#Nuclear #CleanEnergy

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What are CAR T Cell Therapies and How Do They Help People with Blood Cancers?

There are 1.5 million Americans living with, or in remission from, a form of blood cancer. Many of these cancers fall into the category of B-cell mediated lymphomas, a type of the disease that starts in B-cells (a type of white blood cell) and often develops in adults older than 60, though can also be diagnosed earlier in life.

B-cell lymphomas can include both fast-growing (aggressive) and slow-growing (indolent) forms, and for those who relapse after initial treatment, or do not respond to initial therapies (refractory), prognosis is poor and there is a profound need for additional effective treatment options.

This September, during Blood Cancer Awareness month, we are thrilled to offer the opportunity to hear from expert Dr. Matthew Lunning, University of Nebraska Medical Center, and Astrid Q., who was diagnosed with lymphoma at the age of 28, and after initially undergoing chemotherapy, experienced a return of her cancer and was then treated with a chimeric antigen receptor (CAR) T cell therapy in a clinical trial. Together they can discuss the reality that people face when dealing with relapsed or refractory (R/R) lymphoma and why CAR T cell therapy was the best option for her.

Most importantly, they can provide a deep dive into CAR T cell therapy, an innovative, personalized treatment for certain blood cancers that uses a person’s own immune cells to fight the disease. CAR T cell therapy has been shown to produce results in people living with certain B-cell lymphomas – when other treatments have failed.

Matthew Lunning D.O., FACP, is an Associate Professor in the Division of Hematology/Oncology at the University of Nebraska Medical Center. Dr. Lunning also is Associate Vice Chair of Research for the Department of Internal Medicine, Medical Director of the Clinical Research Center (CRC), and Medical Director of Cellular Therapies.  He has served on several National Comprehensive Cancer Network’s guidelines committees including the Immunotherapy Toxicity & T-cell lymphoma panels. Dr. Lunning has been active in clinic research, research mentoring, education, and patient care.

About Astrid Q.:

Astrid Q. was diagnosed with lymphoma when she was 28 years old, while in college studying to become a physician’s assistant (PA). Despite initial rounds of chemotherapy, her cancer returned so she enrolled in a clinical trial to receive a CAR T cell therapy. At the time of her clinical trial participation Astrid was studying for the PA exam while receiving and recovering from CAR T cell therapy treatment. Since her one-time* treatment with CAR T, her yearly scans have been clear. Astrid enjoys meditation, spending time with her husband and baby boy, and her job as a PA.

* Treatment process can take approximately 2-3 months and includes leukapheresis, manufacturing, administration, and adverse event monitoring

This interview is sponsored by Bristol Myers Squibb.

#cancer #bloodcancermedicine #excitingadvances #hope #empowerment #patients

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Suggested by LDS
Michael McIntyre On Christmas | Michael McIntyre

#man #buying #buy #gift #girl #lingerie #department #dept #size #need #assistant #help #smack #pony #embarrassed

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SUMMER IN THE FOREST

108 minutes

Opens at Village East Cinemas in NYC on March 23, 2018

Trailer accessible via www.summerintheforest.com

Audio described / access version available

Facebook: @SummerInTheForestFilm Twitter: @SummerIntForest

Synopsis

SUMMER IN THE FOREST

Like countless others Philippe, Michel, Andre and Patrick were labeled ‘idiots’, locked away and forgotten in violent asylums, until the 1960s, when the young philosopher Jean Vanier took a stand and secured their release – the first time in history that anyone had beaten the system. Together they created L’Arche, a commune at the edge of a beautiful forest near Paris and a quiet revolution was born.

Now in his 80s and still at L’Arche, Jean has discovered something that most of us have forgotten – what it is to be human, to be foolish, and to be happy.

SUMMER IN THE FOREST invites us to abandon the rat race and forge new friendships. Amid the ancient trees, Philippe, Patrick, Jean and the others welcome us into their lives. If there are rules to break, they will be broken and if there is a truth to be told, they will tell it. Michel wants to share with us his war torn past, Andre is desperate for a date, and young David will prove himself a hero in the fight against the forces of evil.

UK Press Comments

“Joyously uplifting,” Daily Mail

“It is a film that could, and should, change your life,” Rosa Monckton

“A film full of laughter and joy,” Christina Patterson, Guardian

“An extremely important film,” Rachel Campbell-Johnston, Chief Art Critic, The Times

“Turns the world upside-down…deserves a giant screening in Trafalgar Square,” The Spectator

“Reaches out to one’s sense of what it is to be human,” Katie Hollier, Mencap

“Revolutionary… a tender-hearted documentary,” Daily Express

“Above all, a peaceful vision,” Peter Bradshaw, The Guardian

“Exceptionally moving,” Sight & Sound

Director’s Statement – Randall Wright

As a child every few weeks my father would drive the family over to my grandparents for Sunday lunch. Perhaps once a year, May, his aunt, would drop by later in the afternoon. She made a dramatic entrance. She had a disfigured face, strange clothes and was referred to as ‘simple’. When she entered the room everyone went quiet and my sisters and I were frightened of her. No sooner had she made her entrance she was being ushered out again. All I can remember of her was a gentle muttering and a ‘hello’. Nearly every family has a May somewhere in their history. She is the hidden inspiration for this film, but the truth is I remember very little about her, beyond the hello. People with intellectual disabilities are the most rejected people on the planet. There is something deep inside us, inside me, that wants to forget she exists. Reading Jean Vanier’s books helped me start to understand why.

I first met Jean Vanier at St Pancras International, on his way home to a village, Trosly-Breuil, north of Paris. Towering above me like Jacques Tati, he has one of the kindest faces you will ever see. He sat down in a cafe and listened patiently to my idea for a documentary that tried to get to know the intellectually disabled as people. He then invited me to visit his community, on the fringes of an immense ancient forest.

Jean Vanier is one of the great humanitarians of our time. He saw the value of people with intellectual disabilities and rescued them from lunatic asylums in 1964 and, by proving they could live in an ordinary house, changed the care system for a whole category of human beings throughout the Western world and beyond. The organization he founded, L’Arche, in France, now has 151 communities in 37 countries, including the US, and is constantly growing. He has authored classic books on the subject, won international awards, such as the Templeton prize, but he is not a household name, unlike his friend Mother Teresa.

Jean Vanier’s whole being is focused on the exact opposite of worldly ego. He has given his life to people we judge to be failures. He also suggests that these marginalized people, far from being insignificant and irrelevant have something to teach us by example: that we need each other; that we must wake up from our fantasy of perpetual individual success. As he says in the film: the powerful lead us to ideology, the weak are in the dirt and lead us to reality. This philosophy he learnt from the pioneers he built his first community with, who are also the subject of the film: Philippe Seux, Patrick Droualt, Michel Petit and Andre Stubenrauch.

Throughout the making of Summer in the Forest I kept in mind one of Vanier’s key questions: how do you make friends with someone different to you? It is a question Vanier has asked perhaps all his life. He takes it further: how do you reach out to people on the margins, to different social or ethnic groups, and how do you make peace with your enemy? It is a practical question that came out of his experience of the atrocities of the Second World War, especially the attack by the Nazis on the weakest members of society. It is also the question the stars of the film, including others, David Surmaire, Sara Daqdaq and Andre Stubenrauch asked of us: ‘Will you be my friend?’

To make the film we had to learn to let our barriers down and to give up some of our controlling filmmaking habits. Before we even started Theo Chester the assistant director and I spent weeks getting to know people before the cameras arrived.

Eventually we chose the Val Fleuri, a large light-filled house where many of the founding members still live, and where, fifty yards from his modest cottage, Jean, now 88, has most of his meals. Gradually the stars started to choose themselves: Patrick Druault, with his constant request for cigarettes, Andre with his constant complaints, Michel Petit with deep philosophical observations of his own, and David a small young man keen to show us his manliness.

Throughout the summer our stars took us deep into the forest to ponder, joke and often unexpectedly reveal the stories of their lives by whichever anarchic method seemed most appropriate: psychodrama, memories of wartime experience, confiding in stories of love, or performing comic routines. The elemental forces of the forest, and summer gave these moments the epic backdrop they deserved because behind them lay the immense courage that enabled them to rebuild their lives. The whole film is shot more like a fully orchestrated fiction film to give them the production values they deserve but are rarely given.

As an aside – in these romantic locations two characters made their first steps to fuller independence: Celine falls in love with Fred Dethouy, and they plan to get married. Their story chimed with another personal memory of mine. During my childhood in Leicester, enlightened local education authorities placed physically handicapped students in regular primary school classes. One of those students, with cerebral palsy, became a life long friend. It was only recently she pointed out that I, along with the rest of her friends, had failed to realize that all she wanted from life, like everyone else, was to fall in love. Many of the older people in the film, like my friend, mention marriage as an unattainable dream, but for the next generation growing up in a community of mutual respect finding a partner is a realistic possibility.

Summer in the Forest is about Michel’s courage, Jean’s hope, Maha’s grace, Andre’s longing, Helmi’s loyalty, Celine and Fred’s love; all people who have made a very beautiful world alongside our very broken one. It tries to answer the question ‘how can you make friends with someone different to you’ but also why you should try. When you are with people with intellectual disabilities they teach us by example to drop the guard, and stop pretending. It’s a chance to rediscover ourselves.

Cast Biographies

David

Hobbies: Music & Dancing

Favourite Film: Texas Walker

Favourite Animal: Dogs

Using his strength to save the world is David’s top priority. A self-styled super-hero from Royan, David thinks big. He’s not at all interested in being small. When not saving the world, David can be found dancing in his room, working at the packing plant, hanging out with his girlfriend Pauline, or watching movies – old Westerns are a particular favourite. Like the cowboys of old, if anyone annoys or threatens his girl, he’s always there to be her hero.

Celine & Fred

Occupations: Groundskeeper (Fred) and mosaic artist (Celine)

Hobbies: Holidays in the sun

Future projects: Planning a wedding

When Celine first arrived at Le Val Fleuri, she was shy and withdrawn, the opposite of boisterous, playful Fred, who immediately caught her eye. The two first spoke on a trip to Lourdes, when she accidentally hit him with a coke bottle, and they’ve been inseparable ever since. In the years they’ve been an item, Celine has emerged from her shell, and the happy couple are about to be engaged. It’s their dream to live together, alone, but close enough to the community to call in for breakfast.

Michel

Interests: World War II & Birdwatching

Favourite Exercise: Long walks

Would Like To Be: A Historian

Michel’s earliest memories are of hiding in the basement in his hometown of Amiens while bombs fell during the Second World War. From Amiens, he was moved to an asylum, where he endured years of abusive treatment from wardens – but they couldn’t break him. Michel rebelled, shaving his head and walking 30km to escape. Now living happily in Trosly, calmer and more reflective these days, Michel is still haunted by dark memories from the past.

Hobbies: Wrestling

Favourite Music: Jean Ferrat

Favourite Films: Romantic Comedies

Andre grew up in a tough, macho household, with a strict father who insisted that Andre should live his life to the full. Over the years, he’s tried his hand at crafts like pottery, weaving and painting – as well as the occasional wrestling match – but amongst his friends at Trosly, Andre feels like he’s finally found his place and has started looking to the future. Most of all he wants to travel, perhaps alongside his best friend Widad, whose company he cherishes during their regular evening meals.

Sara

Hobbies: Crafts & Shopping

Favourite Food: Chips

Would Like To Be: Happy & Content

Above all, Sara wants to see people smile and be happy. It’s her passion, both in her community at Ma’an Lil-Hayat, and with her family and friends outside. She loves music, dancing and having a good time, as well as shopping for clothes out in the winding streets of Bethlehem. A natural listener, Sara is a confidante and a rock for all of her friends, an honoured position that she takes very seriously.

Patrick

Interests: Shopping

Favourite Drink: Non-alcoholic Beer

Would Like To Be: An Artist

Patrick is passionate about food, drink and especially shopping, but his inner thoughts are often enigmatic. Many see him as something of a loner, off on his long solo walks around the village and childhood haunts in Paris, but those who know him will have seen another side to Patrick – one that’s affectionate, caring and often very funny. One day, he may even do what everyone’s been telling him for years, and give up the cigarettes.

Hilmi

Occupation: Textiles craftsman

Interests: Style, exercise

Happiest when: Hanging out with friends

Before coming to Ma’an Lil-Hayat, Hilmi was ridiculed and regularly beaten by his peer group and even hostile strangers who didn’t understand him or what he’s about. At the centre, he’s free of all that, and able to indulge his passions for fashion, crafts and music. Hilmi is often the life and soul of the Bethlehem community, soaking up the attention at parties, though he has a shy side too, and can just as often be found hidden away in the corner, chatting with close friends.

Jean

Hobbies: Writing

Favourite Food: Christmas Pudding

Pet Peeves: Intolerance, Violence

Now 87, Jean has spent more than half his life working and living with the community that he founded in Trosly, an experience that has transformed his life. Once he was a naval officer, but now he dedicates all of his time to the community, be that travelling the world – a task he doesn’t relish – or wasting time with his friends back at Le Val Fleuri.

Filmmaker Bios

Randall Wright

Director

Randall Wright lives in London. After university Randall was accepted for traineeships at the BBC in editing and directing. He has now directed and produced over thirty major documentaries. His most recent films include the cinema film Hockney which premiered at the London Film Festival and released in the US, UK, France, Italy, and Australia. It was nominated for an RTS, Grierson and won the FIFA award. His current cinema documentary is called Summer in the Forest which tells the story of Jean Vanier, and the first communities for people with intellectual disabilities, and has been nominated for Best Film, and Best Documentary Film at the Nice International Film Festival.

His previous work includes UK Lucian Freud: A Painted Life, which was critically acclaimed, winning an RTS award for best documentary of the year and earning a Grierson and Emmy nomination, and BAFTA Robert Flaherty nomination, Jack. The Lad a comic documentary about the years leading to Jack Rosenthal’s first screen play, which was nominated for a BAFTA; The Secret Centre, about John Le Carre’s career as a spy; and many films on sub-Saharan African subjects including an acclaimed three part series for Channel 4, Africa Unmasked.

During his childhood in Leicester, enlightened local education authorities placed physically handicapped students in regular classes. One of those students, with cerebral palsy, became a lifelong friend and introduced him to the realities of life with disabilities, including people with intellectual disability. Summer in the Forest celebrates the international movement L’Arche that made known the gifts of people with intellectual disabilities working together for a humane society.

Richard Wilson

Producer

Richard Wilson escaped the BBC 17 years ago and has since produced some 200 films, mostly documentaries, for TV and cinemas around the world. He has won multiple awards in a career that stretches from the South Pole to daytime TV.

Patrick Duval

Cinematographer

Patrick studied Fine Art, then took film at the RCA. He has shot many Art documentaries, independent features, TV drama, comedy and commercials. He jointly won the Evening Standard Award and Valladolid Film Festival in Cinematography for Terence Davies’ Distant Voices/Still Lives and shot the Prix Italia-nominated I’ll Be Your Mirror.

Paul Binns

Editor

Paul Binns is a BAFTA award- winning film editor who trained at the London International Film School. Paul’s work includes the films I’ll Be Your Mirror, about the photographer, Nan Goldin, and Tell Me The Truth About Love, about the poet W.H.Auden. In 2006 he won the BAFTA Editing Craft Award for the drama- documentary, The Year London Blew Up.

Mangurama

Mangurama, a partnership between Abramorama and Mangusta Productions, brings films that celebrate “consciousness” to the big, medium, and small screen. The company will invest in the distribution and completion of paradigm challenging and consciousness expanding visual content. Mangurama’s films are the next generation of mind, body, spirit documentaries, covering not only spirituality, eastern philosophy, yoga and meditation, but also economics, politics, philosophy, sexuality and aspects of the human existence.

Credits

An R2W Films Production in association with Rockhopper Productions and Filmwrights

SUMMER IN THE FOREST

Director

RANDALL WRIGHT

Producer

RICHARD WILSON

RANDALL WRIGHT

Director of Photography

PATRICK DUVAL

Film Editor

PAUL BINNS

Music

JOHN HARLE

Production Manager

SERENA KENNEDY

Assistant Director

THEODORE CHESTER

Researcher

ALEXANDRA FENNELL

Sound Recordists

LAURENT BEN NAHIM

ISSA J. QUMSYAH

Additional Sound

CLÉMENT BONNARDEL

Assistant Producer

GARRY SYKES

Bethlehem Fixer

NAJWA MUBARKI

Drone Operators for Les Dronographes

BASILE DELL

JEREMIE LIPPMANN

Bethlehem Drone Operator

HANNA ABU SADA

Camera Assistant

JASON HENWOOD

Business Affairs

CORRINA FOWLER

MUSIC PERFORMED BY

Saxophone, Bass, Keyboards

JOHN HARLE

Flutes

ANDY FINDON

Guitars and Banjo

JOHN PARRICELLI

THE DREAMLAND ORCHESTRA

Concertmaster

BILL HAWKES

Sound Engineer

ROLAND HEAP

Production Accountant

HAMIT MEHMET

Technical Support

SAM DAVIS

Post Production

MOLINAIRE

DI Colourist

ASA SHOUL

Online Editor

DES MURRAY

Assistant Online Editor

BEREN SOWTER-CROLL

DI Supervisor

MATT JAMES

DI Co-ordinator

THERESA CROOKS

DI Conform Editors

MICHELLE CORT

JOHNATHAN DICKINSON

LEIGH MYERS

Sound Re-Recording Mixer

GEORGE FOULGHAM

Dialogue Editor

CLAIRE ELLIS

Sound FX Editor

TOM FOSTER

Music Editor

NAS PARKASH

Foley Recordist

CIARAN SMITH

Foley Artist

GARETH JONES

Foley Editor

STUART BAGSHAW

Post Production Manager

SEAN McMORRIS

Sales Executive

TOM ROGERS

Press and Publicity

ALIYA MUGHAL

Unit Photographer

SEBASTIAN RICH

WITH SPECIAL THANKS TO

Oliver Pawle

Lord Mervyn Davies

Natalie Blyth

Bruce Bower

Edward Chandler

Tim Church

Marc Ciancimino

John Colquhoun

Peter Cross

Michael Dawson

Justin Dowley

Mark Edwards

Charles Fitzherbert

Marek Gumienny

Graham Hutton

Philip Marsden

Chris Purslow

Simon Ronan

Tim Syder

Christian Sweeting

Dominic Tayler

Adrian Aylward

Caroline Aylward

Catherine Goodman

Anne Chabert

Fr Christopher Jamison OSB

Ruth Pople

Nicola Roberts

Anya Sitaram

Peter Weil CTVC

Nigel Williams

The International Foundation of L’Arche:

Eileen Glass

Patrick Fontaine

Louis Pilote

Heather Coogan

L’Arche Trosly-Breuil:

Christopher Asprey

Isabelle Aumont

Widad Bisher

Odile Ceyrac

Marie-Charlotte Huttepain

Christine McGrievy

Christine Peloquin

Régine Kerhuel

Odile Olivier

Pauline Rebilly

Marie-Alix Regout

Hugues Volant

Fred Guillemet

L’Arche Bethlehem:

Kathy Baroody

Mahera Nassar Ghareeb

Hitham Daoud

Amal Abu Zalaf

Kholoud Khoury

Yasmine al-Haj

Fatmeh Hamad

Library and Archives Canada

Décors naturels de la forêt dominiale de Compiègne, gérés par l’Office National des Forêts

Sahar El Laiali

Composed by the Rahbani Brothers

Samra Ya Samra

Composed by: Karem Mahmoud

Gen Du Pays

Composed by: Gilles Vigneault. Licensed courtesy of: Gilles Vigneault

ORIGINAL MUSIC SCORE

by John Harle

Published by Chester Music Limited

THE SHERIFF

Lyrics by Charles Hart. Music by John Harle. Sung by Paul Jones

In Memory of Pauline Dinah Wright

© 2016 R2W Films Ltd

The post “Breaking Down Prejudice to those with Disabilities. ”Summer in the Forest is a full length uplifting feature movie. Opening March 23 in Village East Cinema. appeared first on Good News!.

Remembering Samuel Pisar, Holocaust Survivor, Special Envoy for Holocaust Education by Judith Pisar
“In Memoriam Hungarian Composers,
Victims of Holocaust”
A Concert by world-renowned musicians,
Professors and students of the Franz Liszt Academy of Music (Budapest)
Violin: Vilmos Szabadi
Cello: Eszter Karasszon
Piano: Mariann Marczi
Lajos Delej: Scherzo Béla Bartók-Tivadar Országh: Hungarian Folksongs Imre Sárossi: Pastorale Zoltán Kodály: Transylvanian Lament György Justus: Jazz suite – Waltz, Tango Béla Bartók: Hungarian Folksongs Ferenc Vecsey: Valse triste György Justus: Elegiaque
A Talk by Ágnes Kőry, Director of the Béla Bartók Centre for Musicianship (London)

Judith Pisar has devoted her career to building cultural bridges across the Atlantic. As President of Arts France-USA, an organization committed to cultural exchange between the two countries, she regularly produces concerts and festivals of American music in Paris – including tributes to Leonard Bernstein, George Gershwin, Broadway, Duke Ellington and Louis Armstrong. Prior to that she served for 17 years as Chairman of the American Center of Paris, the avant-garde meeting place for French and American artists. In that capacity she selected Frank Gehry to design a new building in 1988 – one of his first in Europe. Described by Philip Johnson as “America’s Cultural Czarina in Europe,” she has also served on the French Ministry of Culture’s Conseil Supérieur du Mécénat, on the board of the Régine Chopinot Ballet and as a founding signatory of the World Charter against Cancer. Earlier in her career, she served as Director of Music at the Brooklyn Academy, Executive Director of the Merce Cunningham Dance Company and founded The Composer Speaks, a lecture bureau which brought some of the greatest composers of the 20th Century — Pierre Boulez, Karlheinz Stockhausen, Iannis Xenakis, John Cage, Luciano Berio and others — to cities and universities throughout the United States. She is an Officer of the French Legion of Honor and a Knight of the Order of Arts and Letters.
Performers
Vilmos Szabadi (violin)
Mr. Szabadi is Hungary’s foremost violinist, a regular soloist and frequent guest artist in the most prestigious concert halls around the world. Vilmos Szabadi studied at the Franz Liszt Academy of Music of Budapest where on receiving his diploma, he became the youngest ever to join the Professors’ team. His career as an international Concert violinist took off when he played Bartók 2nd Violin Concerto during the Bartók Festival at the Royal Festival Hall in London. The success of this Concert, led to invitations from the Royal Philharmonic Orchestra and the BBC Philharmonic Orchestra as well. Mr. Szabadi was also among the privileged musicians invited by HRH Prince Charles to perform at the celebration in honor of Sir Georg Solti’s 80th birthday held at the Buckingham Palace in 1992. In 1993 the prestigious “Franz Liszt” prize has been awarded to Vilmos Szabadi by the Hungarian Government. In 1995 he also appeared on the Stradivarius series, played the Strad violin owned by Spanish Royalty in Madrid. Mr. Szabadi is a recent double prize winner of the renowned MIDEM Festival in Cannes, France. He plays a cremonese Laurentius STORIONI instrument dated 1778.

Mariann Marczi (piano)
Mariann Marczi started playing piano at the age of four and now she holds a PhD from Franz Liszt Academy of Budapest, where she is a Professor. Ms. Marczi is a winner of many national and international awards, scholarships and piano competitions. She performed almost in every country in Europe, and she is also a frequent guest artist at many music festivals, such as the Bartók Festival; Prague-Wien-Budapest Festival etc. Her repertoire includes a wide range of works from early Baroque to contemporary music. Ms. Marczi turns with particular attention towards the works of J. S. Bach, Béla Bartók and György Kurtág. Since 2012 she is also a member of the World Piano Teachers Association and she often participates as lecturer at international conferences, such as the World Piano Conference (Novi Sad, Serbia) and the London International Piano Symposium.
Eszter Karasszon (cello)
Eszter Karasszon is a young Hungarian cellist, student at the Franz Liszt Academy of Music of Budapest. She is already a winner of many national and international awards, such as the Dohnányi Chamber Competition (2013) and the VI. David Popper Competition (2015). In 2010 she has been granted a scholarship giving her the possibility to participate in a master class of Indiana String Academy to Janos Starker. Ms. Karasszon has not only performed in Hungary but in many European countries and in the United States as well.
Ágnes Kőry (talk)
Hungarian-born Ágnes Kőry is a graduate of the Béla Bartók Conservatoire Budapest, Royal Academy of Music London (DipRAM) and University of London (MPhil). An ex-professional cellist, she focuses on research into a variety of fields (which include baroque string instruments, composers Béla Bartók and Zoltán Kodály, Holocaust history ). Ágnes Kőry presented her papers on musicological conferences (University of Edinburgh, University of London, University of Manchester, Institute of Musicology Budapest) . She is an author of many musicological journals such as the Galpin Society Journal, Studia Musicologica, Early Music, The Consort, Ethnomusicological Forum and Parlando. Ágnes Kőry’s scholarly papers are also published on a variety of scholarly websites in the United States, United Kingdom, Hungary and Israel. Ágnes Kőry is a regular contributor to classical music websites. Ágnes Kőry leads the Béla Bartók Centre for Musicianship (London), where specialized musicianship training coexists with comprehensive music education

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In the past few seasons, David has led numerous orchestras including the Indianapolis Symphony Orchestra, Ensemble Orchestral de Paris, North Czech Philharmonic, Rouse Philharmonic, Bulgarian Opera, Bourgas, and Hungarian Opera, Cluj, in addition to working with some of his generation’s most exciting artists, such as Stefan Jackiw and Time for Three. As a participant in numerous competitions, he has placed in the semi-finals of the Bartok Opera Competition and was the youngest person to pass the preliminary round of the Cadeques Competition in 2008. In addition, Mr. Glover has held positions as the Ansbacher Fellow to the Salzburg Festival, and as Conductor of the Indiana University All-Campus Orchestra. He holds degrees from the University of Georgia and Boston University in violin performance, as well a master’s degree in instrumental conducting from Indiana University, where he was named an Adjunct Lecturer in 2007.

Starting as a violinist, David Glover began to work extensively on conducting in 2005 when he founded and became Artistic Director of L’Orchestra da Camera, Boston. With this orchestra, he led its inaugural two seasons, which included a complete performance of The Marriage of Figaro. In addition to his ISO duties, he is also currently the Artistic Director of the Wabash Valley Youth Symphony. David resides in Indianapolis with his wife Emily.

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