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		<title>David Young is emerging as one of the most resonant voices of 2026 with the release of his powerful new song and video, When the Truth Comes Out</title>
		<link>https://goodnewsplanet.com/david-young-is-emerging-as-one-of-the-most-resonant-voices-of-2026-with-the-release-of-his-powerful-new-song-and-video-when-the-truth-comes-out/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Mon, 02 Feb 2026 15:15:32 +0000</pubDate>
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					<description><![CDATA[<p>February 2026 David Young Releases New Music That Captures the Truth of Our Times New York, NY — January 2026 — Veteran rocker, multi-genre musical innovator, and prolific singer-songwriter David Young is emerging as one of the most resonant voices of 2026 with the release of his powerful new song and video, When the Truth &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/david-young-is-emerging-as-one-of-the-most-resonant-voices-of-2026-with-the-release-of-his-powerful-new-song-and-video-when-the-truth-comes-out/">David Young is emerging as one of the most resonant voices of 2026 with the release of his powerful new song and video, When the Truth Comes Out</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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<p>February 2026</p>
<p>David Young Releases New Music That Captures the Truth of Our Times</p>
<p>New York, NY — January 2026 — Veteran rocker, multi-genre musical innovator, and prolific singer-songwriter David Young is emerging as one of the most resonant voices of 2026 with the release of his powerful new song and video, When the Truth Comes OutDavid Young is emerging as one of the most resonant voices of 2026 with the release of his powerful new song and video, When the Truth Comes OutDavid Young is emerging as one of the most resonant voices of 2026 with the release of his powerful new song and video, When the Truth Comes Out now streaming alongside an expansive catalog at www.davidyoungblues.com.</p>
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<p>In an era marked by political upheaval, cultural reckoning, and a global hunger for honesty, Young’s music is striking a deep chord. Rooted in blues-based rock and roll, his songs point in a shared lyrical direction — confronting reality from multiple angles — delivered with the raw edge, emotional weight, and soulful swagger reminiscent of the best music of the 1970s.</p>
<p>⸻</p>
<p>Music for a Moment the World Can Feel</p>
<p>As public discourse intensifies in 2026 — politically, socially, and emotionally — When the Truth Comes Out has emerged as a defining statement. Since the video’s release, listeners across platforms have echoed the same response again and again:</p>
<p>“This music tells the story of our times.”</p>
<p>The song’s message resonates not through slogans, but through emotional truth — acknowledging what many feel but struggle to articulate.</p>
<p>That same urgency carries throughout Young’s current body of work:</p>
<p>•    “It’s a Shit Show” confronts modern chaos with grit, honesty, and dark humor.</p>
<p>•    “Worried About the World” reflects a global, shared anxiety now impossible to ignore.</p>
<p>•    “We’re All People” stands out as a powerful unifying anthem, already feeling destined to become a live-performance staple.</p>
<p>“These songs mark a defining chapter,” says Young. “Life is intense right now. People feel it everywhere. This music resonates because we’re all in it together — and everyone knows it.”</p>
<p>⸻</p>
<p>Cultural Timing &amp; Growing Momentum</p>
<p>The cultural timing is unmistakable. As Bruce Springsteen’s, “Streets of Minneapolis” recently surged into the spotlight, conversations around truth, accountability, and social reckoning have taken center stage worldwide. Young’s music occupies that same emotional terrain — songs that reflect what people are thinking, feeling, and talking about right now.</p>
<p>There is growing belief that Young’s current body of work could open the door to meaningful collaborations with artists long associated with socially conscious rock.</p>
<p>⸻</p>
<p>Media-Ready &amp; Performance-Driven</p>
<p>With his commanding stage presence, powerful vocals, and gritty rock-and-roll guitar sound, Young is positioned for major media moments — including late-night television appearances on Jimmy Kimmel Live! The Tonight Show Starring Jimmy Fallon and The Late Show with Stephen Colbert, all of which feature live bands and socially relevant music at their core.</p>
<p>⸻</p>
<p>Dynamic Storytelling &amp; Artistic Range</p>
<p>Beyond music, Young is a renowned storyteller and creative force originally from Brooklyn, NY. After living in Minneapolis and Los Angeles for decades he has now returned to New York City.</p>
<p>Young has written three rock operas, four books, two audiobooks, is an award-winning painter (Best Booth, Art Basel Spectrum 2019), a public speaker, and the presenter of over 500 meditation events. He is also widely regarded as the world’s most recognized recorder player and plays two at one time in harmony.</p>
<p>In the early 1990s, his Los Angeles-based harp and flute duo Celestial Winds achieved the #1 selling independent album in Canadian history, selling over 100,000 albums independently. During that era his white puffy pirate shirt inspired the iconic Seinfeld episode.</p>
<p>⸻</p>
<p>A Legacy That Speaks for Itself</p>
<p>A visit to www.davidyoungblues.com reveals an artistic career few can rival. Beginning with his last $100 on Venice Beach, Young went on to record 70 albums, sell millions of records independently, and collaborate with some of the most legendary musicians in modern rock and blues.</p>
<p>Among them are Gregg Bissonette and Sean Hurley, Grammy winners for their work on Edgar Winter’s “Brother Johnny”, which won Best Contemporary Blues Album. Both are current or previous members of Ringo Starr &amp; His All-Starr Band.</p>
<p>Other legendary musical collaborations  include:</p>
<p>Clifford Carter, Tony Franklin, Tony Levin, Jerry Marotta, Ricky Peterson, Matt Abst, John Philip Shenale, Bebu Silvetti, Matt Fink, Curt Bisquera, Dan Hickey, Noah Levy, Scott Columbus, Joey Belladonna, Carl Canedy, Carmine Appice and Frankie Moreno.</p>
<p>⸻</p>
<p>As the world searches for music that reflects the intensity of the moment — and offers a path toward understanding — David Young is delivering songs that tell the truth clearly, boldly, and right on time.</p>
<p>Website &amp; Music: www.davidyoungblues.com</p>
<p>Video: When the Truth Comes Out — streaming now</p>
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		<title>Registration Now Open &#038; Free! The Virtual AI &#038; Entertainment Summit &#8211; &#8220;21st Century Hollywood &#8211; July 22nd &#8211; 24th</title>
		<link>https://goodnewsplanet.com/registration-now-open-free-the-virtual-ai-entertainment-summit-21st-century-hollywood-july-22nd-24th/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Tue, 04 Jun 2024 13:21:24 +0000</pubDate>
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					<description><![CDATA[<p>Digital Hollywood &#8211; The Summer Virtual Event The AI Entertainment &#38; Technology Summit Monday, July 22 &#8211; Wednesday, July 24, 2024 A Virtual Event • Free to All Attendees • Registration Now Open Click Here and View Online First Look at Speakers The Complete Agenda July 2024 Agenda The Keynotes: Monday, July 22nd &#8211; Wednesday, July 24, &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/registration-now-open-free-the-virtual-ai-entertainment-summit-21st-century-hollywood-july-22nd-24th/">Registration Now Open &#038; Free! The Virtual AI &#038; Entertainment Summit &#8211; &#8220;21st Century Hollywood &#8211; July 22nd &#8211; 24th</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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<td class="yiv8306715852text_content-cell yiv8306715852content-padding-horizontal" align="left" valign="top">Digital Hollywood &#8211; The Summer Virtual Event</p>
<p>The AI Entertainment &amp; Technology Summit</p>
<p>Monday, July 22 &#8211; Wednesday, July 24, 2024</p>
<p>A Virtual Event • Free to All Attendees • Registration Now Open</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9Y1REU0TzLGIUcWAsnyDIBfcshA3N0uXkU2NVjOFcY_cA6SNCyKKPRk1rVujcghJDugt6crpx6pwHgfjk2Ne8Jqi3X_rnzkqiXYUfsqawzEgQZMXQrdGwSEKIe5-FVODdIxr9-Ou260Jv5-Ug7XQXTQ=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">Click Here and View Online</a></td>
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<td class="yiv8306715852text_content-cell yiv8306715852content-padding-horizontal" align="left" valign="top">First Look at Speakers</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9Y1REU0TzLGIUcWAsnyDIBfcshA3N0uXkU2NVjOFcY_cA6SNCyKKPRk1rVujcghJDugt6crpx6pwHgfjk2Ne8Jqi3X_rnzkqiXYUfsqawzEgQZMXQrdGwSEKIe5-FVODdIxr9-Ou260Jv5-Ug7XQXTQ=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">The Complete Agenda</a> July 2024 Agenda</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSfew6zqJoXJNfwTNMnxZtIeO0Vl5CRSg0dkuGYvB_XpF94jAesBQ9pBLPAUJ9oIplYjrExp66sY6gtyKhqVc0nNYwIoc6AMEyHXm6RjSbC7Wxl2BZ2RKhHSC4dwBIMya8&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">The Keynotes:</a> Monday, July 22nd &#8211; Wednesday, July 24, 2024</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9YS14tvFgT4uI5XcGz0RR15au8zg0Jx0o05y_3r8-6IpPgrEuFaxJ_7Pkkdac0wOk02xd-DIT70MC6NG6jzQrLgwI9BpuZ1vgFUlIhdWLeRRaPbX51HPaSaohAV-Pj17r3TacMm38g0h_whKXvZ8C6Vtu_M3bQKB0v7_jOuihTsNVQJnHQR4U6k=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">Special Track for:</a> Television Academy Emerging Media Peer Group Members</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSyNG4WeZoVxYs7X9C-lOsTnJmYRAUsDtE7j1iyJOF0C1N-wwyUzlgIWnJbHAifR7UGWdo-uKtYkEjpH9BSD3PjQgFQHxCYyBFpmJJZd3ozgOnGIYXKs5JP-L-qwZMrmpT1pE4OP2yjzY=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">I. Track One:</a> AI and Hollywood Production, Advertising, Virtual Production &amp; Analytics</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSBrM7ayb4NTsGHH3gUwCLzqNXiEXzQsRhfMSlCo8RuST68StjlDV-98geEGdfimNFreBTFbtyFUouTMgNpDS38dh7nIBqwAe7Nfjz2miG6exjC_imK0fZ3P18sUJkJIhG_WnrBHJZv2Q=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">II. Track Two:</a> AI and Video and the 21st Century Artist</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwS0HTof5ID32TaO4RHEvM1Cu-6xjZJF9LH1SEGTh2VyauLZ6nd93K1lsSZBbuIfm_O1xVto_NeIB-k2iAmnGqaUl-wcgGeDp88kLv1wYZDc1iC09UDkEjvkIQX2337XvsG&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">III. Track Three:</a> Virtual Humans and Robotics: The Summit on Synthetic Intelligence</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwS2E1MAFvIO1yIF_XsZqzNfNuaGtOLtHe7DU7tfbg_SPQLpl3ANvP6U6XTZf5DtePpBiMQeaova10SJ5gMweVOvcxg_TN6DmPjlXhasW-w2zCrtXVtcCCPkiwT75aJ7085&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">IV. Track Four:</a> AI and Music: The Challenge of Artists vs. Technology &#8211; Musicians &#8211; Science &#8211; Creativity</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwS8CbwRHNOaIv0mkP8Wrc_QRro3XFWH8Ih5iIB8xJj-avVgIHxHdTeqJk1lTHOTkp-tqS5KEQg-EQKELY41zBDmm_SMq0vthWuBD3CQ7Hh-aneh4rWgHXfB4b47mWbp8gG0y2WSIJLkmo=&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">V. Track Five:</a> AI &#8211; Deep Fakes, Bias Threats, Bias, Creative Rights &amp; Regulation</p>
<p><a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9ZCMeBOL1AwSWMX485iU3UVzLuVIytky92RZrPLW7jsU1DfiUNjNFCwwi_3_JJjEq3dTD6zpatuia25X5vczdynftwOskWh_w549_sbiTMZD21bxaQXMIKLaTGANJmVvdVahj7jZcQpJ&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">VI: Track Six:</a> AI Fashion, The Artist &amp; Design: The Summit on Synthetic Intelligence</p>
<p>Registration is Open and Free to All Attendees</p>
<p>The Defining Event: The Future of Entertainment, Media &amp; Technology</p>
<p>The Evening Keynote Roundtables</p>
<p>Monday, July 22nd, 2024</p>
<p>8:00 PM – 8:50 PM: Eastern Time Zone</p>
<p>Session I:</p>
<p>The AI &amp; Entertainment Innovation Roundtable</p>
<p>While AI has been front and center in the entertainment and media industries for more than a decade, enabling on the one hand predictive and qualitative analytics and then serving as the backbone of major creative innovation in feature film, advertising, and the cloud on the other. But now, with the establishment of “Generative AI,” that process of innovation and disruption is unfolding at an accelerated and unprecedented rate. In this roundtable, we bring together executives from major entertainment and technology organizations who are at the forefront of that innovation transformation. We thank them for their time and very much look forward to their commentary.</p>
<p>Speakers:</p>
<p>Phil Wiser, Executive Vice President and Chief Technology Officer, Paramount Global</p>
<p>Samira Panah Bakhtiar, General Manager, Media &amp; Entertainment, Games and Sports, Amazon Web Services (AWS)</p>
<p>Eliot Sakhartov, Business and Technology Strategist, Media and Entertainment, Microsoft</p>
<p>Seth Hallen, Managing Director, Light Iron, President, Hollywood Professional Association (HPA),</p>
<p>Moderator</p>
<p>Speaker to be announced</p>
<p>Session II:</p>
<p>AI, Cinematic, Apple Vision Pro/Spatial and Media Artists: The Next Level of Creativity</p>
<p>The artist, the creator, from Indie filmmakers to experimental visionaries, in this moment of tech innovation, are finding a new voice and a new universe of opportunity. With traditional entertainment platforms, from “Tent-Pole Extravaganzas” to Reality TV overload, the global audience is making clear its preference for new mediums and new technologies that deliver new and more innovative experiences. In this roundtable we will explore AI and Cinematic creation, XR innovation and we’re also pleased to welcome the creative team behind Apple Vision Pro’s breakthrough &#8220;Encounter Dinosaurs.” As artists quickly discover, AI, XR and Spatial technologies provide pallets of creative choices unknown to them prior to this amazing journey.</p>
<p>Speakers:</p>
<p>Robert Legato, Director, Tool, Legendary VFX, Titanic, The Lion King, Avatar</p>
<p>Kymber Lim, CEO &amp; Producer, MAJYK Studios, &#8220;Prehistoric Dinosaurs Immersive Team”</p>
<p>Robert Keyghobad, Producer, Remy H. Industries, &#8220;Encounter Dinosaurs Team”</p>
<p>Keith Soljacich, Head of Innovation, Publicis Media</p>
<p>Eric Levin, Chief Content Officer, Publicis Media U.S, Moderator</p>
<p>9:00 PM &#8211; 9:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>AI and Safety: Governance and Restraint vs. Industry Self-Regulation</p>
<p>AI didn’t arrive in the past 18 months. For nearly twenty years, AI has steadily become a technological societal force, serving as a backbone to the Medical Imaging community, directing traffic on the internet and regulating electrical power grids across the country and making possible self-driving cars. However, with the arrival of Generative AI and the anticipation of AGI, Artificial General Intelligence, and massive surge in technology investment and company valuations, there is deep concern that the exuberance of discovery will lead to an unwelcome future. We welcome this conversation.</p>
<p>Speakers:</p>
<p>Richard Kerris, General Manager, Media and Entertainment, NVIDIA</p>
<p>Dr. Rumman Chowdhury, United States Science Envoy, Artificial Intelligence, CEO and co-Founder, Humane Intelligence</p>
<p>Mary Hamilton, Managing Director, Technology Innovation, Americas, Accenture</p>
<p>Dan Hendrycks, Director, Center for AI Safety</p>
<p>Dr. Megan Ma, Associate Director, CodeX and Law, Science, Technology Program, Stanford Law School, Moderator</p>
<p>9:00 PM &#8211; 9:50 PM &#8211; Eastern Time Zone</p>
<p>Session II:</p>
<p>The Hollywood Trajectory: The Generative AI Video Timeline: 2023 – 2024 – 2025 – 2026</p>
<p>How fast will AI take over Hollywood? That’s the question. After YouTube; After VFX and the Nightmare of Sequels, After Netflix, Amazon and cord cutting; Remember, Napster Killed the Music Industry!! What’s next? Is AI the Machine that’s going to “Eat Hollywood.” We are already beginning to understand the impact of AI on Screenwriting, AI and Virtual Charters and AI’s impact on VFX. Video Editing is clearly in the eye of the AI storm and the role of extras not to mention complicated backgrounds that will magically appear through the power of AI. In this session, we will speculate on the impact of AI on Hollywood and try to understand the impact and growth of “The AI Blob.” How soon will entire movies, TV shows and Ads being fully produced by a giant AI. 2026? 2028? What will Hollywood look like in 2030?</p>
<p>Speakers:</p>
<p>Paul Trillo, Artist, Writer, and Director</p>
<p>Renard T. Jenkins, President, i2a2 LLC, President, SMPTE</p>
<p>Jen Hollingsworth, Chief Commercial Officer (CCO), Flawless AI</p>
<p>Phillip Fury, Immersive Technology Innovator and Advisor</p>
<p>Peter Csathy, Chairman, Creative Media, Moderator</p>
<p>The Evening Keynote Roundtables</p>
<p>Tuesday, July 23rd, 2024</p>
<p>8:00 PM &#8211; 8:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>Brands &amp; Agencies as Global Studios: The Medium is the Message</p>
<p>The Medium is the Message has truly outpaced the growth and influence of our traditional media powers. While the “Super Bowl” was indeed the most watched TV event of the year, the everyday reach of “Social Networks,” plus YouTube channels and others in “absolute numbers” far outstrip our traditional media system. One might conclude that in determining consumer reach and engagement, the creative combination of Global Brands, Global Agencies powered across the Social Networks, Websites and Mobile enablers, with the added possibilities of AI, XR, AR and Live Events create what we might consider as deployable Global Studios. Such Global Studios might be “Ad Hoc” or transitory, but they represent a paradigm shift. It is not an exaggeration to suggest that the consumer reach of this “Modern Media Plan” will consistently reach into the hundreds of Millions.</p>
<p>Speakers:</p>
<p>Valerie Madden, Creative Director of Marketing Innovation, Amazon MGM Studios, Prime Video &amp; NBC Universal Alum</p>
<p>Melissa Bolton-Klinger, Award Winning Director, former, Group Creative Director &#8211; Studios, Paramount</p>
<p>Michael Sugar, Founder and CEO of Sugar23, Academy Award Winner, &#8220;Spotlight&#8221;</p>
<p>Adam Simon, SVP, Executive Director, IPG Media Labs</p>
<p>Greg Kahn, President and CEO, GK Digital Ventures, Moderator</p>
<p>Session II:</p>
<p>AI and the Crisis of Creative Rights: Deep Fakes, Ethics and the Law</p>
<p>Even with the successful resolution of the Entertainment industry “Guilds” strike of 2023, there remains an ongoing fear that &#8220;artificial intelligence poses an existential threat to creative professions.&#8221; The core AI issue sparking debate in Hollywood is not only based on compensation and creative control production. Deep fake technology in particular has raised concern about potential harmful uses, such as political disinformation, revenge porn, and misuse of intellectual property. At the same time, many “creatives” tout the game changing benefits this technology can bring to artistic and other endeavors, such as educational opportunities, enhanced freedom of expression and reduced barriers to entry. This panel will discuss these competing concerns and whether existing legal frameworks, such as right of publicity, copyright, and existing regulations, are sufficient to address this powerful technology.</p>
<p>Speakers:</p>
<p>Lisa Oratz, Senior Counsel, Perkins Coie, Moderator</p>
<p>Speakers to be announced</p>
<p>The Evening Keynote Roundtables</p>
<p>Wednesday, July 24th, 2024</p>
<p>8:00 PM &#8211; 8:50 PM &#8211; Eastern Time Zone</p>
<p>Session I:</p>
<p>A Meditation on Bad Hollywood: A Warning from the Creative Community – “Is the Future Synthetic Entertainment”</p>
<p>While the “Strikes” of 2023 may have been settled, with a well negotiated and robust consideration of all things AI, nevertheless, even with the AI guardrails in place, the feeling among creatives and for good reason, continues as the “unknown impact” of AI remains front and center in our industry and for the future of creativity and entertainment. Reflecting on this past year’s “Writers’ and SAG-AFTRA Strike,” Justine Bateman, was one among many in Hollywood expressing concern for our coming “Synthetic Entertainment Future.” To quote from her Newsweek article, Bateman was passionate and direct, “AI stands for Artificial Intelligence, but I refer to it as &#8220;Automatic Imitation.&#8221; And as Andy Weir, author of &#8220;The Martian,&#8221; has said, &#8220;before my life is over—my profession will effectively disappear.” In this session, we will continue the conversation concerning “All-Things AI,” the conversation that likely will never end.</p>
<p>Speakers:</p>
<p>Danielle Van Lier, former,Senior Assistant General Counsel, Contracts &amp; Compliance, SAG-AFTRA, Moderator</p>
<p>Charlie Fink, Consultant, Forbes Columnist, “This Week in XR Podcast”</p>
<p>Additional speakers to be announced</p>
<p>9 – 9:50 PM Eastern Time Zone</p>
<p>Session I:</p>
<p>AI-Powered Business Models for Media and Entertainment: Opportunities and Investment Strategies</p>
<p>The market caps of Hollywood studios and the “Magnificent Seven” (Alphabet/Google, Amazon, Apple, Meta, Microsoft, Nvidia and Tesla) are a stark tale of two cities. In 1994, the economic power of Hollywood and Tech were more or less equal. Today, the big tech 7 are worth $11.6 trillion, while the seven largest studios clock in under $400 billion— 3.45% the market value of their counterparts. AI represents a chance for M&amp;E to harness tech to add revenue stream, decrease costs and force multiply efficiencies. This panel will present some specific examples how A&amp;I can supercharge M&amp;E ROI and growth.</p>
<p>Speakers:</p>
<p>Guy Gadney, CEO, Charisma.ai</p>
<p>Marcie Jastrow, Advisor, Shiba Inu</p>
<p>Mark Turner, co-Founder, Xinsere, formerly, MovieLabs, Technicolor, Microsoft</p>
<p>Virl Hill, Digital Media Leader, Former, Development &amp; Strategy, Media &amp; Entertainment, Microsoft</p>
<p>Matt Edelman, President and Chief Commercial Officer, Super League</p>
<p>Seth Shapiro, Two-time Emmy winner, Partner, Alpha Transform Holdings, Moderator</p>
<p align="left">The Complete Conference Agenda (The Daytime Events)</p>
<p align="left">Tuesday, July 23rd, 2024</p>
<p align="left">Noon – 12:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">Architects of AI and Entertainment: VFX/CGI – XR – AR – Film &amp; Branding to Live Events</p>
<p align="left">AI has been an evolving resource for Hollywood creatives for the past twenty years, going all the way back to “Jurassic Park” and “T2: Judgment Day.” You might call it a “Superpower.” AI in the hands of the “Architects of Hollywood” has been like giving a magic wand to a magician. From Feature Films, Live Experiences, Games and Advertising, the power to imagine has just been expanded exponentially. And an almost equal power has been given to the desktops of millions of the next generation of “Pixar and Walt Disney Imagineers” working at home worldwide.</p>
<p align="left">Speakers:</p>
<p align="left">Eric Shamlin, EVP Global Head of Entertainment, Media.Monks</p>
<p align="left">Boo Wong, former, Director, Live Entertainment, Unity Technologies</p>
<p align="left">Julian Sarmiento, Vice President, Innovation, Mirada Studios &amp; Trailer Park Group</p>
<p align="left">Tyler Cohen, Creative Director, Experience, Tool</p>
<p align="left">John Canning, Director Developer Relations &#8211; Creators, AMD, Moderator</p>
<p align="left">Session II:</p>
<p align="left">Fashion Forward: The Immersive and Beautiful Internet Experience</p>
<p align="left">The fashion and beauty retail experience is changing and the change is emerging before our eyes. Beautiful design is not new, but the “Immersive Experience,” of beautiful design on all platforms for the consumer, the impact of AI on real-time presentation and customer service as a high-end experience, from in-person to smartphone is incrementally being revolutionized. The pleasure and detail of the “In-Store High-End Customer Experience,” in the very near-future will be replicated and transformed as a mass culture “Digital Experience” online. We are pleased to share the concepts and vision of the transformation here, on this panel today.</p>
<p align="left">Speakers:</p>
<p>Nicolas Votano, Chief Revenue Officer, Journee</p>
<p align="left">Jordan Robinson, Director of Immersive &amp; Partnerships, Degen Distillery</p>
<p align="left">Adrian Whant, Founder &amp; CEO, trooVRS, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session III:</p>
<p align="left">Generative AI and Cinematic Hollywood: The Transformation of the Media Industry</p>
<p align="left">While full AI video production hasn’t quite arrived, each week it seems that OpenAI debuts another generation of Sora and Pika one ups them with Audio software to lip-synch with the new video clips and another billion dollar investment is announced for a Virtual Humanoid company. And that was all in a three day stretch in March of 2024. And that’s not counting the Pro AI Music Generators from Google, Adobe and Meta and to paraphrase Stability AI’s CEO, “Emad Mostaque, &#8220;It has become possible to imagine an AI-generated new season of &#8220;Game of Thrones.” It with that thought in mind that we address the future of AI and Hollywood with our esteemed panel.</p>
<p align="left">Speakers:</p>
<p align="left">Ted Schilowitz, Visionary &amp; Futurist, formerly Paramount Global &amp; 20th Century Fox</p>
<p align="left">Sasha Kasiuha, AI Innovator &amp; Director, Madonna “The Celebration Tour”</p>
<p align="left">Pinar Seyhan Demirdag, Co-Founder &amp; CEO, Cuebric</p>
<p align="left">Diana Williams, CEO &amp; Co-founder, Kinetic Energy Entertainment</p>
<p align="left">Leslie Shannon, Head of Ecosystem and Trend Scouting, Nokia, Moderator</p>
<p align="left">1 PM – 1:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">As Johnny Rotten Might Say: AI Music – Bollocks Sí or Bollocks No?</p>
<p align="left">Some say, AI is different. This technology may be black magic and maybe they’re right. But what about Sampling and Looping, Sequencers, Drum Machines and Beat Makers, Software synths and the Moog. How about the first time you became aware of the Wah Wah pedal? Does the music of Hendrix, Clapton or Zappa come to mind? The magical world of “Music and Technology” has enabled and enhanced the greatest of our popular musicians and producers for more than half a century. What is the role of the “Recorder Producer?” What about “The Wall of Sound?” What are the Beatles without George Martin, the master of “Audio Wizardry!” What would Johnny Rotten say about “Music and AI.” Let’s discuss.</p>
<p align="left">Speakers:</p>
<p align="left">Gerald Casale, Artist, Musician, founding Member, DEVO</p>
<p align="left">Daniel Rowland, Music Producer, Head of Strategy, LANDR Audio</p>
<p align="left">Jessica Powell, CEO, Audioshake</p>
<p>Dustin Blank, Head of Partnerships, ElevenLabs</p>
<p align="left">Steve R. Masur, Partner, Raines Feldman Littrell LLP, Moderator</p>
<p align="left">Session II:</p>
<p align="left">Gen AI Cinema &amp; Hollywood Video: A Director, Producer &amp; Critic’s Roundtable</p>
<p align="left">The entertainment industry has a new category of film to discuss and analyze, one that did not exist prior to 2023. It is almost remarkable that “Generative AI Cinema” is now a category of “Creativity” that we must begin to take seriously. All through the year 2022 AI Image Generators began to improve and in 2023 the images began to move. It would make Thomas Edison and Auguste and Louis Lumière proud. And the practitioners of “Gen AI Cinema,” the directors and technologists, today’s AI storytellers are creating amazing short films and video experiments. Our roundtable today will bring together a group of “Creatives” that are breaking the ground for what will surely be the “Hollywood of the 21<sup>st</sup> Century.”</p>
<p align="left">Speakers:</p>
<p align="left">Quinn Halleck, Director, Tool (“Sigma_001”)</p>
<p align="left">Katya Alexander, President, Pillars (AI Studio) &amp; Freelance Indie Producer</p>
<p align="left">Jason Zada, founder, Secret Level</p>
<p align="left">Max Einhorn, Gen AI Producer, Creator, &#8220;True Crime AI&#8221;, Moderator</p>
<p align="left">Session III:</p>
<p align="left">The High Profile AI Start-up – Searching for Unicorns</p>
<p align="left">The names of the “High-Flying” AI Start-ups are now nearly as well-known as Google, Meta, Microsoft and Amazon. There’s OpenAI, Anthropic, Inflection AI, Cohere, Mistral AI, Hugging Face, Scale AI and Databricks to name a few. And all of these AI names are valued in the Billions. And that doesn’t count the fifty other companies whose AI products we are now all using and purchasing. What does this mean for the future of tech investments, the coming IPOs and tech valuations in general. Is AI leading a boom in the technology marketplace, the economy as a whole. How many will be busts? What do all these potential “Unicorns” mean?</p>
<p align="left">Speakers:</p>
<p align="left">Kirthiga Reddy, Co-founder &amp; CEO, Virtualness, Moderator</p>
<p align="left">Tara Tan, Managing Partner, Strange Ventures</p>
<p align="left">Sharad Devarajan, Media Entrepreneur; CEO and co-founder, Liquid Comics</p>
<p align="left">David Higley, Partner, Global Media &amp; Technology Group, Perella Weinberg</p>
<p align="left">Bobby Napiltonia, Innovative Silicon Valley Exec., Okera, Salesforce, Twilio, BEA</p>
<p align="left">Session IV:</p>
<p align="left">The Complexity of AI &amp; Art – Imagination of the Human + Machine: Cinematic Arts &#8211; Media Arts &#8211; Fashion Design</p>
<p align="left">What does it mean when an artificial intelligence can dream? What does it mean to create art fabricated by neural networks rather than solely human hands and hearts. What does our future hold? Stanley Kubrick’s Barry Lyndon, is a magnificent and devastating portrait of grandeur and privilege of Europe of the 1700s and in equal measure, we can look to the magnificent treasure of Antoni Gaudi’s architecture of Barcelona, and both might be thought of as progenitors of the AI Art we aspire to today. While Generative AI art is like opening a door to a limitless supply of “Digital Art,” this new world of art by “Human and Machine” will be no less distinct and intriguing than any era of art which has come before.</p>
<p align="left">Speakers:</p>
<p align="left">Angus Kneale, Chief Creative, Preymaker (co-founder, The Mill)</p>
<p align="left">Michael Olaye, SVP, Managing Director &#8211; Strategy &amp; Innovation, R/GA</p>
<p align="left">Cathy Hackl, Co-CEO, Spatial Dynamics</p>
<p align="left">Amelia Bearskin-Winger, Banks Family Chair of AI and the Arts, University of Florida, Digital Worlds Institute</p>
<p align="left">Johannes Saam, Futurist/Creative Technologist, Framestore/atara.xyz</p>
<p align="left">Annie Hanlon, Production Innovation Executive, Moderator</p>
<p align="left">
<p align="left">2 PM – 2:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Digital Brand &amp; Advertising Experience: AI + 3D + XR + Holography + Metaverse</p>
<p align="left">The combination of visual and electronic platforms and digital creativity have completely transformed the role of global brands in public consciousness. Or perhaps it’s the other way around; global brands have exposed technology and creativity to the world. Either way, between AI, 3D, XR and Spatial Realities, a universe of magical experiences and creative environments are capturing the imagination of 100s of Millions of viewers on mobile, video as well as experiential platforms. We are reaching a next level; we may be breaking the “Creative Sound Barrier.”</p>
<p align="left">Speakers:</p>
<p align="left">Canaan Rubin, Creative Executive, Marketing &amp; Immersive, Amazon MGM Studios &amp; Prime Video</p>
<p align="left">Albert Thompson, Managing Director, Digital Innovation, Walton Isaacson</p>
<p align="left">Jessica Berger, Senior Vice President, Innovation, Publicis Media</p>
<p align="left">Fredrik Frizell, Founder, Buoy Studios</p>
<p align="left">Elizabeth Kiehner, Global Chief Growth Officer, Nortal, Moderator</p>
<p align="left">Session II:</p>
<p align="left">AI and Identity Theft &#8211; A Taylor Swift Law – The Deep Fake Dilemma</p>
<p align="left">“Deep Fakes” are not only a theft of property rights and a concern of Musicians and Hollywood personalities, bad-actors are scheming new, inventive and technologically bizarre ways to invade our privacy, our computer data and ultimately our electronic wallets. This is not a false alarm. While a “Taylor Swift Law” is needed to protect the personage of a pop star, it may be even more important to secure the personal electronic rights of everyday citizens. Recently in Hong Kong, a “Deep Fake” scheme successfully defrauded an investment company of $25 Million in a fraudulent Zoom call with visual impersonators representing colleagues. That Zoom call might have been you and a “Deep Faked” family member.</p>
<p align="left">Speakers:</p>
<p>Caroline Giegerich, Innovation Consultant, TEDx Speaker, Daily Marauder</p>
<p>Virginie Berger, Chief Business Development &amp; Rights Officer, MatchTune</p>
<p align="left">Remington Scott, Founder, CEO and Chief Architect, Hyperreal® Inc., VFX, THE LORD OF THE RINGS: THE TWO TOWERS</p>
<p>Greg Young, Vice President for Cybersecurity, Trend Micro</p>
<p align="left">Will Kreth, CEO, HAND (Human &amp; Digital), Moderator</p>
<p align="left">Session III:</p>
<p align="left">Cinematic AI: A World of Tools and Technology</p>
<p align="left">The operative word is “Creativity!” While AI may provide amazing tools to enhance, expand, accelerate and even, to use a troublesome notion, to “Synthesize” the creative process, at its core, Cinematic AI is about “Storytelling,” and at least for the moment, the human touch is very much “At the Controls” of assembling an artistic cinematic vision. While the creation of some musical tasks and even individual images can approach human level creativity, for the moment, “Storytelling” is a bit more complex. In this session, we will hear from creators and technologists who are at the forefront in the application of “Cinematic AI Tools.”</p>
<p align="left">Speakers:</p>
<p align="left">Evo Heyning, CEO, Realitycraft</p>
<p align="left">Emily Golden, Head of Growth Marketing, Runway</p>
<p align="left">Vova Ovsiienko, Business Development Executive, Respeecher</p>
<p align="left">Russell Palmer, CEO &amp; Co-Founder of CyberFilm AI</p>
<p align="left">Joanna Popper, Former Chief Metaverse Officer, CAA, Moderator</p>
<p align="left">Session IV:</p>
<p align="left">The AI Start-Up Dream Team: Strategies for Success: Unique Founders, PhDs, Genius Advisors, Venture Board</p>
<p align="left">What are the difference makers. Where are the forks in the road, the decisive decisions taken by the ultimate winners and the 80% of start-ups who drift off and ultimately fade away. Facebook was not the first, but was by far the greatest of the Social Networks to enter the fray. Since all serious start-ups have brilliant and determined founders, wise and experienced advisors and investors, what separates that one shooting star from the group? Sometimes changing the world begins at a corner store serving a niche market in the community, like being a quality bookstore in a mall of Superstores or a seaside shack serving an upscale boating community and the opportunity reveals itself. But often, targeting a narrow domain, an underserved market, a foundational technology serving a unique need will provide the pathway to success.</p>
<p align="left">Speakers:</p>
<p align="left">Curt Doty, Founder, RealmIQ, Moderator</p>
<p align="left">Jeremy Toeman, Founder and CEO, AugX Labs</p>
<p align="left">Mitchell Posada, Co-Founder, 3TGTM</p>
<p align="left">Huipin Zhang, CEO &amp; Founder, Visla, Zoom Founding Team</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">3 PM – 3:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">Hollywood VFX Pros Discuss Virtual Humans &amp; GenAI: Feature Film Perfection, Actor Longevity, Deep Fakes, &amp; Impact of Generative AI</p>
<p align="left">How good is the current state of Generative AI? Let’s hear first-hand from an All-Star Team of Hollywood VFX professionals. Hollywood has been using AI in film and video production for any number of years, but now the “Next Generation of GenAI” has arrived and it’s all over YouTube and Social Media. There are Virtual Human Influencers, Models, even Virtual Girlfriends. And what do they see coming down the road, in 2025 and 2026? And how will Generative AI be merged with the most powerful software in the VFX toolbox? This roundtable should be fun.</p>
<p align="left">Speakers:</p>
<p align="left">Akira Thompson, Creative Director and Generative AI Lead, R/GA</p>
<p align="left">Candice Alger, Executive Producer and Member of Advisory Board, Wild Capture</p>
<p align="left">Sean Cushing, co-founder, Cantina Creative</p>
<p align="left">Remington Scott, Founder, CEO and Chief Architect, Hyperreal® Inc., VFX, THE LORD OF THE RINGS: THE TWO TOWERS</p>
<p align="left">Lori H. Schwartz, Founder &amp; CEO, StoryTech, Moderator</p>
<p align="left">Session II:</p>
<p align="left">The Digital Brand &amp; Advertising Experience, Part II: AI + 3D + XR + Holography + Metaverse</p>
<p align="left">The combination of visual and electronic platforms and digital creativity have completely transformed the role of global brands in public consciousness. Or perhaps it’s the other way around; global brands have exposed technology and creativity to the world. Either way, between AI, 3D, XR and Spatial Realities, a universe of magical experiences and creative environments are capturing the imagination of 100s of Millions of viewers on mobile, video as well as experiential platforms. We are reaching a next level; we may be breaking the “Creative Sound Barrier.”</p>
<p align="left">Speakers:</p>
<p align="left">Nigel Tierney, Executive Creative Director, Yahoo</p>
<p align="left">Melissa Eccles, former, Head of West Coast, TikTok Creative Lab</p>
<p>Darlene Liebman, founder and CEO, Creative Humans</p>
<p align="left">DEPT®, speaker to be announced.</p>
<p align="left">Mark Kapczynski, President, Storymill, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p>Session III:</p>
<p>Revolutionary Virtual Production: AI &amp; Computer Vision in Modern Filmmaking</p>
<p>It’s almost impossible to exaggerate how much has changed in the past five or six years in the world of visual creativity and film production. What started out as an already impressive world of “Green Screens” and CGI has emerged as a universe of Gen AI video, prompted 3D images and full audio tracks, plus a vast war-chest of pre-visualization tools, all placed in the hands of our greatest storytellers. The industry is revolutionizing before our eyes. Filmmakers are transforming the ideation process, a world of AI and Virtual Production and in a matter of days, weeks and months, bringing it to life as a fully realized feature films, TV shows, advertisements and YouTube videos. In this session, we examine the phenomenon.</p>
<p>Speakers:</p>
<p>Joerg Bachmaier, founder &amp; CEO, Enter New Worlds, Moderator</p>
<p>Irad Eyal, CEO, Quickture</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session IV:</p>
<p align="left">Predictive Hollywood Analytics and Strategy: The Barbi vs. Oppenheimer Predictive Data Breakdown</p>
<p align="left">William Goldman famously stated, “Nobody knows anything,” in describing the unpredictability and decision making in the film industry. Despite this assertion, a “Predictive Analytics” industry has emerged that underpins much of Hollywood decision making today. AI analytics are employed in script development, including character and thematic choices, deep dives into casting as well as audience preferences underpinning each option. While it is hard to say if the AI process was at the core of the massive success of “Barbi” or the award winning “Oppenheimer,” a breakdown of that development and production process would certainly make for an interesting discussion.</p>
<p align="left">Speakers:</p>
<p align="left">Tobias Queisser, Co-founder &amp; CEO, Cinelytic</p>
<p align="left">Kartik Hosanagar, CEO, Jumpcut, Co-Director, Wharton School AI &amp; Analytics</p>
<p align="left">Marc Karzen, CEO / Strategist, RelishMix, Moderator</p>
<p align="left">Additional Speakers to be announced</p>
<p align="left">4 PM – 4:40 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Best in Virtual Humans and Synths: Influencers, Performers &amp; Companions</p>
<p align="left">Call them Synths; call them Virtual Human Celebrities, influencers and performers going by names such as Audrey Hepburn Digital, Lil Miquela, Lu do Magalu, Barbi, Guggimon, Any Malu or Milla Sofia. According to her Instagram account, Lil Miquela is a half-Spanish, half-Brazilian 19 year old Robot living in LA with 2.6m followers. Lu do Magalu, another Brazilian influencer has 6.8M followers. She is used by Brazilian retailer, “Magazine Luiza” for various campaigns and has partnered with big brands, including Adidas, McDonald&#8217;s and Red Bull. There are AI Internet Girlfriend platforms named Replika, Candy AI and DreamGF and Virtual Singers and Performers are in the pipeline with the backing of major organizations. What are we to make of this phenomenon? “Barbi” afterall started out as a “Children’s Doll” over a half century ago and now as a “Movie Star” and “Virtual Human” has become a “Global Phenomenon.” With that in mind, perhaps the “Cultural Narrative” of “Synths” and “Virtual Humans as Celebrities” has yet to be decided.</p>
<p align="left">Speakers:</p>
<p align="left">Max Einhorn, Gen AI Producer, Creator, &#8220;True Crime AI&#8221;</p>
<p>Sally Slade, Lead XR Technical Artist, <a href="https://q8bcshrab.cc.rs6.net/tn.jsp?f=001e9o9mGFOmWNvi5w7QWb8UEkJEJn8cDX7CbetY8XydEs7UaNmA9DZ9YS14tvFgT4usXaa_C3K-rXzo4kFtkdsCzRJlVKu_q-wt4HRLiK4zqKtFYbmvQq_feReWTLXxwqox0kCR8sakfbU-pSbem4hOQ==&amp;c=OgEMR4pxtxyBG1J2JOMlsE3o9ZnYpvs_ExzNbx0u_l7nEI1qqLpSTQ==&amp;ch=G0kf6B9f0BPFzUqJB_NZqqBnWTMpoHBTI5T-z9PbgLnIwRsWsqT1DQ==" target="_blank" rel="nofollow noopener noreferrer">Genies</a></p>
<p>Sarah Parnicky, Innovation and Operations Director, Mawari</p>
<p align="left">Eduardo Yeh, CEO, The Digital Audrey Hepburn Collection</p>
<p align="left">Marc Scarpa, Co-Founder, DeFiance Media (Virtual Human News Anchors), Moderator</p>
<p align="left">Session II:</p>
<p align="left">AI Music Monetization: DeepMind’s Dreamtrack, The Grimes AI Strategy: Let’s Go 50-50%</p>
<p align="left">There’s no way to slow down the explosion of AI created music. It’s here, it’s now and everyone, young and old have become AI Sound Engineers by the hundreds of thousands. So as the ocean of new music arrives, the idea of “AI Music &amp; Monetization” has now become front and center. For example, Google’s DeepMind recently unveiled DreamTrack, an AI system allowing customizable music generation via text prompts. Their partnership with the music label EMI hints at future platforms streamlining rights-cleared AI music tailored to user taste. Such tools could enable independent musicians, creative agencies, and brands to license bespoke soundtracks on-demand. Along the same lines, the famous musician Grimes is exploring equally disruptive models, granting fans collective ownership in her AI-assisted compositions through NFTs and decentralization. It’s only the start, but with music AI software getting better and better, the market is ripe for legal monetization strategies to emerge.</p>
<p align="left">Speakers:</p>
<p>Daouda Leonard, founder and CEO, CreateSafe</p>
<p align="left">Anthony Ramirez, Partner, Technology Transactions Group, Morrison Foerster</p>
<p align="left">Alex Mitchell, CEO, Boomy</p>
<p align="left">Karen Allen, CEO &amp; Co-Founder, Infinite Album</p>
<p align="left">Joanna Popper, Former Chief Metaverse Officer, CAA, Moderator</p>
<p align="left">Session III:</p>
<p align="left">AI &amp; the Creative Community – Representing the Interest of Actors &#8211; Writers &#8211; Producers &#8211; Guild Members</p>
<p align="left">While the Hollywood strikes last year may now be old news, the concerns of the Guild membership, the writers and actors are far from settled. After all, creative concerns cannot always be resolved through arbitration and legal settlement. The underlying issues of Artificial Intelligence, from Deep Fakes, Virtual Humans and the ultimate ability of the AI to reason, think and author creative works is far from settled fact. Who among us can say what the future might hold. For those of you who have tried AI or perhaps have even become “Expert” in AI application, you are aware of the problems it may present. AI can as easily violate copyright of everything from image to story to voice as it can enhance the creativity of the most sophisticated artist. This our world to explore.</p>
<p align="left">Speakers:</p>
<p align="left">Chris McGuire, Comedy Showrunner: Martha &amp; Snoop, The Soup, Comedy Central Roasts</p>
<p align="left">Schuyler (Sky) M. Moore, Partner, Greenberg Glusker</p>
<p align="left">Dan Neely, Co-Founder and CEO of Vermillio</p>
<p align="left">Catherine Clinch, Veteran TV Writer, Hunter, Jake &amp; the Fat Man, Love Boat, Hart to Hart, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session IV:</p>
<p align="left">AI &amp; the Design of Randomness: Unlocking the Inner Jackson Pollock</p>
<p align="left">Our first thought was to call this panel, “AI: Inside the Black Box of the Imagination.” Artificial Intelligence, together with Machine Learning have opened the door to a relationship with a “Human Creator,” someone we might call an “Artist,” and the result is an exploration of the imagination that has never been seen before. The result is unique. Nevertheless, some critics, Jerry Saltz of New York Magazine’s Vulture among them, have articulated a clear disdain for this new and evolving art form. While others, the curators at MOMA in NYC to their credit, have honored AI’s best known artistic innovator, Rafik Anadol with a one-man show. Many have referred to AI Art as the “Design of Randomness,” referring to it’s kinship to Jackson Pollock. In this session we will explore some of those thoughts.</p>
<p align="left">Speakers:</p>
<p align="left">Neil Leach, Architect, Curator, Visiting Professor, Harvard University, Gao Feng Professor, Tongji University and Adjunct Professor, University of Southern California</p>
<p align="left">Ulrike Kerber, Principal and Creative Director, Viva Design</p>
<p align="left">Sandu Baciu, founder, Baciu Co.</p>
<p align="left">Curt Doty, Founder, RealmIQ, Moderator</p>
<p align="left">
<p align="left">5:00 PM – 5:50 PM &#8211; Eastern Time Zone</p>
<p align="left">Session I:</p>
<p align="left">The Elvis Act: The Tennessee Deep Fake 2024 Law</p>
<p align="left">Is this the first of many, a prelude to a “Federal Law” or an interesting step to secure the “Individual Rights in the face of Deep Fakes,” serving as a bellwether for future legislation, but ultimately not the final word on the subject. Tennessee’s “Ensuring Likeness Voice and Image Security (ELVIS) Act” passed earlier by their state legislature this year and exclusively limited to Tennessee residents is directed specifically to the issues of “Deep Fakes” and to the protection of Recording Artists and others impacted by “Voice Cloning” and other AI technologies. In this session, our speakers will address the specifics of “The Elvis Act,” with the thought that this piece of legislation is likely a “Canary in a Coal Mine,” one of the first legislative steps that may indicate of how public and political sympathies could be harbingers of AI legislation and legal decisions coming in the future.</p>
<p align="left">Speakers:</p>
<p align="left">Christopher Kenneally, Sr. Director, Content Marketing, Copyright Clearance Center, Moderator</p>
<p align="left">Angela L. Dunning, Partner, Cleary Gottlieb</p>
<p align="left">Edward Klaris, Managing Partner, Klaris Law</p>
<p>Angela L. Dunning, Partner, Cleary Gottlieb Steen &amp; Hamilton LLP</p>
<p align="left">Kevin J. Greene, John J. Schumacher Chair, Professor of Law, Southwestern Law School</p>
<p align="left">Session II:</p>
<p>The NextGen Hollywood Creator: Writer-Director-Producer</p>
<p>In a world of AI and other new technologies, the fear of replacement of writers and directors by “Synthetic Creators” may be a misplaced concept. In fact, counterintuitively, with the arrival of “Advanced AI Software,” the ultimate power of “Creativity” may concentrate into the hands of the “Original Creative Force,” ie. the writer. If “Prompting” a story outline, developing the full project, putting it into storyboard and then into its final form, derives from the relationship between the “Creative Mind,” and the AI, then who is the “Producer” going to engage, a &#8220;Robot to Prompt the Robot?&#8221; Interestingly, the arrival and further development of technology may ultimately provide greater freedom to the writer/storyteller and as technology evolves, providing that “NextGen Writer/Director” with an even greater and enhanced creative pallet</p>
<p>Speakers:</p>
<p>Eve Weston, Award Winning Writer and Immersive Storyteller</p>
<p>Rosemary Lokhorst, CEO, BADASS Studios Ltd</p>
<p>Evette Vargas, CoFounder, Indigo Reign Films</p>
<p align="left">Christina Lee Storm, Founder and CEO of ASHER XR, Moderator</p>
<p align="left">Additional speakers to be announced</p>
<p align="left">Session III:</p>
<p align="left">AI and Consumer Privacy &amp; Safety: The Unrecognized Dangers in Everyday Technology</p>
<p align="left">Not unlike the problematic impact of “Social Media,” plus powerful SmartPhones enabling negative echo chambers which enhance for many and especially among the young, personal depression, and even self-harm, AI with an entirely different set of psychological and technological tools, presents a host of new problems. While we are all quite aware of “Deep Fakes,” and how they can be used to invade privacy, innovative AI consumer technologies like “AI Sunglasses” with hidden audio and video recording capabilities, for a teen in a school or social setting may present privacy problems as well. AI carries a host of unfamiliar risks. Facial analysis tools are often less accurate than we had hoped. And chatbots, which our teens interact with as friends, can at times exhibit unusual behavior. As innovation continues accelerating, we must evaluate if convenience overrules emerging dangers.</p>
<p align="left">Speakers:</p>
<p align="left">Alber</p>
<p>&#8230;</p>
<p>Email truncated</p>
</td>
</tr>
</tbody>
</table>
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		<post-id xmlns="com-wordpress:feed-additions:1">84889</post-id>	</item>
		<item>
		<title>Jacklen Ro Share “Happy Xmas (War Is Over)&#8221; (Yoko Ono &#038; John Lennon Cover), Single Out Tomorrow Via Lolipop Records &#124; Look Out For Debut LP Early 2022</title>
		<link>https://goodnewsplanet.com/jacklen-ro-share-happy-xmas-war-is-over-yoko-ono-john-lennon-cover-single-out-tomorrow-via-lolipop-records-look-out-for-debut-lp-early-2022/</link>
		
		<dc:creator><![CDATA[Austin Tang]]></dc:creator>
		<pubDate>Fri, 17 Dec 2021 23:13:33 +0000</pubDate>
				<category><![CDATA[Good News To Go]]></category>
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					<description><![CDATA[<p>Jacklen Ro Shares “Happy Xmas (War Is Over)&#8221; by Yoko Ono &#38; John Lennon Cover New Single Out Tomorrow Via Lolipop Records Look Out For Debut LP Early 2022 LISTEN &#38; SHARE: Jacklen Ro &#8211; &#8220;Happy Xmas (War Is Over)&#8221; by John Lennon &#38; Yoko Ono Cover Stream LISTEN/WATCH &#38; SHARE: Jacklen Ro &#8211; &#8220;Oh &#8230;</p>
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]]></description>
										<content:encoded><![CDATA[<p>Jacklen Ro Shares “Happy Xmas (War Is Over)&#8221; by Yoko Ono &amp; John Lennon Cover</p>
<p>New Single Out Tomorrow Via Lolipop Records<br />
Look Out For Debut LP Early 2022<br />
<img loading="lazy" decoding="async" class="alignleft size-full wp-image-76090" src="https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-scaled.jpg" alt="" width="2560" height="1707" srcset="https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-scaled.jpg 2560w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-300x200.jpg 300w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-1024x683.jpg 1024w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-768x512.jpg 768w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-1536x1024.jpg 1536w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-2048x1365.jpg 2048w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-4-1248x832.jpg 1248w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /><br />
LISTEN &amp; SHARE: Jacklen Ro &#8211; &#8220;Happy Xmas (War Is Over)&#8221; by John Lennon &amp; Yoko Ono Cover<br />
Stream<br />
LISTEN/WATCH &amp; SHARE: Jacklen Ro &#8211; &#8220;Oh It&#8217;s So Sad!&#8221;<br />
<a href="https://open.spotify.com/artist/02V9xHLkyNSvfSbJka7HhX" rel="noopener" target="_blank">Spotify</a>/<a href="https://www.youtube.com/watch?v=dw1vyAisKkE&#038;list=RDdw1vyAisKkE&#038;start_radio=1" rel="noopener" target="_blank">YouTube</a><br />
Tomorrow, Jacklen Ro (Jackie Giroux and Caelen Perkins) share a cover of Yoko Ono &amp; John Lennon&#8217;s &#8220;Happy Xmas (War Is Over)&#8221; via Lolipop Records.<br />
<img loading="lazy" decoding="async" class="alignleft size-full wp-image-76091" src="https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-5.png" alt="" width="481" height="482" srcset="https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-5.png 481w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-5-300x300.png 300w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-5-150x150.png 150w, https://goodnewsplanet.com/wp-content/uploads/2021/12/unnamed-5-80x80.png 80w" sizes="auto, (max-width: 481px) 100vw, 481px" /></p>
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<p>JACKLEN RO LINKS<br />
<a href="https://www.lolipoprecords.com/jacklen-ro" rel="noopener" target="_blank">Website</a> | <a href="https://www.facebook.com/people/Jacklen-Ro/100063662366546/" rel="noopener" target="_blank">Facebook</a> | <a href="https://www.instagram.com/jacklen_ro/?hl=en" rel="noopener" target="_blank">Instagram</a> | <a href="https://open.spotify.com/artist/02V9xHLkyNSvfSbJka7HhX" rel="noopener" target="_blank">Spotify</a> | <a href="https://www.youtube.com/watch?v=dw1vyAisKkE&#038;list=RDdw1vyAisKkE&#038;start_radio=1" rel="noopener" target="_blank">YouTube</a></p>
<p>Jacklen Ro Bio:<br />
Jackie Giroux and Caelen Perkins are a self described, harmonizing indie rock duo with the energy of young love and angst. Jacklen Ro have gone from high school into a pandemic, and now arise as a band playing their first shows to a new generation emerging out of teenage quarantine.<br />
For All Jacklen Ro Related Press Inquiries, Please Contact<br />
Kip Kouri <a href="mailto:kip@tellallyourfriendspr.com" target="_blank" rel="noopener">kip@tellallyourfriendspr.com</a><br />
Erin Christie <a href="mailto:erin@tellallyourfriendspr.com" target="_blank" rel="noopener">erin@tellallyourfriendspr.com</a></p>
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		<title>The 7th Annual Winter Film Awards International Film Festival, Click here for Video &#038; Podcast&#8230;</title>
		<link>https://goodnewsplanet.com/7th-annual-winter-film-awards-international-film-festival/</link>
		
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		<pubDate>Mon, 19 Feb 2018 20:35:48 +0000</pubDate>
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					<description><![CDATA[<p>Celebrates Diversity in Film February 22-March 3, 2018 The Festival showcases films from emerging filmmakers from around the world in all genres, with a special emphasis on highlighting the work of women and under-represented filmmakers. The 93 Official Selections are a diverse mixture of 13 Animated films, 13 Documentaries, 10 Feature narratives, 8 Horror films, &#8230;</p>
<p>The post <a href="https://goodnewsplanet.com/7th-annual-winter-film-awards-international-film-festival/">The 7th Annual Winter Film Awards International Film Festival, Click here for Video &#038; Podcast&#8230;</a> appeared first on <a href="https://goodnewsplanet.com">Good News!</a>.</p>
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										<content:encoded><![CDATA[<p><a href="http://goodnewsplanet.com/wp-content/uploads/2018/02/stephanie_finn_big_1.jpg"><img loading="lazy" decoding="async" src="http://goodnewsplanet.com/wp-content/uploads/2018/02/stephanie_finn_big_1-300x169.jpg" alt="" width="300" height="169" class="alignnone size-medium wp-image-55157" /></a><br />
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<iframe loading="lazy" width="757" height="480" src="https://www.youtube.com/embed/D5S5puniY0U" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe><br />
Celebrates Diversity in Film February 22-March 3, 2018<br />
The Festival showcases films from emerging filmmakers from around the world in all genres, with a special emphasis on highlighting the work of women and under-represented filmmakers. The 93 Official Selections are a diverse mixture of 13 Animated films, 13 Documentaries, 10 Feature narratives, 8 Horror films, 9 Music Videos, 31 Narrative shorts and 7 Web series.  These include 21 student films and 32 first-time filmmakers. Filmmakers come from 31 countries; 40% of the films were created by women, 43% were created by people of color. Tickets are available at  <a href="https://winterfilmawards.com/wfa2018/tickets/" rel="noopener noreferrer" target="_blank">https://winterfilmawards.com/wfa2018/tickets/</a>Tickets are $10/In Advance, $15/Door, $5/Door with Student ID. Screening blocks run 2 ½ to 3 hours and include a mix of shorts and feature-length films.<br />
  Carl Goodman, Executive Director of Museum of the Moving Image will accept the2018 Patron of the Cinema Award at the Awards Ceremony being held on Saturday, March 3rd 2018. Venue TBA. The WFA Board of Directors is pleased to honor Carl Goodman for his work with the museum that under his leadership has become a premier arts institution. He has worked at the Museum of the Moving Image for more than 25 years; since his appointment as Executive Director in 2011, the museum has seen a three-fold increase in annual attendance. Museum of the Moving Image advances the understanding, enjoyment, and appreciation of the art, history, technique, and technology of film, television, and digital media by presenting exhibitions, education programs, significant moving-image works, and interpretive programs, and collecting and preserving moving-image related artifacts. For more information visit movingimage.us<br />
Opening Night Feb 22 from 7-11 p.m. Filmmaker’s reception and kick-off party at Union Square Ballroom, 27 Union Square West. Step &#038; Repeat on site.<br />
Spotlight Film Sunday Feb 25 from 3:30-5:30p.m. &#8220;To a More Perfect Union: US vs Windsor&#8221; doc by Donna Zaccaro at Anthology Film Archives. Director Q&#038;A, Step &#038; Repeat on site. SOLD OUT.<br />
Celebration of Women in Film Tuesday Feb 27 all day at Cinema Village. The daylong <a href="https://winterfilmawards.com/event/wfa2018-panel-feb27/" rel="noopener noreferrer" target="_blank">celebration of women in film</a>, includes an afternoon matinee of shorts by women, a discussion panel on Resources for Women Filmmakers, with NYU Women’s Initiative, NYWIFT, WIM and WMM, followed by an evening double feature of films directed by women, “To A More Perfect Union” and feature from Turkey “My name is Batlir, not Butler” by Stare&#8217; Yıldırım. Both filmmakers will be in attendance.<br />
CORPORATE &#038; LOCAL SUPPORT<br />
Winter Film Awards is an all volunteer, minority and women-owned registered 501(c)3 non-profit organization founded in 2011 in New York City by a group of filmmakers and enthusiasts. The program is supported, in part, by public funds from the NYC Dept of Cultural Affairs in partnership with the City Council. Winter Film Awards is made possible by the NY State Council on the Arts with the support of Governor Andrew M. Cuomo and the NY State Legislature.  Winter Film Awards is proudly one of the Top 10 Best Reviewed Festivals on Film Freeway. We are privileged to enjoy collaborations with  <a href="https://backpack-wine.com/" rel="noopener noreferrer" target="_blank">BackPack Wines</a>, <a href="https://www.bidslate.com/" rel="noopener noreferrer" target="_blank">Bidslate</a>, <a href="https://www.blissworld.com/" rel="noopener noreferrer" target="_blank">Bliss</a>, <a href="https://www.boomlibrary.com/" rel="noopener noreferrer" target="_blank">Boom Library</a>, <a href="https://www.brooklynfireproofstages.com/" rel="noopener noreferrer" target="_blank">Brooklyn Fire Proof Stages</a>, <a href="https://www.cinematcher.com/" rel="noopener noreferrer" target="_blank">Cinematcher</a>, <a href="https://www.cyberlink.com/" rel="noopener noreferrer" target="_blank">Cyberlink</a>, <a href="http://digitalartsny.com/" rel="noopener noreferrer" target="_blank">Digital Arts</a>, <a href="https://www.eventcombo.com/" rel="noopener noreferrer" target="_blank">Eventcombo</a>, <a href="https://fearsmag.com/" rel="noopener noreferrer" target="_blank">FearsMag</a>, <a href="https://www.finaldraft.com/" rel="noopener noreferrer" target="_blank">Final Draft</a>, <a href="http://www.fwrv.com/" rel="noopener noreferrer" target="_blank">Franklin, Weinrib, Rudell &#038; Vassallo, P.C.</a>, <a href="https://www.goodiegirlcookies.com/" rel="noopener noreferrer" target="_blank">Goodie Girl Cookies</a>, <a href="https://www.facebook.com/GracelynnCollection" rel="noopener noreferrer" target="_blank">Gracelynn Collection</a>, <a href="https://groundcontrolcolor.com/" rel="noopener noreferrer" target="_blank">Ground Control Color</a>, <a href="http://www.indiepixunlimited.com/" rel="noopener noreferrer" target="_blank">IndiePix Films</a>, <a href="https://www.indistrytv.com/" rel="noopener noreferrer" target="_blank">Indistry</a>, <a href="https://www.inktip.com/" rel="noopener noreferrer" target="_blank">Ink Tip</a>, <a href="https://ipitch.tv/" rel="noopener noreferrer" target="_blank">iPitch.tv</a>, <a href="http://www.junglesoftware.com/home/" rel="noopener noreferrer" target="_blank">Jungle Software</a>, <a href="https://us.kryolan.com/" rel="noopener noreferrer" target="_blank">Kryolan</a>, <a href="https://www.lenspen.com/" rel="noopener noreferrer" target="_blank">LensPen</a>, <a href="https://www.lindtusa.com/" rel="noopener noreferrer" target="_blank">Lindt &#038; Sprüngli (USA) Inc.</a>, <a href="http://www.luxlilight.com/" rel="noopener noreferrer" target="_blank">Luxli</a>, <a href="http://www.nycandcompany.org/" rel="noopener noreferrer" target="_blank">NYC &#038; Company</a>, <a href="http://www1.nyc.gov/site/dcla/index.page" rel="noopener noreferrer" target="_blank">NYC Department of Cultural Affairs</a>, <a href="http://arts.ny.gov/" rel="noopener noreferrer" target="_blank">NYS Council on the Arts (NYSCA)</a>, <a href="https://platypod.com/" rel="noopener noreferrer" target="_blank">Platypod</a>, <a href="https://www.psprint.com/" rel="noopener noreferrer" target="_blank">PS Print</a>, <a href="http://us.rosco.com/en" rel="noopener noreferrer" target="_blank">Rosco Laboratories</a>, <a href="http://www.setshop.com/" rel="noopener noreferrer" target="_blank">Set Shop</a>, <a href="https://soundstripe.com/contact" rel="noopener noreferrer" target="_blank">SoundStripe</a>, <a href="https://studioschool.org/" rel="noopener noreferrer" target="_blank">Studio School</a>, <a href="https://www.nyemmys.org/" rel="noopener noreferrer" target="_blank">The National Academy of Television Arts &#038; Sciences New York Chapter</a>, <a href="http://variety411.com/" rel="noopener noreferrer" target="_blank">Variety 411</a>, <a href="http://www.vegascreativesoftware.com/us/" rel="noopener noreferrer" target="_blank">Vegas Creative Software</a>, <a href="http://www.vivalivetv.com/" rel="noopener noreferrer" target="_blank">Viva Live TV</a>, <a href="https://www.yelp.com/" rel="noopener noreferrer" target="_blank">Yelp</a>, <a href="https://www.ysl.com/us" rel="noopener noreferrer" target="_blank">Yves Saint Laurent</a>, <a href="http://www.zacuto.com/" rel="noopener noreferrer" target="_blank">Zacuto</a> and <a href="http://www.zazzradio.com/" rel="noopener noreferrer" target="_blank">Zazz Radio</a>  </p>
<p>For All Press Inquiries: </p>
<p>Phyllis Bishop</p>
<p>Director of Development and Publicity            </p>
<p><a href="mailto:phyllismgbishop@gmail.com" rel="noopener noreferrer" target="_blank">phyllismgbishop@gmail.com</a></p>
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