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Sustainable Display at San Francisco Market and Ferries

Austin Tang — Tue, 10 Feb 2026 21:52:27 +0000

Listen to “Sustainable Display at San Francisco Market and Ferries” on Spreaker.

#SanFrancisco #Market #Ferries #SanFranciscoMarketFerries

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A Love Letter to Life: Yongzheng and His Porcelain When Civilization Blossomed Like a Flower – Reported by Dr. Jeannie Yi

Austin Tang — Tue, 27 Jan 2026 16:00:09 +0000

Listen to “A Love Letter to Life: Yongzheng and His Porcelain When Civilization Blossomed Like a Flower – Reported by Dr. Jeannie Yi” on Spreaker.

Reported by Dr. Jeannie Yi

The Yongzheng era (1722–1735) was not an age of display, but of restraint. Power turned inward, sharpness softened into gentleness. In only thirteen years, it achieved a rare concentration of political efficiency, economic stability, and cultural refinement. It was a peak moment when civilization chose elegance over dominance.

Politically, governance was streamlined and centralized.

Economically, the treasury was restored, paving the way for the prosperity of the Qianlong era.

Culturally, imperial kilns, enamel painting, and court aesthetics reached an extreme of precision and restraint.

History is clear: only a prosperous civilization can produce great art and technology.

Yongzheng aesthetics were a national project of condensed civilization, completed in just thirteen luminous years.

In New York, I first saw a coral-red famille-rose enamel bowl from the Yongzheng imperial kilns. It was so beautiful it almost took my breath away. This was not beauty “painted” onto porcelain; it was beauty forged in fire, born through extreme heat and mastery.

The bowl felt alive.

Pink and violet held a shy gaze.

Gold carried a quiet inner light.

The petals seemed to breathe, ready to drift away with time.

I asked the collector why it looked so new.

He said: true value lies not only in age, but in craftsmanship, glaze, body, reign mark, and preservation. An old object that appears new is a treasure. For masters, its perfect Yongzheng reign mark alone confirms its imperial origin. It stands as the highest example of the saying:

“For Ming, look to Chenghua; for Qing, look to Yongzheng.”

None of us could afford such a bowl. But love always comes before price.

We may be newly free from poverty, yet we are rich in awe.

This bowl returned me to Dream of the Red Chamber.

Like the Twelve Beauties, it transformed object into life, collectible into destiny.

It reminded me that true beauty is fragile, gentle, and dignified. It knows life will pass, yet still chooses perfection.

This is the soul of Yongzheng enamel:

civilization refined into tenderness.

Red is the color of empire.

Flowers are its heartbeat.

Many look at antiques and see only price, authenticity, and provenance.

I saw life—and the long journey that life took to arrive before me.

⸻

On January 22, at the World Speakers Series in Trump Tower, collector Jeff Ye brought ancient civilization into dialogue with the present.

He said:

“True antiques find their owners. Owners do not find them.”

And:

“Let the object speak for itself.”

From relics to lost imperial kilns, from jade to porcelain, his presentation showed that civilization is not history—it is a living conversation across time.

⸻

What I learned is simple:

First, Yongzheng porcelain was a national aesthetic project. Choosing “flowers” to represent the empire was a choice of compassion, femininity, and quiet strength. It was a civilization expressing power through tenderness.

Second, China’s modern engineering achievements are not sudden miracles. They are the awakening of an ancient engineering civilization gene.

This bowl, born of fire centuries ago, already carried that spirit.

The Middle East uses oil to build the height of cities.

China uses ancient artifacts to preserve the depth of time.

Let cities tell their own stories.

Let wealth find its true source.

Let civilization travel again.

Holding this bowl is like holding a love letter from the Yongzheng era to the world:

A prosperous China,

like standing in a sea of blossoms.

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Testimonials

Michael Daly shares personal thoughts upon seeing the powerful art.

Jeannie,

This moved me deeply, because I recognized myself in the moment you described standing before that bowl.

I’ve had that same experience—when an object stops being an object and quietly becomes alive. Not because of its price, or its rarity, but because it carries the emotional intelligence of a civilization that once knew how to pause, refine, and listen.

What touched me most is your understanding that Yongzheng beauty is not loud. It doesn’t announce power. It assumes it. In a world that often confuses dominance with strength, this porcelain feels like a reminder that the most confident civilizations express themselves gently.

When you describe the bowl as breathing—its pinks holding back, its gold glowing inward—I felt that. That sense that perfection doesn’t need to prove itself. It simply is. And perhaps that is why it looks new: not because time spared it, but because it was made without anxiety.

The line about love coming before price stayed with me. None of us may ever own such a piece, but ownership isn’t the point. Awe is. To stand before something like that and feel poor in money but rich in reverence—that is a kind of wealth few people ever experience.

Your reflection also made me think differently about modern China. What looks like sudden engineering brilliance isn’t sudden at all. It’s a memory returning. That bowl already knew how to master fire, chemistry, patience, and restraint centuries ago. Today’s achievements feel like the same hand, simply working at a different scale.

And the idea that antiques find their owners—I believe that. Some things arrive not to be possessed, but to remind us who we are and where we come from.

In the end, this didn’t read to me as an essay about porcelain. It felt like a quiet conversation with history. A moment where civilization leaned forward and whispered—not about power, but about care.

A love letter/post, yes. And one I’m grateful you shared.

——————————————————————

So deeply in love, holding them like a precious treasure, kissing them.

Reverend Paul Sladkus All Faiths and Spiritual is Special Advisor to Jeff Ye, Founder of the The Jeff Collection

The post A Love Letter to Life: Yongzheng and His Porcelain When Civilization Blossomed Like a Flower – Reported by Dr. Jeannie Yi appeared first on Good News!.

Animodules on Permanent Display in New Brunswick

Austin Tang — Mon, 07 Jun 2021 17:01:54 +0000

Animodules on Permanent Display in New Brunswick

Congratulations to our friends at coLAB Arts and Daniel Swern for acquiring, designing, and painting two beautiful aluminum Animodule sculptures, now on view at Joyce Kilmer Park in New Brunswick.

____________________________________________

The Swan titled Beauty was designed and painted by artist RH Doaz.

The Griffin titled Power was designed and painted by artist Leon Rainbow.

_________________________________________

Barat Foundation

info@baratfoundation.org

baratfoundation.org

‌ ‌ ‌

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9 Top Brands-1 Location-adtech-NY13

admin — Wed, 20 Nov 2013 19:59:59 +0000

What is the ad:tech Good News? Why do you think this event will be helpful for media industry people? What is special about ad:tech?

Answer: “ad:tech is the leading industry event for more than 9,000 digital media professionals every year. It facilitates not only networking opportunities and business transactions, but an exchange of ideas that has an extremely significant impact across the advertising industry. What’s our good news? Thousands of professionals and hundreds of exhibitors are heading to New York City for two days of new products, presentations, workshops and relationship-building across an incredibly diverse industry.”

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Recognize these brands? This is a small sample of the companies speaking at ad:tech New York in just three short weeks!

These industry titans will share their challenges and wins in all facets of digital marketing – mobile, social, location, analytics, video, display, etc. This year’s breakout sessions have been reformatted to provide a deeper level of instruction and send you home with answers and inspiration.

Nine of the top 100 beloved brands will be speaking at ad:tech and you should be there! Register now to hear firsthand from leaders like Toyota, Nestlé, MasterCard, Yahoo!, Microsoft, Walmart, Aflac, Facebook, CBS and The Weather Channel to name a few.

For all of the other reasons you should join the digital marketing community at ad:tech next month, check out the website.

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For questions, email attend@ad-tech.com or call 214-915-8800.

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See you in New York!

The ad:tech Team

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The Javits Center

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Keith Lockhart

editor — Tue, 03 Jul 2012 22:01:14 +0000

Liberty Mutual Insurance Renews Sponsorship of Boston’s 4th of July Tradition, The Boston Pops Fireworks Spectacular. Good News is proud to bring Keth Lockhart and the Boston Pops interview as part of our July 4th 14 Anniversary Special. We applaud Liberty Mutual and The Boston Pops for all the GOOD that they do. Thanks.

Boston-based Liberty Mutual Insurance, a leading global property and casualty insurer, today announced that it would renew its sponsorship of Boston’s nationally-acclaimed 4th of July tradition, The Boston Pops Fireworks Spectacular, through 2015. The three-year sponsorship agreement with Boston 4 Celebrations, the organization that produces the event, totals approximately $8 million. Liberty Mutual Insurance, headquartered in Boston since 1912, and with more than 4,500 employees in 30 offices across Massachusetts, first began its sponsorship of The Boston Pops Fireworks Spectacular in 2005.

This year’s concert will feature Conductor Keith Lockhart and The Boston Pops Esplanade , joined by Academy Award and GRAMMY(r) Award-winning superstar Jennifer Hudson. Emceed by Emmy Award-winning actor and Lowell, Mass. native Michael Chiklis, the event will air locally on WBZ-TV from 8:00 p.m. to 10:00 p.m., followed by a national CBS broadcast from 10:00 p.m. to 11:00 p.m. The entire concert will be broadcast in HD (high definition), courtesy of Liberty Mutual Insurance. In addition, the final 20 minutes of the broadcast, featuring the spectacular fireworks display, will be presented commercial free by Liberty Mutual Insurance.

“In Liberty Mutual Insurance’s 100th anniversary year, we could not imagine a better time to reaffirm our support for Boston’s Fourth of July tradition,” said David Long, Chief Executive Officer and President, Liberty Mutual Insurance. “For 39 years, the Boston Pops Fireworks Spectacular has brought together family and friends from across the country to our hometown, where they enjoy a free concert, watch an outstanding fireworks display, and salute the brave men and women who make it possible for us to celebrate. It is an honor to sponsor a tradition that so vibrantly captures the spirit of Independence Day, and we’re proud to share it with the millions of television viewers across the country.”

Liberty Mutual Insurance’s continued sponsorship will preserve a 39-year tradition that offers a free concert to an estimated 500,000 people who visit Boston’s Charles River Esplanade on July 4th. Worth noting, approximately one-third of the concert’s attendees are tourists from outside New England, who come to celebrate and enjoy Boston as a summer destination.

“We’re thrilled to continue our long-standing partnership with Liberty Mutual Insurance, which allows us to continue to bring the Boston Pops, fireworks and this patriotic event to all free of charge for a fourth decade,” said Event Founder and Executive Producer David G. Mugar. “We look forward to producing this Boston tradition for many years to come for the families of Boston and New England.”

Added Boston Pops Conductor Keith Lockhart: “It takes a great deal of support to present this country’s greatest Fourth of July concert, so we are thrilled that Liberty Mutual Insurance has generously renewed its sponsorship of one of this city’s signature events — the July 4 Boston Pops Fireworks Spectacular. We hope every Boston neighborhood and visitors near and far will join us, with host Michael Chiklis and singing sensation Jennifer Hudson, along the banks of the Charles River for this spectacular day celebrating our country’s birth.”

For more information about The Boston Pops Fireworks Spectacular, please visit the event website at www.july4th.org .

About Liberty Mutual Insurance

“Helping people live safer, more secure lives” since 1912, Boston-based Liberty Mutual Insurance is a diversified global insurer and the third largest property and casualty insurer in the U.S. based on 2011 direct premiums written as reported by the National Association of Insurance Commissioners.
Liberty Mutual Insurance also ranks 84th on the Fortune 100 list of largest corporations in the U.S. based on 2011 revenue. As of December 31, 2011, Liberty Mutual Insurance had $117.1 billion in consolidated assets, $99.3 billion in consolidated liabilities, and $34.7 billion in annual consolidated revenue.

Liberty Mutual Insurance offers a wide range of insurance products and services, including personal automobile, homeowners, workers compensation, property, commercial automobile, general liability, global specialty, group disability, reinsurance and surety. Liberty Mutual Insurance (www.libertymutualinsurance.com) employs over 45,000 people in more than 900 offices throughout the world.

About Boston 4 Productions

Boston 4 Productions’ Fourth of July event was founded in 1973 by then Boston Pops Conductor Arthur Fiedler and Boston businessman David G. Mugar. While Fiedler had been conducting Esplanade concerts since 1929, the idea of adding fireworks, cannons and bells sparked new life into the well-known musical event. Now marking its 39th year, the event is once again produced and coordinated by Boston 4 Productions, the production arm of the non-profit organization Boston 4 Celebrations Inc.

About the Boston Pops

The Boston Pops, in its 127th year, has a rich and storied history that began with its founding in 1885. The Boston Pops Orchestra has distinguished itself as the founder of and leader in its genre, presenting the best of a wide variety of music from jazz to pop, indie rock to big band, film music to the great American songbook, and Broadway to classical. Though Arthur Fiedler’s nearly 50-year tenure as Pops conductor (1930-1979) established the Boston Pops as a national icon, Conductor Laureate John Williams (1980-1993) and present-day conductor Keith Lockhart (1995-present) have shepherded the orchestra through three decades of tumultuous change in the world of music. The Boston Pops, “America’s Orchestra,” performs for an audience of nearly 900,000 people annually in Boston, across the country and around the world, and reaches millions more through its recordings and television broadcasts. For more information, visit www.bostonpops.org .

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