Summer pic­nic, packed with NYC’s best restau­rants, exclu­sive chef col­labs, immer­sive art, unex­pect­ed Jew-ish cul­tur­al con­nec­tions, and sun­shine.

Fea­tur­ing nev­er-before nosh­es from epic chef col­labs, including:

Thai Din­er x Katz’s Deli

Russ & Daugh­ters x Morgenstern’s

Tatiana x Dickson’s Ato­boy x Apol­lo Bagels

Dhama­ka x Gertrude’s Hani’s x Breads Bakery

Car­o­line Schiff x Junior’s

Elbow Bread x Sunn’s

La Boîte x Slow Fires

Zahav x Dame

Eyal Shani x Jake Cohen

Also fea­tur­ing pop-up wine bar from The Four Horse­men, Susan Alexan­dra’s ​“Sum­mer Camp” bead­ing work­shop, ​“Grand­mas Tent” host­ed by Gail Sim­mons and Pati Jinich, and more!

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An Evening of a Fusion of Cultural Rhythms, featuring special guests at NJPAC’s Horizon Sounds of the City

Newark, June 21^st, 2024 – On July 11th, as part of the Horizon Sounds of the City series, renowned percussionist Cyro Baptista will dazzle audiences in a free outdoor concert at the New Jersey Performing Arts Center (NJPAC) in Newark. Known for his innovative sounds and captivating rhythms, Baptista’s performance promises to be an unforgettable evening of world music and jazz fusion.

Brazilian percussionist and composer Cyro Baptista has carved a niche for himself in contemporary jazz, experimental, and world music, spanning a wide range of styles. His collaborations with artists such as Herbie Hancock, Paul Simon, Yo-Yo Ma, John Zorn, Wynton Marsalis, and Brazilian legends Milton Nascimento and Caetano Veloso have cemented his reputation as one of the foremost percussionists globally.

In his latest project, CHAMA, released on the Ropeadope label, Baptista displays his visionary approach to music. Listeners are taken on a vibrant journey through mythical towns filled with engaging tales and colorful characters. Experience the magic of CHAMA life and immerse yourself in a night of rhythmic excitement, cultural diversity, and joyous music.

A powerful ensemble of talented musicians leads Baptista’s CHAMA Band, including Zé Luis Oliveira on saxophone and flute, Felipe Hostins on accordion, Tim Keiper on drums, and Jason Fraticelli on bass and cuatro. Through their rhythmic complexity and dynamic performances, they create a dynamic and culturally rich musical experience.

The NJPAC concert will showcase special guests, enhancing unity, cultural exchange, and local artist empowerment. FORRÓ CHAMA will feature David Vieira and Mauro Refosco, members of Forró in the Dark and “American Utopia” by David Byrne. PAGODE CHAMA with Helder Celso, Kauê Alves, Junior Karegato, and Renatinhu from Newark’s vibrant music scene, adding a unique flair to the performance.

Plus, enjoy a vibrant dance party featuring Sabrina Evangelista & Gustavo Nunes, Sabina Ciari, and Dora Flor from BLOCO FROM THE BLOCK. Don’t miss this extraordinary evening with Cyro Baptista and the CHAMA band at NJPAC’s Horizon Sounds of the City.

Event Details:

• Date:July 11, 2024
• Time:6:00 PM
• Venue:Chambers Plaza on the New Jersey Performing Arts Center (NJPAC) grounds

Join us for an extraordinary evening with Cyro Baptista and experience the magic of CHAMA. For more information visit https://cyrobaptista.com.

CHAMA

Ropeadope 

It’s probably fair to say that only Cyro Baptista could concoct a mix of music including Brazilian, Mexican, and Afro-Cuban forms with hints of jazz, funk, and whatever else may fit, sometimes with multiple forms within the same song. Yet, even while you may not detect the particular style or have a total grasp of what he’s up to, he somehow makes it accessible and infectious.” Jim Hynes, Glide Magazine

Link to video DANGER ZONE shot in Bahia Brazil

https://www.youtube.com/watch?v=7n86iJmxHQE

Link to live video PERIGO, shot in NYC

https://www.youtube.com/watch?v=NC-QBJPy-fQ

Media Contact:

Nilza Barros
N&P Media Consulting, LLC
nilzabarros@npmediaconsulting.com
+201-852-7829

Career

Born in São Paulo, Brazil, Baptista arrived in the U.S. in 1980 with a scholarship to Creative Music Studio in Woodstock, New York.

During the 1980s, he worked on films with John Zorn and appeared on Zorn’s albums in the 1990s. Also in the ’90s, he appeared on albums by Marisa Monte, Holly Cole, and Cassandra Wilson. In 1997 he released his first solo album, Vira Loucos, with cover versions of music by Heitor Villa-Lobos. The album was recorded with Marc Ribot and Nana Vasconcelos and released by Avant, a label owned by Zorn. He was a member of Zorn’s band Dreamers.^[2]

He recorded with pianist Herbie Hancock on his album Possibilities. He recorded and performed worldwide with Hancock’s Grammy award-winning Gershwin’s World. He toured with Yo-Yo Ma’s Brazil Project and appeared on the Obrigado Brazil, which won two Grammy awards. He collaborated with Wynton Marsalis and the Lincoln Center Jazz Orchestra for a Brazilian Carnival modern jazz concert. For over two years, he toured with Paul Simon and appeared on his Concert in Central Park album. He has toured worldwide with Sting.

Baptista has also worked with Paul Simon, Trey Anastasio, Laurie Anderson, Badi Assad, Derek Bailey, Gato Barbieri, Daniel Barenboim, Kathleen Battle, David Byrne, Dr. John, Brian Eno, Melissa Etheridge, Stephen Kent, Ivan Lins, Bobby McFerrin, Medeski Martin & Wood, Milton Nascimento, Robert Palmer, Carlos Santana, Tim Sparks, Spyro Gyra, James Taylor, Michael Tilson Thomas, and Caetano Veloso

Baptista formed Beat the Donkey, a percussion and dance ensemble. The name comes from a Portuguese expression for “let’s do it” or “let’s go”. The band’s personnel and genre are in flux. Sometimes it includes Ribot and Zorn. The music can be rock, funk, Brazilian, or Balkan.^[3]

The post World Renowned Brazilian Percussionist Cyro Baptista to Lead CHAMA Ensemble at NJPAC’s Horizon Sounds of the City appeared first on Good News!.

Nuclear fusion saw another major breakthrough… a ‘huge step’ in the quest for clean energy.

A woman was cured of HIV through a breakthrough stem cell treatment.

MIT engineers created an ‘impossible’ new material… stronger than steel but as light as plastic.

An international team of scientists used supercomputers to unlock a ‘giant leap’ in the fight against antibiotic resistance.

A new ‘game-changing’ carbon capture technology could deliver a step change in our ability to remove dioxide from the air.

Researchers set a new Guinness World Record for fastest-ever DNA sequencing technique… using it to sequence a human genome in just 5 hours and 2 minutes.

A new breakthrough in spinal cord implant ‘could potentially allow paralysed people to walk again’.

A ground-breaking new technology regrew a frog’s lost leg… and it might work on humans too.

Surgeons completed the first-ever heart transplant with a genetically-modified animal heart… saving the life of a 57-year-old and taking a big step towards helping solve the global donor organ shortage.

Biodegradable surgical tape has been invented… making some intestinal fixes as easy as ‘duct tape around leaky pipes’.

James Webb, the awe-inspiring $10 billion space telescope 25 years in the making, took its first images… a huge scientific milestone.

An autonomous drone carrying a defibrillator saved the life of a 71-year-old having a heart attack… a first in medical history.

Researchers in Sweden found a promising way to use solar power to convert carbon dioxide into fuel… using ultra-fast laser spectroscopy.

Just a few of many incredible achievements in the first 50 days of the year.

The world is far from perfect, but we shouldn’t forget that about 90% of all scientists that ever lived are alive today. Never before have we had so many people whose sole purpose of work is to better understand how the world works.

2022 is shaping up to be a remarkable year in science and technology.

#nuclear #fusion #breakthrough #clean #energy #hiv #cure #stem #cell #mit #antibiotic #resistance #scientist #sweden #fuel #technology #dna #humans #science #organ

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Thursday, February 20th at 6:00 p.m.

Harlem, N.Y., January 30, 2020 — Today the Apollo Theater announced it will screen the award-winning documentary Bakosó: Afrobeats of Cuba on Thursday, February 20th at 6:30 p.m., as part of ImageNation’s Cocktails & Cinema series. This screening marks the second installment in the Theater’s partnership with Harlem-based non-profit and will continue to be an ongoing quarterly event, which will highlight films that showcase the global Black experience. Bakosó: Afrobeats of Cuba, winner of the Best Feature Documentary at Belize International Film Festival, was directed by Eli Jacobs-Fantauzzi, curator of the Annual Fist Up Film Festival and co-founder of Defend Puerto Rico. The screening will be preceded by a reception and live DJ set by Bembona beginning at 6:00 p.m., followed by a post-film Q&A with director Eli Jacobs-Fantauzzi; producer Khalil Jacobs-Fantauzzi; and Mai-Elka Prado Gil, founder of the Afro-Latino Festival of New York.

Bakosó: Afrobeats of Cuba follows DJ Jigüe to his hometown of Santiago de Cuba as he searches for new inspiration in the form of sound. Through his discovery of Afrobeats, DJ Jigüe ushers in an original sound creating a new genre called Bakosó, celebrating the connection between Africa and Cuba. The film’s score, created by the founders of the genre, and stunning visuals highlight the technology, culture, and landscape that shape this Afro-Caribbean fusion.

For more information, or to view the trailer for Bakosó: Afrobeats of Cuba, please visit: https://www.apollotheater.org/event/imagenations-cocktails-cinema-bakoso-afrobeats-of-cuba/

Ticket Info.
Tickets begin at $25 and includes appetizers and one beverage (wine or beer). A cash bar will be available. Tickets are available at the Apollo Theater Box Office: (212) 531-5305, 253 West 125th Street, and Ticketmaster at 1-800-745-3000, www.ticketmaster.com.

About ImageNation
ImageNation Cinema Foundation is an innovative Harlem-based non-profit created to develop cinemas and audiences for independent films and music, that depict the global Black experience. ImageNation’s goal is to empower Black communities by presenting a variety of public programs that foster media equity, media literacy, solidarity, cross-cultural exchange and highlight the humanity of Pan-African people worldwide.

Led by Moikgantsi Kgama (Founder & Executive Director) and her husband Gregory Gates (Executive Producer), ImageNation has hosted film screenings, live music performances and other cultural events for more than 200,000 people worldwide since its inception. ImageNation is a founding partner in AFFRM, a national film distribution collective, founded by Ava DuVernay. ImageNation has presented internationally in South Africa, Scotland and Canada and domestically at Harvard University, MASS MOCA, Lincoln Center and in Dallas, TX, Los Angeles, CA, Baltimore, MD, Chicago, Ill, Indianapolis, IN, and Washington DC. Programs have featured appearances by luminaries such as Spike Lee, Lee Daniels, Ava DuVernay, Stanley Nelson, Ruby Dee, Erykah Badu, Chuck D, Raoul Peck, India. Arie and many others. In line with its commitment to Black cinema, ImageNation’s RAW SPACE, will be developed into the Sōl Cinema Cafe, a boutique cinema highlighting global Black film and culture.

About the Apollo Theater
The legendary Apollo Theater—the soul of American culture—plays a vital role in cultivating emerging artists and launching legends. Since its founding, the Apollo has served as a center of innovation and a creative catalyst for Harlem, the city of New York, and the world.

With music at its core, the Apollo’s programming extends to dance, theater, spoken word, and more. This includes the world premiere of the theatrical adaptation of Ta-Nehisi Coates’s Between the World and Me and the New York premiere of the opera We Shall Not Be Moved; special programs such as the blockbuster concert Bruno Mars Live at the Apollo; 100: The Apollo Celebrates Ella; and the annual Africa Now! Festival. The non-profit Apollo Theater is a performing arts presenter, commissioner, and collaborator that also produces festivals, large-scale dance and musical works organized around a set of core initiatives that celebrate and extend the Apollo’s legacy through a contemporary lens, including the Women of the World (WOW) Festival as well as other multidisciplinary collaborations with partner organizations.

Since introducing the first Amateur Night contests in 1934, the Apollo Theater has served as a testing ground for new artists working across a variety of art forms and has ushered in the emergence of many new musical genres—including jazz, swing, bebop, R&B, gospel, blues, soul, and hip-hop. Among the countless legendary performers who launched their careers at the Apollo are Ella Fitzgerald, Sarah Vaughan, Billie Holiday, James Brown, Stevie Wonder, Gladys Knight, Luther Vandross, H.E.R., D’Angelo, Lauryn Hill, Machine Gun Kelly and Miri Ben Ari; and the Apollo’s forward-looking artistic vision continues to build on this legacy.

In fall 2020, the Apollo Theater will mark its first ever physical expansion with the theaters at the Victoria, part of the vision for a future Apollo Performing Arts Center. The theaters at the Victoria will support the growth of the Apollo’s artistic programming as it continues to provide a home to artists of color, create an expanded 21st century American performing arts canon, and provide additional educational and community programming in Harlem and beyond. For more information about the Apollo, visit www.ApolloTheater.org.

Support
The Apollo’s 2019-2020 season is made possible by leadership support from Coca-Cola, Citi, Ford Foundation, Howard Gilman Foundation, Jerome L. Greene Arts Access Fund in the New York Community Trust, and The Andrew W. Mellon Foundation.

Public support for the Apollo Theater is provided by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and from the New York City Department of Cultural Affairs in partnership with the City Council.

# # #

For more information, please contact:
press@apollotheater.org

#apollo #bakosó #afrobeats #cuba #cinema #bakoso #belize #international #film #festival #eli #jacobs #fantauzzi #jacobs-fantauzzi #defend #puerto #rico #producer #khalil #afro #latino #founders #visuals #technology #culture #caribbean #fusion #theater #apollotheater #pan-african #pan #african

The post Apollo Film Presents appeared first on Good News!.

Show times 8 p.m. and 10 p.m.

The trio performance, which features Maestro Piecuch on multiple woodwinds with pianist Regan Ryzuk and bassist Larry Goldman, mixes classical music, modern jazz, and the ancient folk music of Europe and the Americas to create a unique experience that has been called “a remarkable display of versatility, styles, and hip arrangements”  by New York Philharmonic saxophonist Albert Regni.

Piecuch was named Permanent Guest Conductor of the Moscow Philharmonic in 2003 and has also conducted the St. Petersburg Philharmonic, where in his debut performances, he thrilled audiences with Rolf Lieberman’s Concerto for Jazz Band and Symphony Orchestra. Yes, he placed an 18-piece jazz band right in the middle of the most honored orchestra of Russia!

Maestro Piecuch is available for interviews.

More information about the event can be found here:  www.kitano.com/jazz

For more information on Maestro Piecuch, visit his official website www.martinpiecuch.com

JAZZ AT KITANO

66 Park Avenue (at 38th Street) in Manhattan.

$25 Cover + $15 Minimum

Performances 

1st set from 8:00 PM until 9:15 PM
2nd Set from 10:00 PM until 11:15 PM. 

Full menu available featuring American cuisine with a Pan Asian influence. 

Early diners (7:00 PM) will receive preferred seating.

Reservations Advised. For more information, contact

The Kitano New York, 66 Park Avenue, New York, NY 10016
Phone: 212-885-7119; Fax: 212-885-7022

The post MAESTRO MARTIN PIECUCH’S JAZZICAL FUSION TRIO hits Jazz At Kitano on FRIDAY, NOVEMBER 7th, 2014 appeared first on Good News!.

Music by Michio Miyagi.

We fly on the exceptional China Airlines through  their new route to Osaka, Japan, and for most they go on to Taiwan.  This trip was for  media and brought to us by China Airlines and The  Foundation for Kansai Region promotion.  We travel along with the leading Asian media in America; Asian Fusion Magazine, The Sing Tao and The World Newspaper and had a fascinating time.  Everyone was special and it was a  trip to remember for a life time.    This post is the first of many to be shared with our audience and we hope that you will share your comments and experiences with us in audio, video or text. 

We feature video about The Japanese Doll Festival (雛祭り, Hina-matsuri^?), or Girls’ Day, is held on March 3.Platforms covered with a red carpet are used to display a set of ornamental dolls (雛人形, hina-ningyō^?) representing the Emperor, Empress, attendants, and musicians in traditional court dress of the Heian period.Origin and customs

The custom of displaying dolls began during the Heian period. Formerly, people believed the dolls possessed the power to contain bad spirits. Hinamatsuri traces its origins to an ancient Japanese custom called hina-nagashi (雛流し^?, lit. “doll floating”), in which straw hina dolls are set afloat on a boat and sent down a river to the sea, supposedly taking troubles or bad spirits with them. The Shimogamo Shrine (part of the Kamo Shrine complex in Kyoto) celebrates the Nagashibina by floating these dolls between the Takano and Kamo Rivers to pray for the safety of children. People have stopped doing this now because of fishermen catching the dolls in their nets. They now send them out to sea, and when the spectators are gone they take the boats out of the water and bring them back to the temple and burn them.

The customary drink for the festival is shirozake, a sake made from fermented rice. A colored hina-arare, bite-sized crackers flavored with sugar or soy sauce depending on the region, and hishimochi, a diamond-shaped colored rice cake, are served. Chirashizushi (sushi rice flavored with sugar, vinegar, topped with raw fish and a variety of ingredients) is often eaten. A salt-based soup called ushiojiru containing clams still in the shell is also served. Clam shells in food are deemed the symbol of a united and peaceful couple, because a pair of clam shells fits perfectly, and no pair but the original pair can do so.

Families generally start to display the dolls in February and take them down immediately after the festival. Superstition says that leaving the dolls past March 4 will result in a late marriage for the daughter.

 Placement

Hinamatsuri store display in Los Angeles, California featuring all 7 tiers.

The Kantō region and Kansai region have different placement orders of the dolls from left to right, but the order of dolls per level are the same.

The term for the platform in Japanese is hina dan (雛壇^?). The layer of covering is called dankake (段掛^?) or simply hi-mōsen (緋毛氈^?), a red carpet with rainbow stripes at the bottom.

First platform, the top

An Emperor doll with an Empress doll, in front of a gold screen. The optional lampstands are also partially visible.

The top tier holds two dolls, known as imperial dolls (内裏雛 (だいりびな), dairi-bina^?). These are the Emperor (御内裏様, Odairi-sama^?) holding a ritual baton (笏, shaku^?) and Empress (御雛様, Ohime-sama^?) holding a fan. The words dairi means “imperial palace“, and hime means “girl” or “princess”.

The dolls are usually placed in front of a gold folding screen byōbu (屏風^?) and placed beside green Japanese garden trees.

Optional are the two lampstands, called bonbori (雪洞^?), and the paper or silk lanterns that are known as hibukuro (火袋^?), which are usually decorated with cherry or ume blossom patterns.

Complete sets would include accessories placed between the two figures, known as sanbō kazari (三方飾^?), composing of two vases of artificial peach branch kuchibana (口花^?).

The traditional arrangement had the male on the right, while modern arrangements had him on the left (from the viewer’s perspective).

 Second platform

The second tier holds three court ladies san-nin kanjo (三人官女^?). Each holds sake equipment. From the viewer’s perspective, the standing lady on the right is the long-handled sake-bearer Nagae no chōshi (長柄の銚子^?), the standing lady on the left is the backup sake-bearer Kuwae no chōshi (加えの銚子^?), and the only lady in the middle is the seated sake bearer Sanpō (三方^?).

Accessories placed between the ladies are takatsuki (高坏^?), stands with round table-tops for seasonal sweets, excluding hishimochi.

 Third platform

The third tier holds five male musicians gonin bayashi (五人囃子^?). Each holds a musical instrument except the singer, who holds a fan.

Left to right, from viewer’s perspective, they are the:

1. Small drum Taiko (太鼓^?), seated,
2. Large drum Ōtsuzumi (大鼓^?), standing,
3. Hand drum Kotsuzumi (小鼓^?), standing,
4. Flute Fue (笛^?), or Yokobue (横笛^?), seated,
5. Singer Utaikata (謡い方^?), holding a folding fan sensu (扇子^?), standing.

 Fourth platform

Two ministers (daijin) may be displayed on the fourth tier: the Minister of the Right (右大臣, Udaijin^?) and the Minister of the Left (左大臣, Sadaijin^?). The Minister of the Right is depicted as a young person, while the Minister of the Left is much older. Also, because the dolls are placed in positions relative to each other, the Minister of the Right will be on the viewer’s left and the Minister of the Left will be on the viewer’s right. Both are sometimes equipped with bows and arrows.

Between the two figures are covered bowl tables kakebanzen (掛盤膳^?), also referred to as o-zen (お膳^?), as well as diamond-shaped stands hishidai (菱台^?) bearing diamond-shaped ricecakes hishimochi (菱餅^?). Hishidai with feline-shaped legs are known as nekoashigata hishidai (猫足形菱台^?).

Just below the ministers: on the rightmost, a mandarin orange tree Ukon no tachibana (右近の橘^?), and on the leftmost, a cherry blossom tree Sakon no sakura (左近の桜^?).

Fifth platform

The fifth tier, between the plants, holds three helpers or samurai as the protectors of the Emperor and Empress. From left to right (viewer’s perspective):

1. Maudlin drinker nakijōgo (泣き上戸^?),
2. Cantankerous drinker okorijōgo (怒り上戸^?), and
3. Merry drinker waraijōgo (笑い上戸^?)

 Other platforms

On the sixth and seventh tiers, a variety of miniature furniture, tools, carriages, etc., are displayed.

 Sixth platform

These are items used within the palatial residence.

• tansu (箪笥^?) : chest of (usually five) drawers, sometimes with swinging outer covering doors.
• nagamochi (長持^?) : long chest for kimono storage.
• hasamibako (挟箱^?) : smaller clothing storage box, placed on top of nagamochi.
• kyōdai (鏡台^?) : literally mirror stand, a smaller chest of drawer with a mirror on top.
• haribako (針箱^?) : sewing kit box.
• two hibachi (火鉢^?) : braziers.
• daisu (台子^?) : a set of ocha dōgu (お茶道具^?) or cha no yu dōgu (茶の湯道具^?), utensils for the tea ceremony.

 Seventh platform, the bottom

These are items used when away from the palatial residence.

• jubako (重箱^?), a set of nested lacquered food boxes with either a cord tied vertically around the boxes or a stiff handle that locks them together.
• gokago (御駕籠 or 御駕篭^?), a palanquin.
• goshoguruma (御所車^?), an ox-drawn carriage favored by Heian nobility. This last is sometimes known as gisha or gyuusha (牛車^?)).
• Less common, hanaguruma (花車^?), an ox drawing a cart of flowers.

Elsewhere

The Hinamatsuri is also celebrated in Florence (Italy), with the patronage of the Embassy of Japan, the Japanese Institute and the historical Gabinetto Vieusseux.

Song of Hinamatsuri

The song is sung as a celebration of the festival. Its lyrics are as follows:

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