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		<title>Registration is Open &#038; Free &#8211; Summer AI &#038; Entertainment Summit &#8211; A Virtual Event &#8211; July 21-23, 2025</title>
		<link>https://goodnewsplanet.com/registration-is-open-free-summer-ai-entertainment-summit-a-virtual-event-july-21-23-2025/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Wed, 11 Jun 2025 15:44:41 +0000</pubDate>
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					<description><![CDATA[<p>A Virtual Event &#8211; Click Here Registration is Open &#8211; Industry Leadership: The Best in AI &#38; Entertainment Digital Hollywood is Proud to Present: Join Us and Watch &#8211; Three Days of Amazing Speakers &#38; Roundtables Summer AI Entertainment, Advertising &#38; Tech Summit Monday, July 21 &#8211; Wednesday, July 23, 2025 On the Digital Hollywood &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/registration-is-open-free-summer-ai-entertainment-summit-a-virtual-event-july-21-23-2025/">Registration is Open &#038; Free &#8211; Summer AI &#038; Entertainment Summit &#8211; A Virtual Event &#8211; July 21-23, 2025</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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										<content:encoded><![CDATA[<p><a href="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_1.jpg"><img fetchpriority="high" decoding="async" class="size-full wp-image-87148 aligncenter" src="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_1.jpg" alt="" width="1200" height="482" srcset="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_1.jpg 1200w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_1-300x121.jpg 300w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_1-1024x411.jpg 1024w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_1-768x308.jpg 768w" sizes="(max-width: 1200px) 100vw, 1200px" /></a></p>
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<p align="center"><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNQBB2hfd9EKVp7SWPhUAFBQQTJt1kTliQAE8cV1zF5Vh8AhYbtfHOPSqZivbrMVTcfko9-LyGnNvhAyg4LTrLWOiAAavjLonEojm4pvlRlfRvQh17-xaLy_vXcgtO69BK6p2PV9fx2WiIiKghwAdUa4=&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">A Virtual Event &#8211; Click Here</a></p>
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<td class="yiv9200843678text_content-cell yiv9200843678content-padding-horizontal" align="left" valign="top">Registration is Open &#8211; Industry Leadership: The Best in AI &amp; Entertainment</p>
<p>Digital Hollywood is Proud to Present:</p>
<p>Join Us and Watch &#8211; Three Days of Amazing Speakers &amp; Roundtables</p>
<p>Summer AI Entertainment, Advertising &amp; Tech Summit</p>
<p>Monday, July 21 &#8211; Wednesday, July 23, 2025</p>
<p>On the Digital Hollywood site &#8211; <a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNQBB2hfd9EKVp7SWPhUAFBQQTJt1kTliQAE8cV1zF5Vh8AhYbtfHOPSqZivbrMVTcfko9-LyGnNvhAyg4LTrLWOiAAavjLonEojm4pvlRlfRvQh17-xaLy_vXcgtO69BKyPkwCTn-wVRqkyJYVwfhfk=&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">Free to All Attendees!</a></td>
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<p><a href="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg"><img decoding="async" class="size-full wp-image-87149 aligncenter" src="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg" alt="" width="1200" height="533" srcset="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg 1200w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-300x133.jpg 300w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-1024x455.jpg 1024w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-768x341.jpg 768w" sizes="(max-width: 1200px) 100vw, 1200px" /></a></p>
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<td class="yiv9200843678text_content-cell yiv9200843678content-padding-horizontal" align="left" valign="top">*Session titles subject to change</p>
<p>Monday, July 21st &#8211; Wednesday, July 23rd</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNQBB2hfd9EKVp7SWPhUAFBQQTJt1kTliQAE8cV1zF5Vh8AhYbtfHOPSqZivbrMVTcfko9-LyGnNvhAyg4LTrLWOiAAavjLonEojm4pvlRlfRvQh17-xaLy_vXcgtO69BK_Tjhsc79KcmNPlLSUsNlE0=&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">The Complete Agenda </a> &#8211; July 2025 Agenda</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQRWyxzrZvmxQS8BYxDLw9jTBFUiGkBtMC_mzJitITOVFq5omJaS16v3CqhO9w_i50DoisaQYxTTQFsEusVKt1cUL8GVRJv4kgeR_BaX3cLxRZWKxT6l_PTmKd7XDU8LgdpuA85GwOnZ8=&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">The Keynotes: Monday, July 21st </a> &#8211; Wednesday, July 23rd, 2025</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQ9zcEs-FVYgeDPn05hM2D7Qo96KWMqAtKiMKxSRzENRhMVjnR7ym4zRpVfPlsJsZXrCAgBcPU_09lO7LNMbLwF7RPQou4FNxLJCeZTPH-Yf_-fu9uaf2XASKC0em3Jl3M&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">I. Track One: Cinematic AI &amp; Video</a> &#8211; The 21st Century Artist</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQngZ3WKHYJf-gPZkCrtYixPIhWNOlKWg5XunEc8FrepHASI1WjO3r6W5iBzK1i8rHcIJ6gntNf6dyrdDrQi2bb5nK4iqP3A_KSs6TuYhPmtdeU3jdCf3LWXLgkXjkCazi&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">II: Track Two: Brand Experience &amp; Immersion</a></p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQ49VuHJ9LWYgCqUCuUY4O3I2Zq9rqxE24eISXWXrQkszVKokkhUqECC-HYX049Iq_FEO-ec6z7qNTmRPq-pYwmtKl24TmFEUTtW9w2QvHm2-cSi7cdVMOc81umY_Hc87J&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">III. Track Three:  Virtual Humans</a>, AI-Human Engagement &amp; Synthetic Intelligence</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQyQryAnNm7Wp1uxPAZeEk7zzz4VXkY22Y5C5YdrOPYmT8hHLnHEgxrCAv_BwKjqVvhVmsxHJ0rD3KO6u_pi07hP55JoFU5CTo4-54KsEwF_8MnFklrtQHOVU_-X5hhOOM2vXDH2qLHuQ=&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">IV. Track Four: Hollywood, Virtual Production,</a><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQ49VuHJ9LWYgCqUCuUY4O3I2Zq9rqxE24eISXWXrQkszVKokkhUqECC-HYX049Iq_FEO-ec6z7qNTmRPq-pYwmtKl24TmFEUTtW9w2QvHm2-cSi7cdVMOczR8lLVudQ9U&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">,</a> Video Creators &amp; Podcasting</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQwIohjMX5tErP_mCLosjahhdd940QOfHhj_pPXcYDga_xBzmc5PJFgFQgNEZvRW8mcTFg3gFwEG6ySQ4hz9tWMDAhC2ccRp2QT6g5UzJe7a0rf0WXxdQcVQ==&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">V. Track Five: AI and Music:</a> The Challenge of Artists vs. Technology</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001iOKPv_q2CeyaeK9_9sezEYgpvJx-qrk_aeQ77WYIiJ2LeQWhTx3GNXTgmyi7_mJQON1xbOONbxN8J0DmOfeEnqUQf8GwpYTKBhiSvsok105g_sS3kpo7u-viVKgGz1Vvu9FESsTutUUJMXZWvjzMh6Mg3kWLeBd1CyQrlNYqZtV1uV_IuxZE6bzyUxbFguKKsBa_34W19aE=&amp;c=LCXKH8fd6BZQmiBc9qd7YwKWiItg_xxHjY8oFtu3Nqd-codysgXEuw==&amp;ch=UQI2VjFzYh883QNRugoWqO3pSzhzTld1bBw5Ky6cI95DEJbJM6RZ6g==" target="_blank" rel="nofollow noopener noreferrer">VI. Track Six: Deep Fakes, Bias,</a> Creative Rights &amp; Regulation</td>
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<td class="yiv9200843678text_content-cell yiv9200843678content-padding-horizontal" align="left" valign="top">The Evening Keynote Roundtables</p>
<p align="left">Monday, July 21st, 2025</p>
<p align="left">8:00 PM – 8:50 PM: Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">21st Century Hollywood: The Creative Mind Without Boundaries</p>
<p align="left">If ever there was an industry, emblematic of an ethos of creativity, it is Hollywood. From the indie brilliance and idiosyncrasy of “Being John Malkovich” to the blockbuster genius and visualization of “Oppenheimer,” brilliant minds and expression unleashed is the core ideal of the industry. And today, a new technology has arrived that may unleash another layer of creative invention, Artificial Intelligence. While some may fear its arrival and implications, others are experimenting and discovering that the most creative among us are able to harness AI as a “Mental Collaborator,” perhaps a McLuhan or Leary-like accelerator to reach beyond a heretofore unavailable creative boundary. Similarly, AI is able to augment the complexities of VFX and CGI and serve as a tool of discovery in the creation of blockbusters and indie projects alike.</p>
<p>Speakers:</p>
<p>Michael Zyda, Technology Visionary, Founding Director of USC&#8217;s Computer Science Games Program. Moderator</p>
<p>Bran Ferren, Chief Creative Officer, Applied Minds, LLC, Academy Award Winner &amp; former, President, R&amp;D, Walt Disney Co.</p>
<p>Diana Colella, EVP/Head, Media &amp; Entertainment, Autodesk</p>
<p align="left">Flip Philips, Animation Pioneer, Pixar, Professor, School of Film and Animation, Rochester Institute of Technology</p>
<p align="left">Session II:</p>
<p align="left">The Spatial Strategy: From Enhanced Eyewear, AI &amp; AR to Full Immersion</p>
<p align="left">We live in a world of platforms and technologies, a mobile, AI, XR and accelerated lifestyle of visual, audio and immersive experiences. Apple Vision Pro has been countered with the Meta eyewear short-term and long-term technologies. And every major player, Google, Amazon, Samsung, even chip players, NVIDIA and Qualcomm not to mention the AIs, OpenAI, Microsoft and the Adobes and Autodesk. In this session, we have assembled some of the greatest creative minds to help us make sense of the rate of innovation, change and the meaning of it all. This is about our technology and the way we live and will live our lives.</p>
<p>Speakers:</p>
<p>Adam Simon, Managing Director, IPG Media Lab, Moderator</p>
<p>Ted Schilowitz, Visionary &amp; Futurist, formerly Paramount Global &amp; 20th Century Fox</p>
<p>Additional Speaker to be announced</p>
<p align="left">9:00 PM – 9:50 PM: Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">AI &amp; Cinematic Creativity: On the Verge of Its Citizen Kane Moment</p>
<p align="left">Perhaps one way to gauge the proliferation of AI Cinema is by making note of the AI Film Festivals and Meet-ups around the world. Let’s start with Seattle and LA, Mumbai and Berlin, Austin and Shanghai, West Palm Beach and Vienna, New York and Cannes, UK and Prague, Chicago and Atlanta. Not to mention Dubai. AI is the fastest emerging technology of all time and the quality and excitement around the tools and unleashed creative energy speaks for itself. In this roundtable we will be screening from among the best. We will we speak to film makers and voices of AI creativity. Are we on the verge of our “Citizen Kane Moment?” No question Cinematic AI will be largest and most explosive entertainment category ever.</p>
<p>Speakers:</p>
<p>Edward Saatchi, CEO, Fable Studios</p>
<p>Jason Zada, founder, Secret Level</p>
<p>Nikola Todorovic, Co-Founder, Wonder Dynamics, Autodesk</p>
<p>Amit Jain, CEO &amp; founder, Luma</p>
<p align="left">Christina Storm Lee, Co-Founder PLAYBOOK PLBK &amp; Governor, Television Academy Emerging Media Peer Group, Moderator</p>
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<p align="left">Session II:</p>
<p align="left">The Future of Hollywood &amp; Entertainment in the Age of AI</p>
<p>Digital Hollywood is proud to welcome the renowned Industry Luminaries and Co-Hosts of the “AI/XR Podcast,” Charlie Fink, Ted Schilowitz and Rony Abovitz, to a “Special Roundtable” on “The Future of Hollywood and Entertainment in the Age of AI.” Since November of 2022 and the release of DALL-E from OpenAI, no technology “Innovation” has turned the industry upside down in quite the same way and with the release of each new “Generative Video Model” the industry conversation only intensifies. So it is our district pleasure to welcome these long-time industry visionaries to this event and there is no question their “Framing of the Industry’s Future” will no doubt be unique and engaging. And to add to this evening’s conversation, they will welcome three incredible guests, filmmakers Rob Minkoff (Lion King, Stuart Little, Haunted Mansion), Zak Penn (Ready Player One, Atari Game Over) and Ellenor Argyropoulos (AI Advisor to the ASC).</p>
<p>Speakers:</p>
<p>Ellenor Argyropoulos, Award-Winning Director &amp; Photographer (AI Advisor to the ASC)</p>
<p>Rob Minkoff, filmmaker, Lion King, Stuart Little, Haunted Mansion</p>
<p>Zak Penn, filmmaker, Ready Player One, Atari Game Over</p>
<p>Charlie Fink, Producer, Podcast Host, Author, Adjunct, Columnist, Covering AI, XR, Metaverse for Forbes</p>
<p>Rony Abovitz, Founder SynthBee and Magic Leap</p>
<p align="left">Ted Schilowitz, Visionary &amp; Futurist, formerly Paramount Global &amp; 20th Century Fox</p>
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<p><a href="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg"><img decoding="async" class="size-full wp-image-87149 aligncenter" src="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg" alt="" width="1200" height="533" srcset="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg 1200w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-300x133.jpg 300w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-1024x455.jpg 1024w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-768x341.jpg 768w" sizes="(max-width: 1200px) 100vw, 1200px" /></a></p>
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<p align="left">The Evening Keynote Roundtables</p>
<p align="left">Tuesday, July 22nd, 2025</p>
<p align="left">8:00 PM &#8211; 8:50 PM: Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Studio • The Brand • The Agency = A Global Media &amp; Technology Revolution</p>
<p align="left">While the power of Hollywood never fades, the traditional silos of the studio, networks and celebrity are being reshuffled into a “Power-Shake-Up” of Global Brands, Mega Technologies and Global Agencies. The Result? On the one hand, consumer personalization which has always been at the forefront in decision making, now with the addition of powerful and direct AI engagement with consumers, which is only in its formative stages, will likely emerge as something of a breakthrough “Brand/Consumer Co-Pilot Relationship.” And in a world of immersive content experiences, AI as a “Creative Partner” is taking the ideation and production process to an entirely next level experience. The world will be experiencing a host of “Sphere Level” creative experiences. In this roundtable, we bring together the executives deeply involved in exploring and delivering on this promise.</p>
<p>Speakers:</p>
<p>Valerie Madden, Creative Director of Marketing Innovation, Prompteteer<img src="https://s.w.org/images/core/emoji/17.0.2/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />, Amazon MGM Studios, Prime Video &amp; NBC Universal Alum, Moderator</p>
<p>Shannon Pruitt, Global Chief Marketing Officer, Stagwell Brand Performance Network</p>
<p>Boo Wong, Managing Director, Global Leadership Spatial Computing/XR and GenAI, Accenture Song</p>
<p>Adam Simon, Managing Director, IPG Media Lab</p>
<p>Kate Cook, Founder, Era Seven Partners, former A+E Global Media</p>
<p align="left">Steve Kazanjian, Founder &amp; Senior Strategist, The Next Next Group</p>
<p align="left">Session II:</p>
<p align="left">Training the “Stanley Kubrick” Level AI: Fact or Fantasy &amp; the Question of Ethics</p>
<p align="left">What would happen if an AI were trained with the entire oeuvre, the life work of Martin Scorsese, Steven Spielberg, Quentin Tarantino, Stanley Kubrick, Billy Wilder and John Ford? That would be like sharing the “Keys to the Hollywood Kingdom,” the finest in cinematography, screenwriting, humor, drama and editing as well. And even with that “Assemblage of Greatness,” attached to an AI of tomorrow, meaning an AI with a near-Einstein level mind, would that “Advanced Machine” be able to create, even with professional “Human Assistance” a truly great achievement in Cinema? This question is not an idle bit of humor or fantasy. In a world racing toward “Advanced General Intelligence,” it is a question that we might have to one day address.</p>
<p>Dr. Megan Ma, Executive Director, Stanford Legal Innovation, Frontier Technology Lab (liftlab), Associate Director, CodeX, Stanford Law School, Moderator</p>
<p>Mark Goffman Writer/Producer, Netflix Series, The Umbrella Academy, Bull, Limitless, The West Wing</p>
<p>Ed Zobrist, Adjunct Professor, USC Cinematic Arts. former, Head of Publishing, Epic Games</p>
<p>Sharad Devarajan, Industry Visionary, Adjunct Professor, Media &amp; Technology, Columbia Business School</p>
<p align="left">9:00 PM &#8211; 9:50 PM: Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Cultural Tsunami: Creator Economy + Podcasts = A Media Realignment</p>
<p align="left">Think about the average family prime-time living room scene. Mom and Dad settle in for their 8 PM favorite, Junior and Babs are texting and doom scrolling and before long, Mom breaks out her iPad and Dad does the same. We are all in a world of video creators and our favorite Pods, all the while texting our besties creating our own unique Emojis. Let’s face it, the old guard is being disrupted, and new voices, platforms and a whole new way of life has emerged. Of course, this is not the end of Networks and Studios as we know them, but it is a huge migration to devices from mobile to immersion. No question that it’s a “Cultural Tsunami,” and in this session, we will explore what it means and where we are going.</p>
<p>Speakers:</p>
<p>Ken Hertz, Senior Partner, Hertz Lichtenstein &amp; Young LLP, Moderator</p>
<p align="left">Speakers to be announced</p>
<p align="left">Session II:</p>
<p align="left">The Deepfake Dilemma: Protecting &amp; Preserving Image, Voice &amp; Likeness – The Taylor Swift Law &amp; Scarlett Johansson Lawsuits</p>
<p align="left">“Deep Fakes” are not only a theft of property rights and a concern of Musicians and Hollywood personalities, bad-actors are scheming new, inventive and technologically bizarre ways to invade our privacy, our computer data and ultimately our electronic wallets. This is not a false alarm. While a “Taylor Swift Law” is needed to protect the personage of a pop star or the “Voice &amp; Audio Likeness of Scarlett Johansson, it may be even more important to secure the personal electronic rights of everyday citizens. Recently in Hong Kong, a “Deep Fake” scheme successfully defrauded an investment company of $25 Million in a fraudulent Zoom call with visual impersonators representing colleagues. That Zoom call might have been you and a “Deep Faked” family member.</p>
<p>Speakers:</p>
<p>Jenni Katzman, Senior Director of Government Affairs, Microsoft</p>
<p>Lisa Oratz, Senior Counsel, Perkins Coie</p>
<p>Remington Scott, Founder, CEO and Chief Architect, Hyperreal® Inc., VFX, The Lord of the Rings: The Two Towers</p>
<p>Duncan Crabtree-Ireland, National Executive Director and Chief Negotiator, SAG-AFTRA</p>
<p align="left">Audrey Schomer, Media Analyst &amp; Research Editor, VARIETY INTELLIGENCE PLATFORM, Moderator</p>
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<p align="left">The Evening Keynote Roundtables</p>
<p align="left">Wednesday, July 23rd, 2025</p>
<p align="left">8:00 PM &#8211; 8:50 PM: Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">Investing in AI, Compute, Energy &amp; Software: The Economy of the Future</p>
<p>Let’s first familiarize ourselves with the notion of “Compute” as a descriptor of the baseline of our future economy. “Compute” represents the fundamental infrastructure that underpins the AI-driven world, encompassing the complex interplay of hardware, software, and energy. So that a city, region, country or group of countries strategically develop their economies around the notion of “Compute,” that strategy will indicate the readiness of that “Entity” to provide services to it populations and in effect, compete within this vision of the modern world. We are entering a “Re-Defined World” of Davos, the EU and East vs. West. As we navigate this new landscape, investors, policymakers, and business leaders must prioritize strategic investments in “Compute” infrastructure, AI research, and workforce development to remain competitive and unlock the vast potential of the “Compute-driven” global economy.&#8221;</p>
<p>Speakers:</p>
<p>Paul Lekas, Senior Vice President, Global Public Policy, Software &amp; Information Industry Association (SIIA), Moderator</p>
<p>Michael Pachter, Managing Director, Equity Research, WEDBUSH SECURITIES</p>
<p>Evan Osheroff, Managing Director, Jefferies</p>
<p align="left">David Higley, Partner, Global Media &amp; Technology Group, Perella Weinberg.</p>
<p align="left">Session II:</p>
<p align="left">Is AI the Piracy Machine? As Brian May has Stated, &#8220;It&#8217;s Gonna Get Very Weird Very Quick&#8221;</p>
<p align="left">“AI Music &amp; Creativity” is breaking the sound barrier—no question about it. With AI tools, a universe of synthesizers, and unprecedented speed, musicians and composers can “create”—if that’s the word—musical complexity, from film scores to pop riffs, love songs to country ballads, in mere moments. The results? Lightning-fast production, often with stunning outcomes. But beneath this sonic revolution lies a dilemma: where does inspiration end and imitation begin? In this roundtable we will dive into the clash between AI’s expansive potential and the rights of human artists. Can machines truly create, or are they remixing the soul of music itself? Join us to explore the ethical tightrope of innovation versus ownership, as industry experts, musicians, and technologists debate the future of artistry in an AI-driven world. Creativity’s new frontier awaits—but at what cost?</p>
<p>Speakers:</p>
<p>David Hughes, Strategic Music Industry Consultant, former CTO, RIAA, VP Strategy, Sony Music, Moderator</p>
<p>Shara Senderoff, Co-Founder, Jen Music AI</p>
<p>Chris Horton, SVP Strategic Technology, Universal Music Group’s (UMG)</p>
<p>Eímear Noone, Award Winning, Composer, Conductor and Producer</p>
<p>Dr. Martin Clancy, Musician, Academic &amp; founding Chair, IEEE Global AI ethics Arts Committee</p>
<p align="left">9:00 PM &#8211; 9:50 PM: Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">AI &amp; Human Intelligence – Conversational AI &#8211; The Human-Machine Relationship</p>
<p align="left">What role will an AI play in our lives. It will help in our daily lives, as an advisor, a researcher, a mind to help stimulate our create process and even as a companion to share feelings and emotion. It might manifest as text, or as a visual on a screen, as “Her” on a smartphone or as a “Humanoid Robot,” but will it make the leap to full “Human Like” emotion, intuition, judgement and the full spectrum of human experience. It is not too early to ask these questions. What about the question of human need, affection and even love? A child expresses those feels from their earliest cognitive moments. Dogs and cats do as well. Accordingly, a “Highly Trained AI” will do all that and have an advanced mental capability too boot. No question, today’s ChatGPT can read and write and in this session, we’ll explore what else is on the horizon.</p>
<p>Speakers:</p>
<p>Cathy Hackl, CEO, Spatial Dynamics</p>
<p>Roch Nakajima, President, RKG Creative</p>
<p>Matthias Wittmann, Visual Effects Supervisor, Digital Domain (CGI, Benjamin Button)</p>
<p>Natalie Comins, Independent Creative Leader, Brand Experience &amp; Design Innovation</p>
<p>John Canning, Director Developer Relations &#8211; Creators, AMD, Moderator</p>
<p align="left">Session II:</p>
<p align="left">Blockchain, Crypto &amp; the Next Hollywood Economy: A “MetaVision” of Platforms , Studios &amp; Networks</p>
<p align="left">While Hollywood will always be the innovation engine, creating feature films, games, immersive content and now, leading the way in AI produced technology and content, next level “Hollywood Economy Strategies” will lead the way in the development and deployment of blockchain and Web3 applications. With a faster and fully integrated “Cloud-Based Economy,” “Multiplatform Apps” will not only secure the monetization of content globally, the Hollywood and advertising communities will lead the way in creating new direct to consumer trust relationships and innovative content and product categories. A few years ago, the “Metaverse” came into common usage, now we might be entering its successor, to be called, “The MetaVision.”</p>
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<p><a href="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg"><img decoding="async" class="size-full wp-image-87149 aligncenter" src="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg" alt="" width="1200" height="533" srcset="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg 1200w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-300x133.jpg 300w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-1024x455.jpg 1024w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-768x341.jpg 768w" sizes="(max-width: 1200px) 100vw, 1200px" /></a></p>
<p>The Complete Conference Agenda (The Daytime Events)</p>
<p>Tuesday, July 22nd, 2025</p>
<p>Noon – 12:50 PM : Eastern Time Zone</p>
<p>Session I:</p>
<p>Realtime AI Architecture: The Ferrari of Supercomputing &#8211; Arrival of Cinematic Le Mans – From Hollywood – Madison Avenue</p>
<p>Discover the game-changing potential of Real-time AI Architecture, so impressive that the most jaded Hollywood pros have called it, “The Ferrari of Supercomputing.” This Real-Time engine will enable unprecedented levels of creativity, innovation, and efficiency in games, AI movies, feature production, in 24/7 content creation. Imagine rendering photorealistic visual effects in real-time, eliminating tedious rendering processes. AI-powered content generation enables personalized storytelling and immersive experiences. Real-time video editing and color grading streamline post-production workflows. Advanced AI-driven animation tools enable realistic character movements and interactions. Enhanced content security and piracy protection are also made possible through AI-powered watermarking and fingerprinting. This session will delve into the cutting-edge technologies and architectures making Real-time AI a reality, transforming the content creation landscape forever.&#8221;</p>
<p>Ted Schilowitz, Visionary &amp; Futurist, formerly Paramount Global &amp; 20th Century Fox</p>
<p>Remington Scott, Founder, CEO and Chief Architect, Hyperreal® Inc., VFX, The Lord of the Rings: The Two Towers</p>
<p>Jim Geduldick, Founder – Director, Visual Effects &amp; Virtual Production, Spaceboy Labs, Point Break, The Martian &amp; Transformers: The Last Knight</p>
<p>Dustin Callif, President, Tool of North America</p>
<p>Kristin Glushon, Executive Producer, Nexus Studios, Moderator</p>
<p>Session II:</p>
<p>The AI Data Royalty Marketplace: Licensing, Monetization &amp; Rev-Share</p>
<p>For the past two years, there has been massive technology proliferation across industries. Users have totally embraced the idea of AI as a content creation platform, from creative writing to image, music and entire film score creation. But how are the AIs “Trained” to provide these unique and even revolutionary services? The entertainment and technology industries are in a classic struggle to figure out the balance between innovation and compensation for rights and services. And without belaboring the question of “Legal Remedy,” a robust industry of AI Data Royalty, licensing, monetization and Rev-Share possibilities is emerging. The industry appears to be in the first stages of exploration and negotiation, and as with all vital industry challenges, the marketplace for AI Data is another fascinating journey in the world of innovation.</p>
<p>Speakers:</p>
<p>Peter Csathy, Chairman, Creative Media, Moderator</p>
<p>Rebecca Grossman-Cohen, Chief of Staff and Head of Strategic Partnerships, New York Times</p>
<p>Dave Davis, General Manager, Protege Media, USA</p>
<p>Mickey Maher, Chief Revenue Officer, Vermillio</p>
<p>Howie Singer, Adjunct Professor, NYU Music Business</p>
<p>Session III:</p>
<p>AI Games, Animation &amp; Platforms &#8211; A Synthetic Universe of Creativity</p>
<p>Games has been a dominant entertainment market for decades, easily outgrossing feature films, and the addition of AI will clearly serve to amplify game innovation, impacting multiple platforms, starting at console game development but perhaps most immediately on social media and totally unique and innovative “Game Concepts” enabled by the fast paced innovation and impact of generative AI. Animation will clearly be the “Instant Winner” in GenAI short and longform, but what it specifically will mean within the world of Gaming, social media and Memes represents an “Explosion” we are all about to witness in real-time.</p>
<p>Speakers:</p>
<p>Scott Donaton, CMO and Head of Content, VersusGame</p>
<p>Devo Harris, CEO, Adventr</p>
<p>Carmen Chu, VP of Lifecycle/Consumer Marketing, Fandom</p>
<p>Brad Timmins, founder and CEO, eGen</p>
<p>Albert Thompson, Managing Director, Digital Innovation, Walton Isaacson, Moderator</p>
<p>Session: I:</p>
<p>AI &amp; Magnificent Fashion &amp; Beauty: An Exploration of the Imagination – Retail, Runway, Advertising and Virtual Human</p>
<p>“Fashion and Beauty Design” is the very definition of “Cutting Edge” personal expression and cultural identity. From Cleopatra to Coco Chanel and Christina Dior, from Twiggy to Calvin Klein and Kim Kardashian, the art of beauty and fashion have consistently pushed boundaries, challenged norms, and reflected the zeitgeist of its time. And today, we welcome a cascade of technology, with “Artificial Intelligence” leading the way in design, media, marketing and the re-imagining of our cultural identities and basic understanding of personal image and conception of self. Is this taking the power of technology too seriously? Is it an exaggeration? Perhaps and perhaps not.</p>
<p>Speakers:</p>
<p>Sarah Parnicky, Ambassador, Digital Fashion Week, Moderator</p>
<p>Metamorphix, Innovative Designer, Two-Time Winner, AI Fashion Week</p>
<p>Matilde Mariano, Creative Director, Designer, Architect, MOLNM</p>
<p>Wilfred Driscoll, co-founder and COO, TryIto</p>
<p>Additional Speakers to be Announced</p>
<p>1 PM – 1:50 PM: Eastern Time Zone</p>
<p>AI Filmmakers Make Movies: A New Frontier &#8211; A New Level of Creativity</p>
<p>As artificial intelligence advances into a new frontier of film production, creators employ sophisticated prompts—incorporating zoom and pan directives, nuanced facial expressions, and intricate character interactions—to produce cinematic works in real time, now in short-form but the vision of feature-length features is clearly within sight. Yet, a fundamental question emerges: Who holds the mantle of “Creator”—the human artist who conceives the narrative or the technology that executes it? This session examines how AI-driven tools are elevating creative expression to unprecedented levels, transforming the filmmaking process. It explores the interplay between human vision and machine capability, revealing how artificial intelligence serves not merely as an instrument but as a collaborative force. This convergence is redefining storytelling, expanding the boundaries of cinema, and challenging traditional notions of authorship in the digital age.</p>
<p>Speakers:</p>
<p>Katya Alexander, Producer/Director, Fable Studios</p>
<p>Eric Shamlin, CEO, Secret Level and Co-Governor, Emerging Media Programming Peer Group, Television Academy</p>
<p>PJ Pereira, Creative Chairman &amp; Founder Silverside.ai</p>
<p>Quinn Halleck, Experience Director, Tool of North America</p>
<p>Michael Lingelbach, Founder / CEO, Hedra</p>
<p>Leslie Shannon, Head of Ecosystem and Trend Scouting, Nokia, Moderator</p>
<p>Session II:</p>
<p>Hal 9000 Meets Hollywood &#8211; AI Agents, Training &amp; Virtual Production: The Worst Case Scenario</p>
<p>First, let’s peek into an “Upside Down” scenario where Hollywood innovates an “AI to Human Collaboration.” Imagine the obvious and immensely popular creation of “Hollywood Companion AIs”—24/7 “Characters and Personalities” fully engaging with humans. What could possibly go wrong? From deepfake scandals and privacy nightmares to “Human-Machine Dependency,” this seemingly benign innovation is stockpiled with legal landmines and entertainment chaos, a chilling echo of the HAL 9000 sabotage in 2001: A Space Odyssey. Take Two: What happens when AI agents, trained on biased or flawed data, go rogue in virtual production pipelines? Picture a runaway AI subtly altering a complex feature story arc, inflating the project’s budget by 20%—and that’s just the start of a cascading problem cycle. In the not-so-distant future, a powerful AI could emerge as an “Executive Level Production Sledgehammer,” overriding creative decisions, rewriting scripts with unintended biases, or sabotaging productions with corrupted virtual sets. In this session, just for a moment, we’re putting on the brakes to the acceleration of “Cinematic AI.”</p>
<p>Speakers:</p>
<p>Steve Masur, Partner, Raines Feldman Littrell LLP, Moderator</p>
<p>Gerald Casale, Artist, Musician, founding Member, DEVO</p>
<p>Dan Neely, Co-Founder and CEO, Vermillio</p>
<p>Kirthiga Reddy, Co-founder &amp; CEO, Virtualness</p>
<p>Meeka Bondy, Senior Counsel, Technology Transactions &amp; Privacy Group and Co-Chair, Film and TV Group, Perkins Coie LLP</p>
<p>Tommy Petrov, Co-founder &amp; CEO, CopySight AI</p>
<p>Session III:</p>
<p>The Virtual Production Studio: Revolutionary Experience – Revolutionized Industry</p>
<p>It’s almost impossible to exaggerate how much has changed in the past five or six years in the world of visual creativity and film production. What started out as an already impressive world of “Green Screens” and CGI has emerged as a universe of Gen AI video, prompted 3D images and full audio tracks, plus a vast war-chest of pre-visualization tools, all placed in the hands of our greatest storytellers. The industry is revolutionizing before our eyes. Filmmakers are transforming the ideation process, a world of AI and Virtual Production and in a matter of days, weeks and months, bringing it to life as a fully realized feature films, TV shows, advertisements and YouTube videos. In this session, we examine the phenomenon.</p>
<p>Speakers:</p>
<p>Jessica Powell, CEO, Audioshake</p>
<p>Eliot Mack, CEO, Lightcraft Technology</p>
<p>Autodesk, speaker to be announced</p>
<p>Seth Hallen, Founder &amp; Managing Partner, Hallstone Ventures, Moderator</p>
<p>2 PM – 2:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>AI and Next-Level Storytelling: Creativity Beyond the Algorithm &#8211; AI-XR-Experimental</p>
<p>Let’s acknowledge certain ground rules, namely, XR, Holographic and AI experiences do not exist without the artistry and creativity of writers, directors, artists and actors. The technology may almost be without limits, but it is the contribution of the “Human Mind” working at peak performance which creates art and entertainment. Ultimately it is all about the “Human Creator and Team,” in collaboration with advanced technology. We may be entering a world of Google Deep Mind, Grok, OpenAI and Meta technologies, but at the core of the Digital Hollywood revolution, it is “Human Creativity and Experience” which will ultimately be liberated and empowered. How will AI and XR redefine the emotional impact of storytelling in tomorrow’s Creative World? What “Interface” will the “Consumer Experience?” Those are good questions that our speakers will explore.</p>
<p>Speakers:</p>
<p>Greg Kahn, Co-Founder, AI Trailblazers, Moderator</p>
<p>Jeff Burke, Associate Dean, Research and Technology, UCLA School of Theater, Film &amp; Television</p>
<p>Rosemary Lokhorst, CEO &amp; co-founder, BADASS Studios Ltd</p>
<p>Nigel Tierney, Executive Creative Director, Yahoo</p>
<p>Neville Spiteri, Co-founder /CEO, Wevr</p>
<p>Guy Gadney, CEO, Charisma.ai</p>
<p>Session II:</p>
<p>The Explosive Advertising Experience: AI + 3D + XR + Spatial</p>
<p>It’s like an erector set combined with a kaleidoscope of color that manifests as electronic layers, like a child’s wonderland emerging from within the imagination of the greatest artists in the world. These are the unique achievements of our technology industries enabling new and magnificent platforms with AI, 3D, XR and Spatial capabilities, each of which expand in capability month over month, year over year. Witness the stunning &#8220;Artistic Achievements&#8221; of the Advertising Industries, as they transform cityscapes, devices and platforms into vibrant, immersive experiences. This is a true celebration of the artistic spirit.</p>
<p>Speakers:</p>
<p>Lori H. Schwartz, Founder &amp; CEO, StoryTech, Moderator</p>
<p>Johannes Saam,  Futurist/Creative Technologist, Framestore/atara.xyz</p>
<p>Verena Puhm, AI Creative Director and Director</p>
<p>Fabian Birgfeld, Chief Design Officer, Tata Consultancy Services (TCS)</p>
<p>Peter Pinfold, CEO, Darabase Canada</p>
<p>Session III:</p>
<p>Video Creators and Podcasters: Shaping the Narrative &#8211; Influencing the Culture</p>
<p>In today&#8217;s digital landscape, video creators and podcasters have become the new architects of culture. We’re all familiar with the platforms, YouTube, Twitch, Instagram, X, Facebook, Linkedin, TikTok, Rumble Sirius, iHeart &amp; Substack to name a few. Mainstream media is being overwhelmed by this barrage of digital technology. It may have been supercharged by the Covid media reset, but the momentum of this amalgam of indie to massively unique voices appear to be an unstoppable force. And the advertising and brand marketing are paying attention. Numbers don’t lie. Over 50% of national ad spend is now headed for non-MSM sources. In this session we will explore this phenomenon.</p>
<p>Speakers:</p>
<p>Joanna Popper, Former Chief Metaverse Officer, CAA, Moderator</p>
<p>Speakers to be Announced</p>
<p>Session IV:</p>
<p>AI &amp; the Law: A “Deep Dive” &#8211; Fair Use, Copyright and the Doctrine of Innovation</p>
<p>Even with the successful resolution of the Entertainment industry “Guilds” strike of 2023, there remains an ongoing fear that &#8220;artificial intelligence poses an existential threat to creative professions.&#8221; The core AI issue sparking debate in Hollywood is not only based on compensation, data training and ownership but the creative control of the ultimate production itself. Additionally, “Deep Fake” technology has raised concern about potential harmful uses, such as political disinformation, revenge porn, and misuse of intellectual property. At the same time, many “creatives” tout the game changing benefits and innovation this technology can bring to artistic and other endeavors, such as educational opportunities, enhanced freedom of expression and reduced barriers to entry. This panel will discuss these competing concerns and whether existing legal frameworks, such as right of publicity, copyright, and existing regulations, are sufficient to address this powerful technology.</p>
<p>Speakers:</p>
<p>Zachary St. Martin, Head of US Commercial &amp; IP Legal, TikTok &amp; ByteDance</p>
<p>Rob Rosenberg,  principal, Telluride Legal Strategies; former EVP &amp; General Counsel, Showtime Networks</p>
<p>Ian C. Ballon, Co-Chair, Global Intellectual Property &amp; Technology Practice, Greenberg Traurig LLP, Moderator</p>
<p>Additional Speaker to be announced</p>
<p><a href="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg"><img decoding="async" class="size-full wp-image-87149 aligncenter" src="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg" alt="" width="1200" height="533" srcset="https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2.jpg 1200w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-300x133.jpg 300w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-1024x455.jpg 1024w, https://goodnewsplanet.com/wp-content/uploads/2025/06/21st_century_artist_2-768x341.jpg 768w" sizes="(max-width: 1200px) 100vw, 1200px" /></a></p>
<p>3 PM – 3:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>The Complexity of AI &amp; Art &#8211; Imagination of the Human + Machine: Cinematic Arts &#8211; Media Arts &#8211; RealTime Creativity</p>
<p>What does it mean when an artificial intelligence can dream? What does it mean to create art fabricated by neural networks rather than solely human hands and hearts. What does our future hold? Stanley Kubrick’s Barry Lyndon, is a magnificent and devastating portrait of grandeur and privilege of Europe of the 1700s and in equal measure, we can look to the magnificent treasure of Antoni Gaudi’s architecture of Barcelona, and both might be thought of as progenitors of the AI Art we aspire to today. While Generative AI art is like opening a door to a limitless supply of “Digital Art,” this new world of art by “Human and Machine” will be no less distinct and intriguing than any era of art which has come before.</p>
<p>Speakers</p>
<p>Leila Pinto, Multidisciplinary Artist</p>
<p>Xiaobi Iris Pan, Lead Product Designer, Amazon</p>
<p>Ulrike Kerber, Principal and Creative Director, Viva Design</p>
<p>Johannes Saam, Futurist/Creative Technologist, Framestore/atara.xyz</p>
<p>Elizabeth Kiehner, Global Chief Growth Officer, Nortal, Moderator</p>
<p>Session II:</p>
<p>Agentic Commerce: Integrating AI into Multiplatform Shopping and Transactions</p>
<p>The &#8220;Power of Compute&#8221; is coming of age. Agentic AI may have only made its way into the “Technology Lexicon” in the past six months, but the reality of Agentic AI may find its way into daily use with even greater speed. By integrating AI into multiplatform shopping and transactions, AI-powered payment processing plus a personalization and customer experience, may well produce a world of near frictionless commerce, or at least a wildly improved customer experience. The essential ingredient critical to its success, is privacy, security and the customer/brand relationship built on a foundation of “Trust and Loyalty.” the customer/brand relationship built on a foundation of “Trust and Loyalty.”</p>
<p>Speakers:</p>
<p>Michael Olaye, EVP, Managing Director, Huge</p>
<p>Michael Stitch, Partner, CourtAvenue</p>
<p>Sarah Buckler, Chief Executive Officer, Tangible, Moderator</p>
<p>Additional speaker to be announced</p>
<p>Session IV:</p>
<p>Cinematic AI &amp; Virtual Production: A World of Tools and Technology – Layers of Innovation</p>
<p>While the operative words remain “Creativity and Storytelling” the advances in technology are breaking new ground to accelerate that process. Starting with the scriptwriting and storyboarding process, AI and a host of visual tools provide breakthrough options. And virtual production workflows are leveraging real-time game engines, motion capture, and LED volume technology to create immersive, interactive environments that blur the lines between physical and digital production. Real-time rendering and ray tracing are also unlocking unprecedented levels of visual fidelity, allowing filmmakers to achieve photorealistic results without the need for costly post-production processes. By integrating these innovations into their pipelines, filmmakers can unlock new levels of creative control, flexibility, and efficiency.</p>
<p>Speakers:</p>
<p>Doug Hogan, Creative Technologist, Groove Jones</p>
<p>Matthew Wenhardt, Head of AI Production, Gennie</p>
<p>Eric Yang, CEO, Topaz Labs</p>
<p>Peter Busch, Senior Vice President, Customer Success, Flawless</p>
<p>Margaret Burris, Unscripted Development Consultant, Reid AI Project, Moderator</p>
<p>Session III:</p>
<p>AI &amp; the Design of Randomness: Unlocking the Inner Jackson Pollock</p>
<p>Our first thought was to call this panel, “AI: Inside the Black Box of the Imagination.” Artificial Intelligence, together with Machine Learning have opened the door to a relationship with a “Human Creator,” someone we might call an “Artist,” and the result is an exploration of the imagination that has never been seen before. The result is unique. Nevertheless, some critics, Jerry Saltz of New York Magazine’s Vulture among them, have articulated a clear disdain for this new and evolving art form. While others, the curators at MOMA in NYC to their credit, have honored AI’s best known artistic innovator, Rafik Anadol with a one-man show. Many have referred to AI Art as the “Design of Randomness,” referring to it’s kinship to Jackson Pollock. In this session we will explore some of those thoughts.</p>
<p>Speakers:</p>
<p>Evo Heyning, CEO, Realitycraft</p>
<p>Dan Novy, Assistant Professor, Emerging Media Arts, Johnny Carson Center, Univ. of Nebraska-Lincoln</p>
<p>Anna Marie Piersimoni, Artist &amp; Adjunct Professor, Department of Cinema and Television Arts, California State University, Northridge, Moderator</p>
<p>Speakers to be announced</p>
<p>4 PM – 4:40 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>Advanced Intelligence + Superstar Talent = Conversational AI, Virtual Influencers, Synths and AI Performers</p>
<p>Imagine a world where social media influencers are no longer just human, but also virtual. Where AI-powered performers can entertain, educate, and engage audiences with unprecedented precision. Welcome to the future of digital platforms, where Deep Fakes meet human intelligence and talent to create a new generation of influencers, synths, and performers. This technology is poised to revolutionize YouTube and TikTok, all social media platforms, as well as sectors of advertising and entertainment. Virtual influencers will enable brands to reach targeted audiences with unprecedented accuracy, using AI-driven engagement tools to maximize ROI. Meanwhile, social media platforms will be able to offer new, immersive experiences that blur the lines between reality and fantasy. Is there a breaking point that consumers will reject? This may be the moment to discover a new cultural balance.</p>
<p>Speakers:</p>
<p>Marc Scarpa, Co-Founder, DeFiance Media (Virtual Human News Anchors), Moderator</p>
<p>YI Zhou, Influencer, Visual Artist, Tech Innovator</p>
<p>Vacit Arat, Co-Founder &amp; CEO, HIA Technologies Inc.</p>
<p>Samantha Tauber, Founder, VNCCII</p>
<p>Brian Weiner, Chairman/Founder, Synth Studios</p>
<p>Session III:</p>
<p>AI Data Royalties &amp; Creative Partnerships: From Licensing to Micro-Payment &amp; Rev Share</p>
<p>The intersection of AI and creative content has sparked intense debate among content owners, artists, and trade groups. As these stakeholders navigate the complexities law and legislation, at the same time, AI data royalty contracts and innovative solutions are emerging. In this conversation, our roundtable will explore the evolution of content licensing, including groundbreaking concepts in micro-payments and revenue sharing models. Join us as we delve into the future of creative partnerships and the potential for AI-driven royalty agreements to empower artists and content creators. Discover how these pioneering approaches can redefine the entertainment industry&#8217;s relationship with AI and ensure fair compensation for creative contributions.</p>
<p>Speakers:</p>
<p>Drew Silverstein, President, Head of AI Strategy, SourceAudi</p>
<p>Tim Porter, Co-Founder and CTO, Mod Tech Labs</p>
<p>Jeff Allen, CEO, FlikForge</p>
<p>Karen Allen,  CEO &amp; Co-Founder, Infinite Album</p>
<p>Tyler Chou, Founder &amp; CEO, Tyler Chou Law for Creators</p>
<p>Jason Henderson, Esq., Media and IP Licensing, JWL International, Moderator</p>
<p>Session III:</p>
<p>&#8220;Saga AI:&#8221; A Film Creator&#8217;s Discovery Engine: “Revolutionizing the Creative Process</p>
<p>Unlock your cinematic potential with Saga AI, a groundbreaking AI-powered tool designed for film creators, transforming scriptwriting, storyboarding, and previsualization animation. Saga AI empowers you by structuring narratives, generating dynamic dialogue, and crafting stunning visual storyboards, seamlessly aligning with Hollywood storytelling standards. Whether you’re battling writer’s block or refining a complex plot, Saga AI acts as your creative partner, offering tailored suggestions to enhance characters, develop captivating story arcs, and visualize scenes with precision. From indie filmmakers to seasoned professionals, this innovative discovery engine democratizes the filmmaking process, enabling anyone to bring their vision to life with ease. Join us for an immersive session featuring demos and insights from Saga AI’s creators, showcasing how this tool redefines storytelling.</p>
<p>Confirmed Speakers:</p>
<p>Russell Palmer, CEO &amp; Co-Founder, CyberFilm AI, Moderator</p>
<p>&#8230;</p>
<p>Email truncated</p>
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		<title>It’s Thursday, November 21, 2024. This Monday (11/25) was once known as Evacuation Day, which marks the date in 1783 when the British Army departed from Manhattan after the end of the Revolutionary War. It was celebrated long into the 19th Century.</title>
		<link>https://goodnewsplanet.com/its-thursday-november-21-2024-this-monday-11-25-was-once-known-as-evacuation-day-which-marks-the-date-in-1783-when-the-british-army-departed-from-manhattan-after-the-end-of-the-revoluti/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Mon, 25 Nov 2024 19:00:09 +0000</pubDate>
				<category><![CDATA[Good News To Go]]></category>
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					<description><![CDATA[<p>The post <a href="https://goodnewsplanet.com/its-thursday-november-21-2024-this-monday-11-25-was-once-known-as-evacuation-day-which-marks-the-date-in-1783-when-the-british-army-departed-from-manhattan-after-the-end-of-the-revoluti/">It’s Thursday, November 21, 2024. This Monday (11/25) was once known as Evacuation Day, which marks the date in 1783 when the British Army departed from Manhattan after the end of the Revolutionary War. It was celebrated long into the 19th Century.</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">86041</post-id>	</item>
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		<title>Registration Now Open &#038; Free! The Virtual AI &#038; Entertainment Summit &#8211; &#8220;21st Century Hollywood &#8211; July 22nd &#8211; 24th</title>
		<link>https://goodnewsplanet.com/registration-now-open-free-the-virtual-ai-entertainment-summit-21st-century-hollywood-july-22nd-24th/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Tue, 04 Jun 2024 13:21:24 +0000</pubDate>
				<category><![CDATA[corporate social responsibility]]></category>
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					<description><![CDATA[<p>Digital Hollywood &#8211; The Summer Virtual Event The AI Entertainment &#38; Technology Summit Monday, July 22 &#8211; Wednesday, July 24, 2024 A Virtual Event • Free to All Attendees • Registration Now Open Click Here and View Online First Look at Speakers The Complete Agenda July 2024 Agenda The Keynotes: Monday, July 22nd &#8211; Wednesday, July 24, &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/registration-now-open-free-the-virtual-ai-entertainment-summit-21st-century-hollywood-july-22nd-24th/">Registration Now Open &#038; Free! The Virtual AI &#038; Entertainment Summit &#8211; &#8220;21st Century Hollywood &#8211; July 22nd &#8211; 24th</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p style="text-align: center;"><a href="https://goodnewsplanet.com/wp-content/uploads/2024/06/21st_century_hollywood_film_music_1.jpg" target="_blank" rel="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9Y1REU0TzLGIUcWAsnyDIBfcshA3N0uXkU2NVjOFcY_cA6SNCyKKPRk1rVujcghJDugt6crpx6pwHgfjk2Ne8Jqi3X_rnzkqiXYUfsqawzEgQZMXQrdGwSEKIe5-FVODdIxr9-Ou260Jv5-Ug7XQXTQ=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ== noopener"><img loading="lazy" decoding="async" class="aligncenter wp-image-84890 size-full" src="https://goodnewsplanet.com/wp-content/uploads/2024/06/21st_century_hollywood_film_music_1.jpg" alt="" width="1200" height="586" srcset="https://goodnewsplanet.com/wp-content/uploads/2024/06/21st_century_hollywood_film_music_1.jpg 1200w, https://goodnewsplanet.com/wp-content/uploads/2024/06/21st_century_hollywood_film_music_1-300x147.jpg 300w, https://goodnewsplanet.com/wp-content/uploads/2024/06/21st_century_hollywood_film_music_1-1024x500.jpg 1024w, https://goodnewsplanet.com/wp-content/uploads/2024/06/21st_century_hollywood_film_music_1-768x375.jpg 768w" sizes="auto, (max-width: 1200px) 100vw, 1200px" /></a><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9Y1REU0TzLGIUcWAsnyDIBfcshA3N0uXkU2NVjOFcY_cA6SNCyKKPRk1rVujcghJDugt6crpx6pwHgfjk2Ne8Jqi3X_rnzkqiXYUfsqawzEgQZMXQrdGwSEKIe5-FVODdIxr9-Ou260Jv5-Ug7XQXTQ=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9Y1REU0TzLGIUcWAsnyDIBfcshA3N0uXkU2NVjOFcY_cA6SNCyKKPRk1rVujcghJDugt6crpx6pwHgfjk2Ne8Jqi3X_rnzkqiXYUfsqawzEgQZMXQrdGwSEKIe5-FVODdIxr9-Ou260Jv5-Ug7XQXTQ=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ== noopener"><img loading="lazy" decoding="async" class="yiv8306715852image_content aligncenter" src="https://ecp.yusercontent.com/mail?url=https%3A%2F%2Ffiles.constantcontact.com%2F077012f4401%2F7becdf52-1a9e-465d-a7ed-40bc77d4a602.png%3Frdr%3Dtrue&amp;t=1717455547&amp;ymreqid=ca750148-19b0-b4f4-1c02-a70318016100&amp;sig=zpuwawrVs5KWnVde1FdDnA--~D" alt="" width="268" height="42" /></a></p>
<table class="yiv8306715852text yiv8306715852text--padding-vertical" border="0" width="100%" cellspacing="0" cellpadding="0">
<tbody>
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<td class="yiv8306715852text_content-cell yiv8306715852content-padding-horizontal" align="left" valign="top">Digital Hollywood &#8211; The Summer Virtual Event</p>
<p>The AI Entertainment &amp; Technology Summit</p>
<p>Monday, July 22 &#8211; Wednesday, July 24, 2024</p>
<p>A Virtual Event • Free to All Attendees • Registration Now Open</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9Y1REU0TzLGIUcWAsnyDIBfcshA3N0uXkU2NVjOFcY_cA6SNCyKKPRk1rVujcghJDugt6crpx6pwHgfjk2Ne8Jqi3X_rnzkqiXYUfsqawzEgQZMXQrdGwSEKIe5-FVODdIxr9-Ou260Jv5-Ug7XQXTQ=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">Click Here and View Online</a></td>
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<td class="yiv8306715852text_content-cell yiv8306715852content-padding-horizontal" align="left" valign="top">First Look at Speakers</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9Y1REU0TzLGIUcWAsnyDIBfcshA3N0uXkU2NVjOFcY_cA6SNCyKKPRk1rVujcghJDugt6crpx6pwHgfjk2Ne8Jqi3X_rnzkqiXYUfsqawzEgQZMXQrdGwSEKIe5-FVODdIxr9-Ou260Jv5-Ug7XQXTQ=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">The Complete Agenda</a> July 2024 Agenda</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSfew6zqJoXJNfwTNMnxZtIeO0Vl5CRSg0dkuGYvB_XpF94jAesBQ9pBLPAUJ9oIplYjrExp66sY6gtyKhqVc0nNYwIoc6AMEyHXm6RjSbC7Wxl2BZ2RKhHSC4dwBIMya8&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">The Keynotes:</a> Monday, July 22nd &#8211; Wednesday, July 24, 2024</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9YS14tvFgT4uI5XcGz0RR15au8zg0Jx0o05y_3r8-6IpPgrEuFaxJ_7Pkkdac0wOk02xd-DIT70MC6NG6jzQrLgwI9BpuZ1vgFUlIhdWLeRRaPbX51HPaSaohAV-Pj17r3TacMm38g0h_whKXvZ8C6Vtu_M3bQKB0v7_jOuihTsNVQJnHQR4U6k=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">Special Track for:</a> Television Academy Emerging Media Peer Group Members</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSyNG4WeZoVxYs7X9C-lOsTnJmYRAUsDtE7j1iyJOF0C1N-wwyUzlgIWnJbHAifR7UGWdo-uKtYkEjpH9BSD3PjQgFQHxCYyBFpmJJZd3ozgOnGIYXKs5JP-L-qwZMrmpT1pE4OP2yjzY=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">I. Track One:</a> AI and Hollywood Production, Advertising, Virtual Production &amp; Analytics</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSBrM7ayb4NTsGHH3gUwCLzqNXiEXzQsRhfMSlCo8RuST68StjlDV-98geEGdfimNFreBTFbtyFUouTMgNpDS38dh7nIBqwAe7Nfjz2miG6exjC_imK0fZ3P18sUJkJIhG_WnrBHJZv2Q=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">II. Track Two:</a> AI and Video and the 21st Century Artist</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwS0HTof5ID32TaO4RHEvM1Cu-6xjZJF9LH1SEGTh2VyauLZ6nd93K1lsSZBbuIfm_O1xVto_NeIB-k2iAmnGqaUl-wcgGeDp88kLv1wYZDc1iC09UDkEjvkIQX2337XvsG&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">III. Track Three:</a> Virtual Humans and Robotics: The Summit on Synthetic Intelligence</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwS2E1MAFvIO1yIF_XsZqzNfNuaGtOLtHe7DU7tfbg_SPQLpl3ANvP6U6XTZf5DtePpBiMQeaova10SJ5gMweVOvcxg_TN6DmPjlXhasW-w2zCrtXVtcCCPkiwT75aJ7085&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">IV. Track Four:</a> AI and Music: The Challenge of Artists vs. Technology &#8211; Musicians &#8211; Science &#8211; Creativity</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwS8CbwRHNOaIv0mkP8Wrc_QRro3XFWH8Ih5iIB8xJj-avVgIHxHdTeqJk1lTHOTkp-tqS5KEQg-EQKELY41zBDmm_SMq0vthWuBD3CQ7Hh-aneh4rWgHXfB4b47mWbp8gG0y2WSIJLkmo=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">V. Track Five:</a> AI &#8211; Deep Fakes, Bias Threats, Bias, Creative Rights &amp; Regulation</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSWMX485iU3UVzLuVIytky92RZrPLW7jsU1DfiUNjNFCwwi_3_JJjEq3dTD6zpatuia25X5vczdynftwOskWh_w549_sbiTMZD21bxaQXMIKLaTGANJmVvdVahj7jZcQpJ&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">VI: Track Six:</a> AI Fashion, The Artist &amp; Design: The Summit on Synthetic Intelligence</p>
<p>Registration is Open and Free to All Attendees</p>
<p>The Defining Event: The Future of Entertainment, Media &amp; Technology</p>
<p>The Evening Keynote Roundtables</p>
<p>Monday, July 22nd, 2024</p>
<p>8:00 PM – 8:50 PM: Eastern Time Zone</p>
<p>Session I:</p>
<p>The AI &amp; Entertainment Innovation Roundtable</p>
<p>While AI has been front and center in the entertainment and media industries for more than a decade, enabling on the one hand predictive and qualitative analytics and then serving as the backbone of major creative innovation in feature film, advertising, and the cloud on the other. But now, with the establishment of “Generative AI,” that process of innovation and disruption is unfolding at an accelerated and unprecedented rate. In this roundtable, we bring together executives from major entertainment and technology organizations who are at the forefront of that innovation transformation. We thank them for their time and very much look forward to their commentary.</p>
<p>Speakers:</p>
<p>Phil Wiser, Executive Vice President and Chief Technology Officer, Paramount Global</p>
<p>Samira Panah Bakhtiar, General Manager, Media &amp; Entertainment, Games and Sports, Amazon Web Services (AWS)</p>
<p>Eliot Sakhartov, Business and Technology Strategist, Media and Entertainment, Microsoft</p>
<p>Seth Hallen, Managing Director, Light Iron, President, Hollywood Professional Association (HPA),</p>
<p>Moderator</p>
<p>Speaker to be announced</p>
<p>Session II:</p>
<p>AI, Cinematic, Apple Vision Pro/Spatial and Media Artists: The Next Level of Creativity</p>
<p>The artist, the creator, from Indie filmmakers to experimental visionaries, in this moment of tech innovation, are finding a new voice and a new universe of opportunity. With traditional entertainment platforms, from “Tent-Pole Extravaganzas” to Reality TV overload, the global audience is making clear its preference for new mediums and new technologies that deliver new and more innovative experiences. In this roundtable we will explore AI and Cinematic creation, XR innovation and we’re also pleased to welcome the creative team behind Apple Vision Pro’s breakthrough &#8220;Encounter Dinosaurs.” As artists quickly discover, AI, XR and Spatial technologies provide pallets of creative choices unknown to them prior to this amazing journey.</p>
<p>Speakers:</p>
<p>Robert Legato, Director, Tool, Legendary VFX, Titanic, The Lion King, Avatar</p>
<p>Kymber Lim, CEO &amp; Producer, MAJYK Studios, &#8220;Prehistoric Dinosaurs Immersive Team”</p>
<p>Robert Keyghobad, Producer, Remy H. Industries, &#8220;Encounter Dinosaurs Team”</p>
<p>Keith Soljacich, Head of Innovation, Publicis Media</p>
<p>Eric Levin, Chief Content Officer, Publicis Media U.S, Moderator</p>
<p>9:00 PM &#8211; 9:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>AI and Safety: Governance and Restraint vs. Industry Self-Regulation</p>
<p>AI didn’t arrive in the past 18 months. For nearly twenty years, AI has steadily become a technological societal force, serving as a backbone to the Medical Imaging community, directing traffic on the internet and regulating electrical power grids across the country and making possible self-driving cars. However, with the arrival of Generative AI and the anticipation of AGI, Artificial General Intelligence, and massive surge in technology investment and company valuations, there is deep concern that the exuberance of discovery will lead to an unwelcome future. We welcome this conversation.</p>
<p>Speakers:</p>
<p>Richard Kerris, General Manager, Media and Entertainment, NVIDIA</p>
<p>Dr. Rumman Chowdhury, United States Science Envoy, Artificial Intelligence, CEO and co-Founder, Humane Intelligence</p>
<p>Mary Hamilton, Managing Director, Technology Innovation, Americas, Accenture</p>
<p>Dan Hendrycks, Director, Center for AI Safety</p>
<p>Dr. Megan Ma, Associate Director, CodeX and Law, Science, Technology Program, Stanford Law School, Moderator</p>
<p>9:00 PM &#8211; 9:50 PM &#8211; Eastern Time Zone</p>
<p>Session II:</p>
<p>The Hollywood Trajectory: The Generative AI Video Timeline: 2023 – 2024 – 2025 – 2026</p>
<p>How fast will AI take over Hollywood? That’s the question. After YouTube; After VFX and the Nightmare of Sequels, After Netflix, Amazon and cord cutting; Remember, Napster Killed the Music Industry!! What’s next? Is AI the Machine that’s going to “Eat Hollywood.” We are already beginning to understand the impact of AI on Screenwriting, AI and Virtual Charters and AI’s impact on VFX. Video Editing is clearly in the eye of the AI storm and the role of extras not to mention complicated backgrounds that will magically appear through the power of AI. In this session, we will speculate on the impact of AI on Hollywood and try to understand the impact and growth of “The AI Blob.” How soon will entire movies, TV shows and Ads being fully produced by a giant AI. 2026? 2028? What will Hollywood look like in 2030?</p>
<p>Speakers:</p>
<p>Paul Trillo, Artist, Writer, and Director</p>
<p>Renard T. Jenkins, President, i2a2 LLC, President, SMPTE</p>
<p>Jen Hollingsworth, Chief Commercial Officer (CCO), Flawless AI</p>
<p>Phillip Fury, Immersive Technology Innovator and Advisor</p>
<p>Peter Csathy, Chairman, Creative Media, Moderator</p>
<p>The Evening Keynote Roundtables</p>
<p>Tuesday, July 23rd, 2024</p>
<p>8:00 PM &#8211; 8:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>Brands &amp; Agencies as Global Studios: The Medium is the Message</p>
<p>The Medium is the Message has truly outpaced the growth and influence of our traditional media powers. While the “Super Bowl” was indeed the most watched TV event of the year, the everyday reach of “Social Networks,” plus YouTube channels and others in “absolute numbers” far outstrip our traditional media system. One might conclude that in determining consumer reach and engagement, the creative combination of Global Brands, Global Agencies powered across the Social Networks, Websites and Mobile enablers, with the added possibilities of AI, XR, AR and Live Events create what we might consider as deployable Global Studios. Such Global Studios might be “Ad Hoc” or transitory, but they represent a paradigm shift. It is not an exaggeration to suggest that the consumer reach of this “Modern Media Plan” will consistently reach into the hundreds of Millions.</p>
<p>Speakers:</p>
<p>Valerie Madden, Creative Director of Marketing Innovation, Amazon MGM Studios, Prime Video &amp; NBC Universal Alum</p>
<p>Melissa Bolton-Klinger, Award Winning Director, former, Group Creative Director &#8211; Studios, Paramount</p>
<p>Michael Sugar, Founder and CEO of Sugar23, Academy Award Winner, &#8220;Spotlight&#8221;</p>
<p>Adam Simon, SVP, Executive Director, IPG Media Labs</p>
<p>Greg Kahn, President and CEO, GK Digital Ventures, Moderator</p>
<p>Session II:</p>
<p>AI and the Crisis of Creative Rights: Deep Fakes, Ethics and the Law</p>
<p>Even with the successful resolution of the Entertainment industry “Guilds” strike of 2023, there remains an ongoing fear that &#8220;artificial intelligence poses an existential threat to creative professions.&#8221; The core AI issue sparking debate in Hollywood is not only based on compensation and creative control production. Deep fake technology in particular has raised concern about potential harmful uses, such as political disinformation, revenge porn, and misuse of intellectual property. At the same time, many “creatives” tout the game changing benefits this technology can bring to artistic and other endeavors, such as educational opportunities, enhanced freedom of expression and reduced barriers to entry. This panel will discuss these competing concerns and whether existing legal frameworks, such as right of publicity, copyright, and existing regulations, are sufficient to address this powerful technology.</p>
<p>Speakers:</p>
<p>Lisa Oratz, Senior Counsel, Perkins Coie, Moderator</p>
<p>Speakers to be announced</p>
<p>The Evening Keynote Roundtables</p>
<p>Wednesday, July 24th, 2024</p>
<p>8:00 PM &#8211; 8:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>A Meditation on Bad Hollywood: A Warning from the Creative Community – “Is the Future Synthetic Entertainment”</p>
<p>While the “Strikes” of 2023 may have been settled, with a well negotiated and robust consideration of all things AI, nevertheless, even with the AI guardrails in place, the feeling among creatives and for good reason, continues as the “unknown impact” of AI remains front and center in our industry and for the future of creativity and entertainment. Reflecting on this past year’s “Writers’ and SAG-AFTRA Strike,” Justine Bateman, was one among many in Hollywood expressing concern for our coming “Synthetic Entertainment Future.” To quote from her Newsweek article, Bateman was passionate and direct, “AI stands for Artificial Intelligence, but I refer to it as &#8220;Automatic Imitation.&#8221; And as Andy Weir, author of &#8220;The Martian,&#8221; has said, &#8220;before my life is over—my profession will effectively disappear.” In this session, we will continue the conversation concerning “All-Things AI,” the conversation that likely will never end.</p>
<p>Speakers:</p>
<p>Danielle Van Lier, former,Senior Assistant General Counsel, Contracts &amp; Compliance, SAG-AFTRA, Moderator</p>
<p>Charlie Fink, Consultant, Forbes Columnist, “This Week in XR Podcast”</p>
<p>Additional speakers to be announced</p>
<p>9 – 9:50 PM Eastern Time Zone</p>
<p>Session I:</p>
<p>AI-Powered Business Models for Media and Entertainment: Opportunities and Investment Strategies</p>
<p>The market caps of Hollywood studios and the “Magnificent Seven” (Alphabet/Google, Amazon, Apple, Meta, Microsoft, Nvidia and Tesla) are a stark tale of two cities. In 1994, the economic power of Hollywood and Tech were more or less equal. Today, the big tech 7 are worth $11.6 trillion, while the seven largest studios clock in under $400 billion— 3.45% the market value of their counterparts. AI represents a chance for M&amp;E to harness tech to add revenue stream, decrease costs and force multiply efficiencies. This panel will present some specific examples how A&amp;I can supercharge M&amp;E ROI and growth.</p>
<p>Speakers:</p>
<p>Guy Gadney, CEO, Charisma.ai</p>
<p>Marcie Jastrow, Advisor, Shiba Inu</p>
<p>Mark Turner, co-Founder, Xinsere, formerly, MovieLabs, Technicolor, Microsoft</p>
<p>Virl Hill, Digital Media Leader, Former, Development &amp; Strategy, Media &amp; Entertainment, Microsoft</p>
<p>Matt Edelman, President and Chief Commercial Officer, Super League</p>
<p>Seth Shapiro, Two-time Emmy winner, Partner, Alpha Transform Holdings, Moderator</p>
<p align="left">The Complete Conference Agenda (The Daytime Events)</p>
<p align="left">Tuesday, July 23rd, 2024</p>
<p align="left">Noon – 12:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">Architects of AI and Entertainment: VFX/CGI – XR – AR – Film &amp; Branding to Live Events</p>
<p align="left">AI has been an evolving resource for Hollywood creatives for the past twenty years, going all the way back to “Jurassic Park” and “T2: Judgment Day.” You might call it a “Superpower.” AI in the hands of the “Architects of Hollywood” has been like giving a magic wand to a magician. From Feature Films, Live Experiences, Games and Advertising, the power to imagine has just been expanded exponentially. And an almost equal power has been given to the desktops of millions of the next generation of “Pixar and Walt Disney Imagineers” working at home worldwide.</p>
<p align="left">Speakers:</p>
<p align="left">Eric Shamlin, EVP Global Head of Entertainment, Media.Monks</p>
<p align="left">Boo Wong, former, Director, Live Entertainment, Unity Technologies</p>
<p align="left">Julian Sarmiento, Vice President, Innovation, Mirada Studios &amp; Trailer Park Group</p>
<p align="left">Tyler Cohen, Creative Director, Experience, Tool</p>
<p align="left">John Canning, Director Developer Relations &#8211; Creators, AMD, Moderator</p>
<p align="left">Session II:</p>
<p align="left">Fashion Forward: The Immersive and Beautiful Internet Experience</p>
<p align="left">The fashion and beauty retail experience is changing and the change is emerging before our eyes. Beautiful design is not new, but the “Immersive Experience,” of beautiful design on all platforms for the consumer, the impact of AI on real-time presentation and customer service as a high-end experience, from in-person to smartphone is incrementally being revolutionized. The pleasure and detail of the “In-Store High-End Customer Experience,” in the very near-future will be replicated and transformed as a mass culture “Digital Experience” online. We are pleased to share the concepts and vision of the transformation here, on this panel today.</p>
<p align="left">Speakers:</p>
<p>Nicolas Votano, Chief Revenue Officer, Journee</p>
<p align="left">Jordan Robinson, Director of Immersive &amp; Partnerships, Degen Distillery</p>
<p align="left">Adrian Whant, Founder &amp; CEO, trooVRS, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session III:</p>
<p align="left">Generative AI and Cinematic Hollywood: The Transformation of the Media Industry</p>
<p align="left">While full AI video production hasn’t quite arrived, each week it seems that OpenAI debuts another generation of Sora and Pika one ups them with Audio software to lip-synch with the new video clips and another billion dollar investment is announced for a Virtual Humanoid company. And that was all in a three day stretch in March of 2024. And that’s not counting the Pro AI Music Generators from Google, Adobe and Meta and to paraphrase Stability AI’s CEO, “Emad Mostaque, &#8220;It has become possible to imagine an AI-generated new season of &#8220;Game of Thrones.” It with that thought in mind that we address the future of AI and Hollywood with our esteemed panel.</p>
<p align="left">Speakers:</p>
<p align="left">Ted Schilowitz, Visionary &amp; Futurist, formerly Paramount Global &amp; 20th Century Fox</p>
<p align="left">Sasha Kasiuha, AI Innovator &amp; Director, Madonna “The Celebration Tour”</p>
<p align="left">Pinar Seyhan Demirdag, Co-Founder &amp; CEO, Cuebric</p>
<p align="left">Diana Williams, CEO &amp; Co-founder, Kinetic Energy Entertainment</p>
<p align="left">Leslie Shannon, Head of Ecosystem and Trend Scouting, Nokia, Moderator</p>
<p align="left">1 PM – 1:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">As Johnny Rotten Might Say: AI Music – Bollocks Sí or Bollocks No?</p>
<p align="left">Some say, AI is different. This technology may be black magic and maybe they’re right. But what about Sampling and Looping, Sequencers, Drum Machines and Beat Makers, Software synths and the Moog. How about the first time you became aware of the Wah Wah pedal? Does the music of Hendrix, Clapton or Zappa come to mind? The magical world of “Music and Technology” has enabled and enhanced the greatest of our popular musicians and producers for more than half a century. What is the role of the “Recorder Producer?” What about “The Wall of Sound?” What are the Beatles without George Martin, the master of “Audio Wizardry!” What would Johnny Rotten say about “Music and AI.” Let’s discuss.</p>
<p align="left">Speakers:</p>
<p align="left">Gerald Casale, Artist, Musician, founding Member, DEVO</p>
<p align="left">Daniel Rowland, Music Producer, Head of Strategy, LANDR Audio</p>
<p align="left">Jessica Powell, CEO, Audioshake</p>
<p>Dustin Blank, Head of Partnerships, ElevenLabs</p>
<p align="left">Steve R. Masur, Partner, Raines Feldman Littrell LLP, Moderator</p>
<p align="left">Session II:</p>
<p align="left">Gen AI Cinema &amp; Hollywood Video: A Director, Producer &amp; Critic’s Roundtable</p>
<p align="left">The entertainment industry has a new category of film to discuss and analyze, one that did not exist prior to 2023. It is almost remarkable that “Generative AI Cinema” is now a category of “Creativity” that we must begin to take seriously. All through the year 2022 AI Image Generators began to improve and in 2023 the images began to move. It would make Thomas Edison and Auguste and Louis Lumière proud. And the practitioners of “Gen AI Cinema,” the directors and technologists, today’s AI storytellers are creating amazing short films and video experiments. Our roundtable today will bring together a group of “Creatives” that are breaking the ground for what will surely be the “Hollywood of the 21<sup>st</sup> Century.”</p>
<p align="left">Speakers:</p>
<p align="left">Quinn Halleck, Director, Tool (“Sigma_001”)</p>
<p align="left">Katya Alexander, President, Pillars (AI Studio) &amp; Freelance Indie Producer</p>
<p align="left">Jason Zada, founder, Secret Level</p>
<p align="left">Max Einhorn, Gen AI Producer, Creator, &#8220;True Crime AI&#8221;, Moderator</p>
<p align="left">Session III:</p>
<p align="left">The High Profile AI Start-up – Searching for Unicorns</p>
<p align="left">The names of the “High-Flying” AI Start-ups are now nearly as well-known as Google, Meta, Microsoft and Amazon. There’s OpenAI, Anthropic, Inflection AI, Cohere, Mistral AI, Hugging Face, Scale AI and Databricks to name a few. And all of these AI names are valued in the Billions. And that doesn’t count the fifty other companies whose AI products we are now all using and purchasing. What does this mean for the future of tech investments, the coming IPOs and tech valuations in general. Is AI leading a boom in the technology marketplace, the economy as a whole. How many will be busts? What do all these potential “Unicorns” mean?</p>
<p align="left">Speakers:</p>
<p align="left">Kirthiga Reddy, Co-founder &amp; CEO, Virtualness, Moderator</p>
<p align="left">Tara Tan, Managing Partner, Strange Ventures</p>
<p align="left">Sharad Devarajan, Media Entrepreneur; CEO and co-founder, Liquid Comics</p>
<p align="left">David Higley, Partner, Global Media &amp; Technology Group, Perella Weinberg</p>
<p align="left">Bobby Napiltonia, Innovative Silicon Valley Exec., Okera, Salesforce, Twilio, BEA</p>
<p align="left">Session IV:</p>
<p align="left">The Complexity of AI &amp; Art – Imagination of the Human + Machine: Cinematic Arts &#8211; Media Arts &#8211; Fashion Design</p>
<p align="left">What does it mean when an artificial intelligence can dream? What does it mean to create art fabricated by neural networks rather than solely human hands and hearts. What does our future hold? Stanley Kubrick’s Barry Lyndon, is a magnificent and devastating portrait of grandeur and privilege of Europe of the 1700s and in equal measure, we can look to the magnificent treasure of Antoni Gaudi’s architecture of Barcelona, and both might be thought of as progenitors of the AI Art we aspire to today. While Generative AI art is like opening a door to a limitless supply of “Digital Art,” this new world of art by “Human and Machine” will be no less distinct and intriguing than any era of art which has come before.</p>
<p align="left">Speakers:</p>
<p align="left">Angus Kneale, Chief Creative, Preymaker (co-founder, The Mill)</p>
<p align="left">Michael Olaye, SVP, Managing Director &#8211; Strategy &amp; Innovation, R/GA</p>
<p align="left">Cathy Hackl, Co-CEO, Spatial Dynamics</p>
<p align="left">Amelia Bearskin-Winger, Banks Family Chair of AI and the Arts, University of Florida, Digital Worlds Institute</p>
<p align="left">Johannes Saam, Futurist/Creative Technologist, Framestore/atara.xyz</p>
<p align="left">Annie Hanlon, Production Innovation Executive, Moderator</p>
<p align="left">
<p align="left">2 PM – 2:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Digital Brand &amp; Advertising Experience: AI + 3D + XR + Holography + Metaverse</p>
<p align="left">The combination of visual and electronic platforms and digital creativity have completely transformed the role of global brands in public consciousness. Or perhaps it’s the other way around; global brands have exposed technology and creativity to the world. Either way, between AI, 3D, XR and Spatial Realities, a universe of magical experiences and creative environments are capturing the imagination of 100s of Millions of viewers on mobile, video as well as experiential platforms. We are reaching a next level; we may be breaking the “Creative Sound Barrier.”</p>
<p align="left">Speakers:</p>
<p align="left">Canaan Rubin, Creative Executive, Marketing &amp; Immersive, Amazon MGM Studios &amp; Prime Video</p>
<p align="left">Albert Thompson, Managing Director, Digital Innovation, Walton Isaacson</p>
<p align="left">Jessica Berger, Senior Vice President, Innovation, Publicis Media</p>
<p align="left">Fredrik Frizell, Founder, Buoy Studios</p>
<p align="left">Elizabeth Kiehner, Global Chief Growth Officer, Nortal, Moderator</p>
<p align="left">Session II:</p>
<p align="left">AI and Identity Theft &#8211; A Taylor Swift Law – The Deep Fake Dilemma</p>
<p align="left">“Deep Fakes” are not only a theft of property rights and a concern of Musicians and Hollywood personalities, bad-actors are scheming new, inventive and technologically bizarre ways to invade our privacy, our computer data and ultimately our electronic wallets. This is not a false alarm. While a “Taylor Swift Law” is needed to protect the personage of a pop star, it may be even more important to secure the personal electronic rights of everyday citizens. Recently in Hong Kong, a “Deep Fake” scheme successfully defrauded an investment company of $25 Million in a fraudulent Zoom call with visual impersonators representing colleagues. That Zoom call might have been you and a “Deep Faked” family member.</p>
<p align="left">Speakers:</p>
<p>Caroline Giegerich, Innovation Consultant, TEDx Speaker, Daily Marauder</p>
<p>Virginie Berger, Chief Business Development &amp; Rights Officer, MatchTune</p>
<p align="left">Remington Scott, Founder, CEO and Chief Architect, Hyperreal® Inc., VFX, THE LORD OF THE RINGS: THE TWO TOWERS</p>
<p>Greg Young, Vice President for Cybersecurity, Trend Micro</p>
<p align="left">Will Kreth, CEO, HAND (Human &amp; Digital), Moderator</p>
<p align="left">Session III:</p>
<p align="left">Cinematic AI: A World of Tools and Technology</p>
<p align="left">The operative word is “Creativity!” While AI may provide amazing tools to enhance, expand, accelerate and even, to use a troublesome notion, to “Synthesize” the creative process, at its core, Cinematic AI is about “Storytelling,” and at least for the moment, the human touch is very much “At the Controls” of assembling an artistic cinematic vision. While the creation of some musical tasks and even individual images can approach human level creativity, for the moment, “Storytelling” is a bit more complex. In this session, we will hear from creators and technologists who are at the forefront in the application of “Cinematic AI Tools.”</p>
<p align="left">Speakers:</p>
<p align="left">Evo Heyning, CEO, Realitycraft</p>
<p align="left">Emily Golden, Head of Growth Marketing, Runway</p>
<p align="left">Vova Ovsiienko, Business Development Executive, Respeecher</p>
<p align="left">Russell Palmer, CEO &amp; Co-Founder of CyberFilm AI</p>
<p align="left">Joanna Popper, Former Chief Metaverse Officer, CAA, Moderator</p>
<p align="left">Session IV:</p>
<p align="left">The AI Start-Up Dream Team: Strategies for Success: Unique Founders, PhDs, Genius Advisors, Venture Board</p>
<p align="left">What are the difference makers. Where are the forks in the road, the decisive decisions taken by the ultimate winners and the 80% of start-ups who drift off and ultimately fade away. Facebook was not the first, but was by far the greatest of the Social Networks to enter the fray. Since all serious start-ups have brilliant and determined founders, wise and experienced advisors and investors, what separates that one shooting star from the group? Sometimes changing the world begins at a corner store serving a niche market in the community, like being a quality bookstore in a mall of Superstores or a seaside shack serving an upscale boating community and the opportunity reveals itself. But often, targeting a narrow domain, an underserved market, a foundational technology serving a unique need will provide the pathway to success.</p>
<p align="left">Speakers:</p>
<p align="left">Curt Doty, Founder, RealmIQ, Moderator</p>
<p align="left">Jeremy Toeman, Founder and CEO, AugX Labs</p>
<p align="left">Mitchell Posada, Co-Founder, 3TGTM</p>
<p align="left">Huipin Zhang, CEO &amp; Founder, Visla, Zoom Founding Team</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">3 PM – 3:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">Hollywood VFX Pros Discuss Virtual Humans &amp; GenAI: Feature Film Perfection, Actor Longevity, Deep Fakes, &amp; Impact of Generative AI</p>
<p align="left">How good is the current state of Generative AI? Let’s hear first-hand from an All-Star Team of Hollywood VFX professionals. Hollywood has been using AI in film and video production for any number of years, but now the “Next Generation of GenAI” has arrived and it’s all over YouTube and Social Media. There are Virtual Human Influencers, Models, even Virtual Girlfriends. And what do they see coming down the road, in 2025 and 2026? And how will Generative AI be merged with the most powerful software in the VFX toolbox? This roundtable should be fun.</p>
<p align="left">Speakers:</p>
<p align="left">Akira Thompson, Creative Director and Generative AI Lead, R/GA</p>
<p align="left">Candice Alger, Executive Producer and Member of Advisory Board, Wild Capture</p>
<p align="left">Sean Cushing, co-founder, Cantina Creative</p>
<p align="left">Remington Scott, Founder, CEO and Chief Architect, Hyperreal® Inc., VFX, THE LORD OF THE RINGS: THE TWO TOWERS</p>
<p align="left">Lori H. Schwartz, Founder &amp; CEO, StoryTech, Moderator</p>
<p align="left">Session II:</p>
<p align="left">The Digital Brand &amp; Advertising Experience, Part II: AI + 3D + XR + Holography + Metaverse</p>
<p align="left">The combination of visual and electronic platforms and digital creativity have completely transformed the role of global brands in public consciousness. Or perhaps it’s the other way around; global brands have exposed technology and creativity to the world. Either way, between AI, 3D, XR and Spatial Realities, a universe of magical experiences and creative environments are capturing the imagination of 100s of Millions of viewers on mobile, video as well as experiential platforms. We are reaching a next level; we may be breaking the “Creative Sound Barrier.”</p>
<p align="left">Speakers:</p>
<p align="left">Nigel Tierney, Executive Creative Director, Yahoo</p>
<p align="left">Melissa Eccles, former, Head of West Coast, TikTok Creative Lab</p>
<p>Darlene Liebman, founder and CEO, Creative Humans</p>
<p align="left">DEPT®, speaker to be announced.</p>
<p align="left">Mark Kapczynski, President, Storymill, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p>Session III:</p>
<p>Revolutionary Virtual Production: AI &amp; Computer Vision in Modern Filmmaking</p>
<p>It’s almost impossible to exaggerate how much has changed in the past five or six years in the world of visual creativity and film production. What started out as an already impressive world of “Green Screens” and CGI has emerged as a universe of Gen AI video, prompted 3D images and full audio tracks, plus a vast war-chest of pre-visualization tools, all placed in the hands of our greatest storytellers. The industry is revolutionizing before our eyes. Filmmakers are transforming the ideation process, a world of AI and Virtual Production and in a matter of days, weeks and months, bringing it to life as a fully realized feature films, TV shows, advertisements and YouTube videos. In this session, we examine the phenomenon.</p>
<p>Speakers:</p>
<p>Joerg Bachmaier, founder &amp; CEO, Enter New Worlds, Moderator</p>
<p>Irad Eyal, CEO, Quickture</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session IV:</p>
<p align="left">Predictive Hollywood Analytics and Strategy: The Barbi vs. Oppenheimer Predictive Data Breakdown</p>
<p align="left">William Goldman famously stated, “Nobody knows anything,” in describing the unpredictability and decision making in the film industry. Despite this assertion, a “Predictive Analytics” industry has emerged that underpins much of Hollywood decision making today. AI analytics are employed in script development, including character and thematic choices, deep dives into casting as well as audience preferences underpinning each option. While it is hard to say if the AI process was at the core of the massive success of “Barbi” or the award winning “Oppenheimer,” a breakdown of that development and production process would certainly make for an interesting discussion.</p>
<p align="left">Speakers:</p>
<p align="left">Tobias Queisser, Co-founder &amp; CEO, Cinelytic</p>
<p align="left">Kartik Hosanagar, CEO, Jumpcut, Co-Director, Wharton School AI &amp; Analytics</p>
<p align="left">Marc Karzen, CEO / Strategist, RelishMix, Moderator</p>
<p align="left">Additional Speakers to be announced</p>
<p align="left">4 PM – 4:40 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Best in Virtual Humans and Synths: Influencers, Performers &amp; Companions</p>
<p align="left">Call them Synths; call them Virtual Human Celebrities, influencers and performers going by names such as Audrey Hepburn Digital, Lil Miquela, Lu do Magalu, Barbi, Guggimon, Any Malu or Milla Sofia. According to her Instagram account, Lil Miquela is a half-Spanish, half-Brazilian 19 year old Robot living in LA with 2.6m followers. Lu do Magalu, another Brazilian influencer has 6.8M followers. She is used by Brazilian retailer, “Magazine Luiza” for various campaigns and has partnered with big brands, including Adidas, McDonald&#8217;s and Red Bull. There are AI Internet Girlfriend platforms named Replika, Candy AI and DreamGF and Virtual Singers and Performers are in the pipeline with the backing of major organizations. What are we to make of this phenomenon? “Barbi” afterall started out as a “Children’s Doll” over a half century ago and now as a “Movie Star” and “Virtual Human” has become a “Global Phenomenon.” With that in mind, perhaps the “Cultural Narrative” of “Synths” and “Virtual Humans as Celebrities” has yet to be decided.</p>
<p align="left">Speakers:</p>
<p align="left">Max Einhorn, Gen AI Producer, Creator, &#8220;True Crime AI&#8221;</p>
<p>Sally Slade, Lead XR Technical Artist, <a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9YS14tvFgT4usXaa_C3K-rXzo4kFtkdsCzRJlVKu_q-wt4HRLiK4zqKtFYbmvQq_feReWTLXxwqox0kCR8sakfbU-pSbem4hOQ==&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">Genies</a></p>
<p>Sarah Parnicky, Innovation and Operations Director, Mawari</p>
<p align="left">Eduardo Yeh, CEO, The Digital Audrey Hepburn Collection</p>
<p align="left">Marc Scarpa, Co-Founder, DeFiance Media (Virtual Human News Anchors), Moderator</p>
<p align="left">Session II:</p>
<p align="left">AI Music Monetization: DeepMind’s Dreamtrack, The Grimes AI Strategy: Let’s Go 50-50%</p>
<p align="left">There’s no way to slow down the explosion of AI created music. It’s here, it’s now and everyone, young and old have become AI Sound Engineers by the hundreds of thousands. So as the ocean of new music arrives, the idea of “AI Music &amp; Monetization” has now become front and center. For example, Google’s DeepMind recently unveiled DreamTrack, an AI system allowing customizable music generation via text prompts. Their partnership with the music label EMI hints at future platforms streamlining rights-cleared AI music tailored to user taste. Such tools could enable independent musicians, creative agencies, and brands to license bespoke soundtracks on-demand. Along the same lines, the famous musician Grimes is exploring equally disruptive models, granting fans collective ownership in her AI-assisted compositions through NFTs and decentralization. It’s only the start, but with music AI software getting better and better, the market is ripe for legal monetization strategies to emerge.</p>
<p align="left">Speakers:</p>
<p>Daouda Leonard, founder and CEO, CreateSafe</p>
<p align="left">Anthony Ramirez, Partner, Technology Transactions Group, Morrison Foerster</p>
<p align="left">Alex Mitchell, CEO, Boomy</p>
<p align="left">Karen Allen, CEO &amp; Co-Founder, Infinite Album</p>
<p align="left">Joanna Popper, Former Chief Metaverse Officer, CAA, Moderator</p>
<p align="left">Session III:</p>
<p align="left">AI &amp; the Creative Community – Representing the Interest of Actors &#8211; Writers &#8211; Producers &#8211; Guild Members</p>
<p align="left">While the Hollywood strikes last year may now be old news, the concerns of the Guild membership, the writers and actors are far from settled. After all, creative concerns cannot always be resolved through arbitration and legal settlement. The underlying issues of Artificial Intelligence, from Deep Fakes, Virtual Humans and the ultimate ability of the AI to reason, think and author creative works is far from settled fact. Who among us can say what the future might hold. For those of you who have tried AI or perhaps have even become “Expert” in AI application, you are aware of the problems it may present. AI can as easily violate copyright of everything from image to story to voice as it can enhance the creativity of the most sophisticated artist. This our world to explore.</p>
<p align="left">Speakers:</p>
<p align="left">Chris McGuire, Comedy Showrunner: Martha &amp; Snoop, The Soup, Comedy Central Roasts</p>
<p align="left">Schuyler (Sky) M. Moore, Partner, Greenberg Glusker</p>
<p align="left">Dan Neely, Co-Founder and CEO of Vermillio</p>
<p align="left">Catherine Clinch, Veteran TV Writer, Hunter, Jake &amp; the Fat Man, Love Boat, Hart to Hart, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session IV:</p>
<p align="left">AI &amp; the Design of Randomness: Unlocking the Inner Jackson Pollock</p>
<p align="left">Our first thought was to call this panel, “AI: Inside the Black Box of the Imagination.” Artificial Intelligence, together with Machine Learning have opened the door to a relationship with a “Human Creator,” someone we might call an “Artist,” and the result is an exploration of the imagination that has never been seen before. The result is unique. Nevertheless, some critics, Jerry Saltz of New York Magazine’s Vulture among them, have articulated a clear disdain for this new and evolving art form. While others, the curators at MOMA in NYC to their credit, have honored AI’s best known artistic innovator, Rafik Anadol with a one-man show. Many have referred to AI Art as the “Design of Randomness,” referring to it’s kinship to Jackson Pollock. In this session we will explore some of those thoughts.</p>
<p align="left">Speakers:</p>
<p align="left">Neil Leach, Architect, Curator, Visiting Professor, Harvard University, Gao Feng Professor, Tongji University and Adjunct Professor, University of Southern California</p>
<p align="left">Ulrike Kerber, Principal and Creative Director, Viva Design</p>
<p align="left">Sandu Baciu, founder, Baciu Co.</p>
<p align="left">Curt Doty, Founder, RealmIQ, Moderator</p>
<p align="left">
<p align="left">5:00 PM – 5:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Elvis Act: The Tennessee Deep Fake 2024 Law</p>
<p align="left">Is this the first of many, a prelude to a “Federal Law” or an interesting step to secure the “Individual Rights in the face of Deep Fakes,” serving as a bellwether for future legislation, but ultimately not the final word on the subject. Tennessee’s “Ensuring Likeness Voice and Image Security (ELVIS) Act” passed earlier by their state legislature this year and exclusively limited to Tennessee residents is directed specifically to the issues of “Deep Fakes” and to the protection of Recording Artists and others impacted by “Voice Cloning” and other AI technologies. In this session, our speakers will address the specifics of “The Elvis Act,” with the thought that this piece of legislation is likely a “Canary in a Coal Mine,” one of the first legislative steps that may indicate of how public and political sympathies could be harbingers of AI legislation and legal decisions coming in the future.</p>
<p align="left">Speakers:</p>
<p align="left">Christopher Kenneally, Sr. Director, Content Marketing, Copyright Clearance Center, Moderator</p>
<p align="left">Angela L. Dunning, Partner, Cleary Gottlieb</p>
<p align="left">Edward Klaris, Managing Partner, Klaris Law</p>
<p>Angela L. Dunning, Partner, Cleary Gottlieb Steen &amp; Hamilton LLP</p>
<p align="left">Kevin J. Greene, John J. Schumacher Chair, Professor of Law, Southwestern Law School</p>
<p align="left">Session II:</p>
<p>The NextGen Hollywood Creator: Writer-Director-Producer</p>
<p>In a world of AI and other new technologies, the fear of replacement of writers and directors by “Synthetic Creators” may be a misplaced concept. In fact, counterintuitively, with the arrival of “Advanced AI Software,” the ultimate power of “Creativity” may concentrate into the hands of the “Original Creative Force,” ie. the writer. If “Prompting” a story outline, developing the full project, putting it into storyboard and then into its final form, derives from the relationship between the “Creative Mind,” and the AI, then who is the “Producer” going to engage, a &#8220;Robot to Prompt the Robot?&#8221; Interestingly, the arrival and further development of technology may ultimately provide greater freedom to the writer/storyteller and as technology evolves, providing that “NextGen Writer/Director” with an even greater and enhanced creative pallet</p>
<p>Speakers:</p>
<p>Eve Weston, Award Winning Writer and Immersive Storyteller</p>
<p>Rosemary Lokhorst, CEO, BADASS Studios Ltd</p>
<p>Evette Vargas, CoFounder, Indigo Reign Films</p>
<p align="left">Christina Lee Storm, Founder and CEO of ASHER XR, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session III:</p>
<p align="left">AI and Consumer Privacy &amp; Safety: The Unrecognized Dangers in Everyday Technology</p>
<p align="left">Not unlike the problematic impact of “Social Media,” plus powerful SmartPhones enabling negative echo chambers which enhance for many and especially among the young, personal depression, and even self-harm, AI with an entirely different set of psychological and technological tools, presents a host of new problems. While we are all quite aware of “Deep Fakes,” and how they can be used to invade privacy, innovative AI consumer technologies like “AI Sunglasses” with hidden audio and video recording capabilities, for a teen in a school or social setting may present privacy problems as well. AI carries a host of unfamiliar risks. Facial analysis tools are often less accurate than we had hoped. And chatbots, which our teens interact with as friends, can at times exhibit unusual behavior. As innovation continues accelerating, we must evaluate if convenience overrules emerging dangers.</p>
<p align="left">Speakers:</p>
<p align="left">Alber</p>
<p>&#8230;</p>
<p>Email truncated</p>
</td>
</tr>
</tbody>
</table>
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		<post-id xmlns="com-wordpress:feed-additions:1">84889</post-id>	</item>
		<item>
		<title>One of the largest single buildings in the world—ChengDu New Century Global Center</title>
		<link>https://goodnewsplanet.com/one-of-the-largest-single-buildings-in-the-world-chengdu-new-century-global-center/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Tue, 06 Apr 2021 15:54:11 +0000</pubDate>
				<category><![CDATA[China]]></category>
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		<category><![CDATA[century]]></category>
		<category><![CDATA[chengdu]]></category>
		<category><![CDATA[china]]></category>
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		<guid isPermaLink="false">http://goodnewsplanet.com/?p=71476</guid>

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<p>The post <a href="https://goodnewsplanet.com/one-of-the-largest-single-buildings-in-the-world-chengdu-new-century-global-center/">One of the largest single buildings in the world—ChengDu New Century Global Center</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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										<content:encoded><![CDATA[<p><a class="spreaker-player" href="https://www.spreaker.com/episode/44221845" data-resource="episode_id=44221845" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to &#8220;One of the largest single buildings in the world—ChengDu New Century Global Center&#8221; on Spreaker.</a><br />
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		<post-id xmlns="com-wordpress:feed-additions:1">71476</post-id>	</item>
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		<title>Ladysitting: My Year with Nana at the End of Her Century</title>
		<link>https://goodnewsplanet.com/ladysitting-my-year-with-nana-at-the-end-of-her-century/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Sat, 23 Jan 2021 14:47:51 +0000</pubDate>
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					<description><![CDATA[<p>Listen to &#8220;Ladysitting- My Year with Nana at the End of Her Century&#8221; on Spreaker. &#160; Ladysitting: My Year with Nana at the End of Her Century By Lorene Cary Publisher: W. W. Norton &#38; Company www.lorenecary.com “Radiant.” ―O, The Oprah Magazine From cherished memories of childhood weekends with Nana to the reality of the year &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/ladysitting-my-year-with-nana-at-the-end-of-her-century/">Ladysitting: My Year with Nana at the End of Her Century</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a class="spreaker-player" href="https://www.spreaker.com/episode/43079476" data-resource="episode_id=43079476" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to &#8220;Ladysitting- My Year with Nana at the End of Her Century&#8221; on Spreaker.</a></p>
<p><a href="http://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-scaled.jpg"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-70366" src="http://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-scaled.jpg" alt="" width="1729" height="2560" srcset="https://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-scaled.jpg 1729w, https://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-203x300.jpg 203w, https://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-691x1024.jpg 691w, https://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-768x1137.jpg 768w, https://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-1037x1536.jpg 1037w, https://goodnewsplanet.com/wp-content/uploads/2021/01/Lorene-Cary-1383x2048.jpg 1383w" sizes="auto, (max-width: 1729px) 100vw, 1729px" /></a></p>
<p><iframe loading="lazy" title="Ladysitting: My Year with Nana at the End of Her Century" width="500" height="375" src="https://www.youtube.com/embed/jgRtEqFeF8U?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p class="p1"><b>Ladysitting: My Year with Nana at the End of Her Century</b></p>
<p class="p3">By Lorene Cary</p>
<p class="p3">Publisher: W. W. Norton &amp; Company</p>
<p class="p4"><span class="s1"><a href="https://www.google.com/url?q=http://www.lorenecary.com&amp;sa=D&amp;source=calendar&amp;usd=2&amp;usg=AOvVaw1aV7Eh1zb2Zjf0LGxthF-T">www.lorenecary.com</a></span></p>
<p class="p3">“Radiant.” ―O, The Oprah Magazine</p>
<p class="p3">From cherished memories of childhood weekends with Nana to the reality of the year she spent “ladysitting,” Lorene Cary journeys through stories of their time together and five generations of their African American family. Weaving a narrative of her complicated relationship with Nana―a fiercely independent and often stubborn woman whose family fled the Jim Crow South and who managed her own business until 100―Cary captures the ruptures, love, and forgiveness that can occur in the family as she bears witness to her grandmother’s vibrant life.</p>
<p class="p3">“Ladysitting is boldly literate and a brilliant work of art.… A lyrical odyssey of the multiply-descended and cross-generational heritage of black diaspora in a strange and.”</p>
<p class="p3">&#8211; Houston Baker, Distinguished University Professor, Vanderbilt University</p>
<p class="p3">“A thoroughly engaging memoir.… Cary invites readers into a complex extended family.… A distinctly American story.”</p>
<p class="p3">&#8211; Martha Anne Toll, NPR</p>
<p class="p3">“A dive into Cary’s own history.… What resonates loudest in Ladysitting, however, is the love that Cary gives back to her grandmother.”</p>
<p class="p3">&#8211; Dan Marshall, New York Times Book Review</p>
<p class="p3">“Rain dances nourishment from the soil.Tears waltz love from the heart Sun dances a boogie-woogie while Lorene Cary is Ladysittingwith her Grandmother</p>
<p class="p3">Question: Who brings the beer?”</p>
<p class="p3">&#8211; Nikki Giovanni</p>
<p class="p3">“Cary’s chronicle of this centenarian (+1) is written with candor, warmth, and love. The final chapters are critical reading for anyone with an aging loved one at the end of their life.”</p>
<p class="p3">&#8211; Betsy Lerner, author of The Bridge Ladies</p>
<p class="p3">“[Cary] movingly portrays what it’s like to care for a loved one.”</p>
<p class="p3">&#8211; Elizabeth Sile, Real Simple</p>
<p class="p3">“Open the cover of Ladysitting, and you’re immediately yanked into a story with an ending you already know.… One of the more deftly-written, truthful accounts in this genre.”</p>
<p class="p3">&#8211; Terri Schlichenmeyer, Washington Informer</p>
<p class="p3">“A heartfelt, multifaceted story.… This reflective memoir steeped in love and forgiveness explores a devoted granddaughter’s perceptions about her grandmother.”</p>
<p class="p3">&#8211; Shelf Awareness</p>
<p class="p3">“With admiration, triumph, and love, Cary captures the universal experience of close family loss.”</p>
<p class="p3">&#8211; Booklist</p>
<p class="p3">“A candid, sensitive memoir.… Thoughtful reflections on pain, love, and family.”</p>
<p class="p3">&#8211; Kirkus Reviews</p>
<p class="p3">Lorene Cary is author of the memoirs Ladysitting and Black Ice, three novels, and a book for young readers. She teaches at the University of Pennsylvania and has written a one-act opera of Ladysitting and a play, My General Tubman. She lives in Philadelphia.</p>
<p class="p3">Paperback: 272 pages</p>
<p class="p3">Publisher: W. W. Norton &amp; Company; Reprint edition (June 23, 2020)</p>
<p class="p3">Language: English</p>
<p class="p3">ISBN-10: 0393358232</p>
<p class="p3">ISBN-13: 978-0393358230</p>
<p class="p3">What Does Love Mean To Lorene Cary more<i> </i>info go to:<span class="Apple-converted-space"> </span></p>
<p><a class="a2a_button_facebook" href="https://www.addtoany.com/add_to/facebook?linkurl=https%3A%2F%2Fgoodnewsplanet.com%2Fladysitting-my-year-with-nana-at-the-end-of-her-century%2F&amp;linkname=Ladysitting%3A%20My%20Year%20with%20Nana%20at%20the%20End%20of%20Her%20Century" title="Facebook" rel="nofollow noopener" target="_blank"></a><a class="a2a_button_twitter" href="https://www.addtoany.com/add_to/twitter?linkurl=https%3A%2F%2Fgoodnewsplanet.com%2Fladysitting-my-year-with-nana-at-the-end-of-her-century%2F&amp;linkname=Ladysitting%3A%20My%20Year%20with%20Nana%20at%20the%20End%20of%20Her%20Century" title="Twitter" rel="nofollow noopener" target="_blank"></a><a class="a2a_dd addtoany_share_save addtoany_share" href="https://www.addtoany.com/share#url=https%3A%2F%2Fgoodnewsplanet.com%2Fladysitting-my-year-with-nana-at-the-end-of-her-century%2F&#038;title=Ladysitting%3A%20My%20Year%20with%20Nana%20at%20the%20End%20of%20Her%20Century" data-a2a-url="https://goodnewsplanet.com/ladysitting-my-year-with-nana-at-the-end-of-her-century/" data-a2a-title="Ladysitting: My Year with Nana at the End of Her Century"><img src="http://goodnewsplanet.com/images/lg-share-en.gif" alt="Share"></a></p><p>The post <a href="https://goodnewsplanet.com/ladysitting-my-year-with-nana-at-the-end-of-her-century/">Ladysitting: My Year with Nana at the End of Her Century</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">70365</post-id>	</item>
		<item>
		<title>Augusto Description: Global Governance and the Emergence of Global Institutions for the 21st Century</title>
		<link>https://goodnewsplanet.com/augusto-description-global-governance-and-the-emergence-of-global-institutions-for-the-21st-century/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Tue, 01 Dec 2020 22:03:30 +0000</pubDate>
				<category><![CDATA[Good News To Go]]></category>
		<category><![CDATA[Non-profit]]></category>
		<category><![CDATA[21st]]></category>
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		<guid isPermaLink="false">http://goodnewsplanet.com/?p=69102</guid>

					<description><![CDATA[<p>Listen to an interview with Augusto Lopez on Spreaker. &#160; global governance and the Emergence of Global Institutions for the 21st Century By Dr. Augusto Lopez-Claros (et. al) Publisher: Cambridge University Press (February 27, 2020) How can the world&#8217;s leading nations address the economic, health, and military threats more cooperatively? Augusto Lopez-Claros has a plan. &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/augusto-description-global-governance-and-the-emergence-of-global-institutions-for-the-21st-century/">Augusto Description: Global Governance and the Emergence of Global Institutions for the 21st Century</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a class="spreaker-player" href="https://www.spreaker.com/episode/42263412" data-resource="episode_id=42263412" data-width="100%" data-height="200px" data-theme="light" data-playlist="false" data-playlist-continuous="false" data-autoplay="false" data-live-autoplay="false" data-chapters-image="true" data-episode-image-position="right" data-hide-logo="false" data-hide-likes="false" data-hide-comments="false" data-hide-sharing="false" data-hide-download="true">Listen to an interview with Augusto Lopez on Spreaker.</a></p>
<p><a href="http://goodnewsplanet.com/wp-content/uploads/2020/12/QQ图片20201201125847.png"><img loading="lazy" decoding="async" class="alignnone size-full wp-image-69109" src="http://goodnewsplanet.com/wp-content/uploads/2020/12/QQ图片20201201125847.png" alt="" width="627" height="377" srcset="https://goodnewsplanet.com/wp-content/uploads/2020/12/QQ图片20201201125847.png 627w, https://goodnewsplanet.com/wp-content/uploads/2020/12/QQ图片20201201125847-300x180.png 300w" sizes="auto, (max-width: 627px) 100vw, 627px" /></a></p>
<p><iframe loading="lazy" title="Augusto Description: Global Governance and the Emergence of Global Institutions for the 21st Century" width="500" height="281" src="https://www.youtube.com/embed/a_BxnWwhD9E?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p>global governance and the Emergence of Global Institutions for the 21st Century<br />
By Dr. Augusto Lopez-Claros (et. al)</p>
<p>Publisher: Cambridge University Press (February 27, 2020)</p>
<p>How can the world&#8217;s leading nations address the economic, health, and military threats more cooperatively? Augusto Lopez-Claros has a plan.</p>
<p>Your audience can feel the call-to-action of those in power who are tasked to grapple with the immediate crises that threaten humanity, wherever it is geographically located. All those who despair at the state of the world and its multiple problems will find in this book an ambitious but reasonable proposals that will give our globalized world the institutions of international governance necessary to resolve pressing problems including, but not limited to peace, security, and climate change.</p>
<p>In an interview Dr. Lopez-Claros can discuss:</p>
<p>· The urgent and non-trivial international problems currently confronted by humanity and why TheBulletin of Atomic Scientists earlier this year set their Humanity DoomsdayClock closer to midnight than at any point since the Cold War. It is now set at100 seconds to midnight, which, they remark, seems to constitute the “new normal.”<br />
· There is the current global COVID19 pandemic, of course, with over twenty-four million global verified cases and what is approaching 800,000 deaths worldwide at the time of this writing. With devastating effects on the global economy and substantially setting back recent progress achieved in poverty alleviation&#8230; We are told that more global pandemics are on the horizon, linked in part to our other global ecological crises.<br />
· Catastrophicbiodiversity loss (as we head into the planet’s Sixth Mass Extinction, this time human-caused), weapons proliferation and renewed arms races (including in relation to WMDs), global financial crisis management capacity which is weaker than it was during the 2008-2009 crisis, novel threats posed by AI and emerging technologies—including lethal autonomous weapons—enabling intensified cyberwarfare, the degeneration of the integrity of information ecosystems (so important for the proper functioning of healthy democracies), not to mention sobering problems of economic inequality, and the predicted “fourth industrial revolution,” with the resultant possible mass joblessness due to new waves of automation.<br />
· The Proposals for global Governance for the 21st Century including proposals to reform the central institutions of the United Nations, including giving the reformed general Assembly powers to adopt binding legislation concerning peace and security and the global environment (i.e., for the first time creating a true global parliament), together with scientific advisory mechanisms and a strong voice for progressive global civil society. The dysfunctional and hamstrungSecurity Council would be replaced with an Executive Council with management functions, mechanisms to oversee staged and verified arms control, and an international Peace Force, supported by new, reliable funding mechanisms. It would similarly strengthen the international rule of law with binding jurisdiction for the International Court of Justice, complemented by theInternational Criminal Court, an anti-corruption court, and an international human rights tribunal.<br />
· What is truly at stake if the world&#8217;s governments and institutions cannot find more agile ways to implement changes<br />
· Much More&#8230;<br />
We include the book’s press release for additional background information and I look forward to hearing your interview interests for Dr. Augusto Lopez-Claros and GlobalGovernance soon.</p>
<p>&#8216;This volume makes a powerful call for action to transform the international institutions that govern human affairs. Grounded in rigorous historical exploration, it offers a vision for collective courage to change what we can and reimagine what we consider outmoded and inadequate. This is the blueprint for a new global architecture.&#8217;<br />
——Maria Ivanova, Director of Center for Governance and Sustainability, University of Massachusetts Boston</p>
<p>&#8216;Ourworld has long required an international force as an essential tool for conflict prevention, and yet such a force has always stumbled through inadequate means and half-hearted implementation. Global Governance and the Emergence of Global Institutions for the 21st Century provides a comprehensive set of proposals combining alternative dispute settlement mechanisms, phased disarmament, an International Peace Force adequate to the task, and paths to its implementation. As the risks of a major military confrontation increase, so too has the critical need to take these proposals seriously and work for their permanent implementation. There is no safe alternative.&#8217;</p>
<p>——Lt. Gen. (ret) the HonourableRoméo Dallaire</p>
<p>&#8216;Lopez-Claros, Dahl, and Groff propose radical reforms to the charter that authorizes and rules the United Nations, and other methods of improving the current muddled state of global governance. Their case is persuasive. This book&#8217;s trenchant analysis of what ails the running of the globe should be read by policymakers everywhere, and certainly by those many citizens who concern themselves with fostering a better and more functional world. Change comes slowly, but this book is a prodding catalyst.&#8217;</p>
<p>——Robert I. Rotberg, Harvard university, author of On Governance</p>
<p>global governance and the Emergence of Global Institutions for the 21st Century<br />
By Dr. Augusto Lopez-Claros</p>
<p>Publisher: Cambridge University Press (February 27, 2020)</p>
<p>Hardcover: 558pages<br />
Publisher: Cambridge University Press (February 27, 2020)<br />
Language: English<br />
ISBN-10: 1108476961<br />
ISBN-13: 978-1108476966</p>
<p>&nbsp;</p>
<p>What Does Peace Mean to Augusto Lopez : <a href="http://goodnewsplanet.com/what-does-peace-mean-to-augusto-lopez/">http://goodnewsplanet.com/what-does-peace-mean-to-augusto-lopez/</a></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">69102</post-id>	</item>
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		<title>Through the Centuries&#8230;similar heath concerns had occurred along with stress and with RESOLVE..this too will pass we pray</title>
		<link>https://goodnewsplanet.com/through-the-centuries/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Tue, 07 Apr 2020 14:22:50 +0000</pubDate>
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		<title>KalaRhythms, The Cycles of Change &#8211; David Katzmire</title>
		<link>https://goodnewsplanet.com/kalarhythms-the-cycles-of-change-david-katzmire/</link>
		
		<dc:creator><![CDATA[editor]]></dc:creator>
		<pubDate>Tue, 19 Mar 2013 17:35:35 +0000</pubDate>
				<category><![CDATA[Cycles]]></category>
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					<description><![CDATA[<p>http://kalarhythms.org/ Patterns are encoded in the human experience, encrypted in the anecdotal evidence of our behavior and decoded here in the map of time. The Machine Age is Ending and the Industrial Revolution will no longer define our future. The Map of Time is our navigational guide through the lessons of history and our lead &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/kalarhythms-the-cycles-of-change-david-katzmire/">KalaRhythms, The Cycles of Change &#8211; David Katzmire</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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										<content:encoded><![CDATA[<p><a href="http://goodnewsplanet.com/wp-content/uploads/2013/03/david_katzmire_cover_1.jpg"><img loading="lazy" decoding="async" class="alignleft  wp-image-25198" style="border: 5px solid black; margin-left: 10px; margin-right: 10px;" alt="david_katzmire_cover_1" src="http://goodnewsplanet.com/wp-content/uploads/2013/03/david_katzmire_cover_1.jpg" width="720" height="342" /></a><br />
<iframe loading="lazy" src="http://www.youtube.com/embed/SezUEYWOP6w" height="315" width="420" allowfullscreen="" frameborder="0"></iframe><br />
<a title="KalaRhythms" href="http://kalarhythms.org/" target="_blank" rel="noopener noreferrer">http://kalarhythms.org/</a><br />
Patterns are encoded in the human experience,<br />
encrypted in the anecdotal evidence of our behavior<br />
and decoded here in the map of time.</p>
<p>The Machine Age is Ending and the Industrial Revolution will no longer define our future.</p>
<p>The Map of Time is our navigational guide through the lessons of history and our lead to the future.</p>
<p>We are Catching Up With The Ancients who knew the keys to our future.</p>
<p>Physical, Emotional, and Intellectual energies progress through their four seasons of development, and points of chaos, to bring change to the nation.</p>
<p>An original theory presented by K. David Katzmire.</p>
<p>&nbsp;</p>
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