Isaac also contributed to other peace-building symposia among the three followers of the Religio

#ephraimisaac #afroamericanstudies #harvard #peace #freedom

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Thursday, February 20th at 6:00 p.m.

Harlem, N.Y., January 30, 2020 — Today the Apollo Theater announced it will screen the award-winning documentary Bakosó: Afrobeats of Cuba on Thursday, February 20th at 6:30 p.m., as part of ImageNation’s Cocktails & Cinema series. This screening marks the second installment in the Theater’s partnership with Harlem-based non-profit and will continue to be an ongoing quarterly event, which will highlight films that showcase the global Black experience. Bakosó: Afrobeats of Cuba, winner of the Best Feature Documentary at Belize International Film Festival, was directed by Eli Jacobs-Fantauzzi, curator of the Annual Fist Up Film Festival and co-founder of Defend Puerto Rico. The screening will be preceded by a reception and live DJ set by Bembona beginning at 6:00 p.m., followed by a post-film Q&A with director Eli Jacobs-Fantauzzi; producer Khalil Jacobs-Fantauzzi; and Mai-Elka Prado Gil, founder of the Afro-Latino Festival of New York.

Bakosó: Afrobeats of Cuba follows DJ Jigüe to his hometown of Santiago de Cuba as he searches for new inspiration in the form of sound. Through his discovery of Afrobeats, DJ Jigüe ushers in an original sound creating a new genre called Bakosó, celebrating the connection between Africa and Cuba. The film’s score, created by the founders of the genre, and stunning visuals highlight the technology, culture, and landscape that shape this Afro-Caribbean fusion.

For more information, or to view the trailer for Bakosó: Afrobeats of Cuba, please visit: https://www.apollotheater.org/event/imagenations-cocktails-cinema-bakoso-afrobeats-of-cuba/

Ticket Info.
Tickets begin at $25 and includes appetizers and one beverage (wine or beer). A cash bar will be available. Tickets are available at the Apollo Theater Box Office: (212) 531-5305, 253 West 125th Street, and Ticketmaster at 1-800-745-3000, www.ticketmaster.com.

About ImageNation
ImageNation Cinema Foundation is an innovative Harlem-based non-profit created to develop cinemas and audiences for independent films and music, that depict the global Black experience. ImageNation’s goal is to empower Black communities by presenting a variety of public programs that foster media equity, media literacy, solidarity, cross-cultural exchange and highlight the humanity of Pan-African people worldwide.

Led by Moikgantsi Kgama (Founder & Executive Director) and her husband Gregory Gates (Executive Producer), ImageNation has hosted film screenings, live music performances and other cultural events for more than 200,000 people worldwide since its inception. ImageNation is a founding partner in AFFRM, a national film distribution collective, founded by Ava DuVernay. ImageNation has presented internationally in South Africa, Scotland and Canada and domestically at Harvard University, MASS MOCA, Lincoln Center and in Dallas, TX, Los Angeles, CA, Baltimore, MD, Chicago, Ill, Indianapolis, IN, and Washington DC. Programs have featured appearances by luminaries such as Spike Lee, Lee Daniels, Ava DuVernay, Stanley Nelson, Ruby Dee, Erykah Badu, Chuck D, Raoul Peck, India. Arie and many others. In line with its commitment to Black cinema, ImageNation’s RAW SPACE, will be developed into the Sōl Cinema Cafe, a boutique cinema highlighting global Black film and culture.

About the Apollo Theater
The legendary Apollo Theater—the soul of American culture—plays a vital role in cultivating emerging artists and launching legends. Since its founding, the Apollo has served as a center of innovation and a creative catalyst for Harlem, the city of New York, and the world.

With music at its core, the Apollo’s programming extends to dance, theater, spoken word, and more. This includes the world premiere of the theatrical adaptation of Ta-Nehisi Coates’s Between the World and Me and the New York premiere of the opera We Shall Not Be Moved; special programs such as the blockbuster concert Bruno Mars Live at the Apollo; 100: The Apollo Celebrates Ella; and the annual Africa Now! Festival. The non-profit Apollo Theater is a performing arts presenter, commissioner, and collaborator that also produces festivals, large-scale dance and musical works organized around a set of core initiatives that celebrate and extend the Apollo’s legacy through a contemporary lens, including the Women of the World (WOW) Festival as well as other multidisciplinary collaborations with partner organizations.

Since introducing the first Amateur Night contests in 1934, the Apollo Theater has served as a testing ground for new artists working across a variety of art forms and has ushered in the emergence of many new musical genres—including jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop. Among the countless legendary performers who launched their careers at the Apollo are Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Stevie Wonder, Gladys Knight, Luther Vandross, H.E.R., D’Angelo, Lauryn Hill, Machine Gun Kelly and Miri Ben Ari; and the Apollo’s forward-looking artistic vision continues to build on this legacy.

In fall 2020, the Apollo Theater will mark its first ever physical expansion with the theaters at the Victoria, part of the vision for a future Apollo Performing Arts Center. The theaters at the Victoria will support the growth of the Apollo’s artistic programming as it continues to provide a home to artists of color, create an expanded 21st century American performing arts canon, and provide additional educational and community programming in Harlem and beyond. For more information about the Apollo, visit www.ApolloTheater.org.

Support
The Apollo’s 2019-2020 season is made possible by leadership support from Coca-Cola, Citi, Ford Foundation, Howard Gilman Foundation, Jerome L. Greene Arts Access Fund in the New York Community Trust, and The Andrew W. Mellon Foundation.

Public support for the Apollo Theater is provided by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.

# # #

For more information, please contact:
press@apollotheater.org

#apollo #bakosó #afrobeats #cuba #cinema #bakoso #belize #international #film #festival #eli #jacobs #fantauzzi #jacobs-fantauzzi #defend #puerto #rico #producer #khalil #afro #latino #founders #visuals #technology #culture #caribbean #fusion #theater #apollotheater #pan-african #pan #african

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Of Performers

Apollo Legend Ella Fitzgerald’s Centennial Birthday

Featuring Patti Austin, Andra Day, Lizz Wright

And Just Added

Monica Mancini, Cassandra Wilson & Kevin Spacey

Co-hosted by David Alan Grier and Patti Austin

with the Legendary Count Basie Orchestra

and a Special Performance by

Howard University’s Vocal Ensemble Afro Blue

Saturday, October 22nd, – 8 p.m.

Harlem, NY, October 11, 2016 – This October, the Apollo Theater today announced some special additions to its lineup for 100: The Apollo Celebrates Ella on Saturday, October 22nd at 8 p.m, a special concert celebrating the centennial of Apollo Legend and the Queen of Jazz, Ella Fitzgerald. 100: The Apollo Celebrates Ella will be hosted by David Alan Grier and Patti Austin and will feature performances by some of the greatest talents in music, theater and film including Ms. Austin, Andra Day, Lizz Wright and just added – Cassandra Wilson, Monica Mancini and Kevin Spacey. The concert will include musical backing by the legendary Count Basie Orchestra, led by Scotty Barnhart, and a special performance by Howard University’s vocal ensemble Afro Blue.

100: The Apollo Celebrates Ella will honor the career of the “First Lady of Song” and her relationship to the Apollo Theater, where she won Amateur Night at the age of 17 and performed regularly throughout her storied career. This concert marks the inaugural performance of the Theater’s celebration of the jazz icon’s centennial, with events and performances through the spring of 2017.

Ella Fitzgerald was a regular performer at the Apollo Theater over the course of her illustrious career. Her relationship with the Theater began in the midst of the Harlem Renaissance, when she made her singing debut in the fall of 1934 as a nervous 17-year-old competing in the Amateur Night variety show. Apollo legend has it that she originally planned to dance, but made the last minute decision to sing after being intimidated by the competition. Ella was so nervous she improvised song lyrics by imitating its instruments—a technique that would become part of her signature repertoire, scatting. That night, she won the top Amateur Night title, making her the first female performer to earn such a distinction. Soon after her win, she joined the Chick Webb Orchestra and began touring with the group throughout some of the city’s most famous venues. In 2006, Ella Fitzgerald was inducted into the Apollo Walk of Fame in in honor of her long history with the Theater, as well as her continued influence on the American music landscape.

“Long before anyone knew her as a powerhouse performer, Ella Fitzgerald made a name for herself at one of the earliest editions of Amateur Night,” said Kamilah Forbes, the Apollo Theater’s Executive Producer. “Her innovations in vocal jazz that started on our stage exemplifies the Apollo’s tradition of nurturing creativity and pushing artistic boundaries. For Ella’s centennial birthday, we’re thrilled to celebrate the Queen of Jazz, the timeless talent she represents, and the generations she has inspired.”

Music highlights for 100: The Apollo Celebrates Ella include “A Ticket a Tasket,” “Blues in the Night,” “Miss Otis Regrets,” “You’ll Have to Swing It” and more. The concert is produced in collaboration with seven-time GRAMMY® – winning producer Gregg Field, who at the age of 24 toured as the drummer for both Count Basie and Ella Fitzgerald. Field also produced the Emmy nominated PBS special “Great Performances: We Love Ella,” for Ella’s 90th birthday.

This extraordinary concert is the first of the Theater’s four events that will honor the “First Lady of Song’s” centennial birthday. The Apollo’s celebration of Ella will extend into Spring, 2017 with Live Wire: Ella! A Centennial Celebration a discussion commemorating Ella’s legacy (Thursday, March 23, 2017); Apollo Music Café: Ella Fitzgerald Tribute an evening featuring contemporary jazz artists celebrating the songstress (Friday, April 7, 2017) and a special Jazz edition of Amateur Night celebrating the first female to win the Theater’s signature program (Wednesday, April 19, 2017).

About the Artists

David Alan Grier has earned many accolades and awards throughout the years for a stellar career that spans across multiple mediums. The three-time Tony and GRAMMY® Award nominee studied Shakespeare at Yale University where he received his MFA from the Yale School of Drama. He went on to build a diverse resume with countless credits in television, film, theater and comedy under his belt. Most notably, he was an integral cast member of the classic hit variety television show In Living Color and was named among Comedy Central’s list of Top 100 Greatest Stand-Ups. He has appeared on Broadway in the Gershwins’ Porgy and Bess in 2012, alongside Audra McDonald , and was nominated for a Tony Award and a Grammy for that role. In fall 2015, he adopted a role in NBC comedy series The Carmichael Show, which will return for its third season this spring. Shortly after this debut, he appeared as the Cowardly Lion in NBC’s live performanceof The Wiz Live!, for which he earned two Image Awards and two Critics’ Choice Awards nominations.

GRAMMY® award-winning singer and Harlem native Patti Austin, whose unique sound crosses all musical genres, has released an incredible 17 solo albums and a string of hit singles (like the R&B classic “Baby Come To Me”) over the course of her 60 plus years in the entertainment business. In striking similarity to Ella Fitzgerald, Austin is an Apollo legend in her own right and her storied career also began on the Apollo stage when at the age of four she performed on Amateur Night. She signed a contract with RCA Records shortly after and went on to become a mainstay on Billboard’s jazz and r&b charts, respectively.

Considered one of the premiere voices in jazz music, Cassandra Wilson is a world renowned vocalist, songwriter and producer celebrated for her rich, dusky sound, improvisational and interpretive gifts. A two time GRAMMY® winner and Down Beat magazine’s Jazz Vocalist of the Year for three consecutive years, Wilson has been hailed as “America’s best singer” and “the true heir of Billie Holiday and Sarah Vaughn” by TIME magazine. Making her name in the 1980s as a founding member of Steve Coleman’s free-ranging M-Base Collective, Wilson’s breakthrough 1993 album Blue Light Until Dawn was a prime collection of originals and songs by Robert Johnson, Mitchell, Hank Williams and Van Morrison. She won a GRAMMY for 1996’s New Moon Daughter, and the following year sang on the recording and tour of Wynton Marsalis’ Pulitzer Prize-winning oratorio Blood on the Fields.

Citing Billie Holiday, Ella Fitzgerald, and Dinah Washington, as her musical influences, soul music chanteuse Andra Day is considered soul music’s brightest new star, having been nominated for two GRAMMY® Awards this year for her debut album Cheers to the Fall and her hit single, “Rise Up.” Already in her career, the singer has performed at the White House, at the 2016 Democratic National Convention and appeared alongside Stevie Wonder in an Apple TV commercial singing Wonder’s song, “Someday at Christmas.” In late 2015, she embarked on her first national tour when she opened up for rock legend Lenny Kravitz. This Fall, Day will headline her first national tour with the appropriately, named, Cheers to the Fall Tour

Known for her vocal blend of R&B, jazz, blues and gospel, The New York Times calls Lizz Wright “a smoky-voiced goddess.” Wright has been mesmerizing music fans worldwide ever since she appeared on the late pianist and composer Joe Sample’s 2002 disc, The Pecan Tree. The following year, she gained even wider recognition for her critically acclaimed debut record, Salt on Verve Records. Produced by the legendary Tommy LiPuma – best known for his award-winning work with George Benson, Diana Krall, and Natalie Cole – the album helped introduce her as one of the most fascinating female vocalists of her generation as it raced to number two on the charts. After a move to Concord, she released Freedom & Surrender, her fifth album, in 2015.

Two time Academy award-winning actor, director, producer, and singer Kevin Spacey catapulted to international stardom with films such as LA Confidential, The Usual Suspects and American Beauty. Even more diverse roles followed, and his turn to TV acting in 2013 garnered across-the-board acclaim, as he began inhabiting the character Frank Underwood on Netflix’ first original, multi-award winning drama series House of Cards. In addition to film acting, Spacey has earned acclaim for his work as a film producer and director, and is a well-respected theatre actor who served as Artistic Director of London’s legendary Old Vic theatre for 11 years. He earned a Grammy nomination for the soundtrack to his second film as director, Beyond The Sea, portraying legendary singer/actor Bobby Darin, and performing all the musical numbers. Spacey’s most recently performed at PBS’ “Billy Joel: The Library of Congress Gershwin Prize”, and in “Tony Bennett Celebrates 90: The Best Is Yet To Come” airing in December on NBC.

Monica Mancini, the daughter of famed film composer Henry Mancini and notable studio singer Ginny O’Conner Mancini, has carved out an impressive career of her own as a concert performer, appearing with major symphony orchestras worldwide, including the Chicago Symphony, Dallas Symphony, Seattle Symphony and the London Metropolitan Orchestra. She is a two-time GRAMMY® nominee whose program often includes the classic songs “The Shadow of Your Smile,” “Moment to Moment,” “Moon River,” “Soldier in the Rain,” “Alfie,” “Charade,” “Days of Wine and Roses” and “Over the Rainbow.”

Apollo 2016-17 Season at a Glance

100: The Apollo Celebrates Ella is one of many highlights in the Apollo Theater’s 2016-2017 season. Additional events include, Hendrix in Harlem, a celebration of Apollo Legend Jimi Hendrix featuring a diverse group of performers to reimagine the late artist’s celebrated body of work; the return of the new holiday classic The First Noel, presented in collaboration with the Classical Theatre of Harlem, which will make an unprecedented move to the Theater’s Mainstage; WOW – Woman of the World Festival, featuring a celebration of the life, music, and legacy of jazz master and civil rights activist Abbey Lincoln; Unapologetically Black: AFROPUNK’s Race Music, a partnership with international cultural movement AFROPUNK paying homage to black protest music; and the return of the Theater’s signature programs Amateur Night, Apollo Music Café, Apollo Comedy Club, as well as free, ongoing Education and Community Outreach programs.

Tickets for 100: The Apollo Celebrates Ella are $35- $95. Tickets will be available at The Apollo Theater Box Office: (212) 531-5305, 253 West 125th Street, and Ticketmaster at 1-800-745-3000, http://www.ticketmaster.com.

Apollo Theater Information

Box Office Hours:

Mon, Tues, Thurs, Fri – 10:00 am – 6:00 pm

Wednesday – 10:00 am – 8:30 pm

Saturday – 12:00 pm – 6:00pm

Get social! For exclusive photos, updates and more use the hashtags #ApolloCelebratesElla

Follow the Apollo Theater:

Facebook.com/apollotheater

Twitter.com/apollotheater

YouTube.com/apollotheater

Instagram.com/apollotheater

The Apollo’s 2016-2017 season is made possible by leadership support from Citi, Coca-Cola, Troy and Keisha Dixon, Ford Foundation, The Howard Gilman Foundation, Jerome L. Greene Foundation, Robert K. Kraft, The Reginald F. Lewis Foundation, Merrill Lynch, The Parsons Family Foundation, the Ronald O. Perelman Family Foundation, JoAnn Price, Earl W. and Amanda Stafford, Time Warner Inc., the Reginald Van Lee Fund for New Works, the Apollo Board of Directors, and many other generous donors.

Public support provided by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council

About the Apollo Theater

The legendary Apollo Theater—the soul of American culture—plays a vital role in cultivating emerging talents and launching legends. Since its founding, the Apollo has served as a center of innovation and a creative catalyst for Harlem, the city of New York, and the world.

With music at its core, the Apollo’s programming extends to dance, theater, performance art, spoken word initiatives, and more. This includes the October 2014 premiere and 2015 international tour of the dance celebration project James Brown: Get on the Good Foot, the annual Africa Now! Festival, Apollo Club Harlem, and the recent New York premiere of the opera Charlie Parker’s YARDBIRD. The Apollo is a presenting organization that also produces festivals, large-scale dance and music works organized around a set of core initiatives: Apollo Music Signature Programs—Amateur Night, Salon Series, Apollo Music Café; Legacy Series— work that celebrates and extends the Apollo’s legacy through a contemporary lens; Global Festivals including the Women of the World (WOW) Festival and Breakin’ Convention, international and U.S.-based artist presentations focused on a specific theme; and Special Projects, multidisciplinary work with partner organizations.

Since introducing the first Amateur Night contests in 1934, the Apollo Theater has served as a testing ground for new artists working across a variety of art forms, and has ushered in the emergence of many new musical genres—including jazz, swing, bebop, R&B, gospel, blues, soul, and hip hop. Among the countless legendary performers who launched their careers at the Apollo are D’Angelo, Lauryn Hill, Machine Gun Kelly, Miri Ben Ari, Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Michael Jackson, Gladys Knight, Luther Vandross, and Stevie Wonder; and the Apollo’s forward-looking artistic vision continues to build on this legacy.

The Apollo Theater is a not-for-profit organization with the mission to extend the institution’s role in fostering artistic innovation and in building appreciation of American culture around the world. For more information, visit www.apollotheater.org .

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