www.myelderlawattorney.com
Reverend Paul Sladkus All Faiths and Spiritual Co-Hosts www.pausetheworldforpeace.org

#Ann-MargaretCarrozza

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Amplifying diverse voices isn’t just the right thing to do — companies with diverse teams are more likely to boost profitability and innovation. By empowering underrepresented groups, we’re breaking down digital barriers, improving accessibility, and building an industry that works for everyone.

The Innovation For All program at CES brought together the thought leaders and allies who are making this possible.

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Video on Demand

Check out these sessions and more — now available on demand.

• Fostering the Future: Strengthening the STEM Pipeline for Success
• Accessibility & Inclusion: Expanding the Diversity Conversation
• Empowering Women in Venture: Funding Gaps and Investing Opportunities
• Inclusive Investing: Driving Detroit’s Entrepreneurial Growth

CTA Innovation For All Fund

Women and underrepresented entrepreneurs often receive less funding, which is why CTA invested $10 million — and announced an additional $5 million at CES 2025 — into venture funds and firms supporting diverse leadership and founders through our Innovation For All Fund. To unlock the next big idea, we must ensure everyone has an opportunity to innovate.

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You May Also Be Interested In

Take a look at some of the emerging areas that made a splash at CES 2025.

CES

Rise of the Enterprise

Across North Hall, Eureka Park, and the rest of the CES show floor, we saw a rise in technologies to benefit tomorrow’s work from AI agents, to blockchain security, to media and advertising generation.

Smart Glasses

Smart glasses built on their momentum from last year and increasingly look to be a viable device platform for widespread consumer and enterprise adoption with EssilorLuxottica, Halladay and XREAL, showcasing advancements in display tech, AI assistant features, XR capabilities, and more.

ETS

Energy Transition & Sustainability

The rise of power intensive technologies drove a larger presence of enterprise and industrial companies like 3M, Eaton, Eneos, Hitachi, SK and more focused on energy transition technologies to boost zero carbon energy generation, infrastructure, and beyond.

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The post Thought for the Day…12/11/24 appeared first on Good News!.

Artist: Eric Gable
Song Title: In The Morning
Formats: Inspirational / R&B
ISRC: usl4r2497073
Labels: Gallery Ent / Orpheus Enterprises
Publishing: Omni Three Music (BMI) , Orpheus Enterprises Group Publishing (BMI)

“In The Morning” Lyric video link: https://youtu.be/ifISDlFIwec?si=dy4__fZvEdMv9ChO

Streaming Link: ericgable.hearnow.com/in-the-morning

#ericgable #inthemorning #rememberthefirsttime #processofelimination

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Since 1989 dedicated to the creation, development, management and administration of real estate projects. Initially focused on the development of lots, it gradually incorporated teams to manage and administer various real estate businesses, giving them a profile as both investment vehicles and those intended for the end consumer.

Adapting to various ways of implementing processes, whether for clients or companies, such as through investment trusts or at cost, it was part of the development of lots in Cariló, Pinamar district, multifamily buildings, offices, commercial galleries and hotels in various parts of the country.

WWW.MARTINBONADERO.COM

#martinbonadeo #worldwidecandlelightingceremony #ceremony #candlelighting #peace #internationaldayofpeace #globalessaysforlivinginpeace

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Isabel Sanford (right, with Roxie Roker) as Louise Jefferson on “The Jeffersons,” Norman Lear’s long-running spinoff of “All in the Family.”Credit…CBS, via Associated Press

Amid the 1970s television landscape selling obvious sex and youth, Norman Lear understood the magnetism of older everyday women.

Mr. Lear, who died on Tuesday at 101, has long gotten credit for being the first to train the television spotlight on issues of racism and class, war and poverty, to create plots centered on hot-button feminist issues such as equal pay or abortion. He deserves all of those accolades. But little has been said about the much quieter feminism expressed simply through his choice of leading ladies and the characters they limned.

Mr. Lear made stars out of gifted midlife actresses, without requiring them to look 20 years younger than they were. Instead, he made these women the focal points of important conversations, granting them dignity and gravitas and humor that was never cruel or at their expense.

Amid the 1970s television landscape of sexy pinups (Farrah Fawcett, Suzanne Somers), beautiful superheroes (Lynda Carter in “Wonder Woman,” Lindsay Wagner in “The Bionic Woman”), and relatable-but-thin-and-gorgeous heroines like Mary Tyler Moore, Mr. Lear’s leading ladies stood out for their sheer everyday-ness.

Bea Arthur as Maude Findlay, the outspoken main character in Mr. Lear’s show “Maude,” with Bill Macy, who played her husband, Walter Findlay.Credit…CBS, via Getty

Esther Rolle, far right, played Florida Evans on “Good Times,” seen here with, from left, BernNadette Stanis (as Thelma), Jimmie Walker (as J.J.) and John Amos (as James Evans Sr.).Credit…CBS, via Getty

Cast members from “All in the Family.” From the top: Sally Struthers as Gloria, Rob Reiner as Michael, Jean Stapleton as Edith and Carroll O’Connor as Archie.Credit…CBS

Edith Bunker, Maude Findlay, Louise Jefferson and Florida Evans were all middle- or working-class middle-aged women — attractive, but hardly supermodels. Over the years of their series, the actresses who played these roles ranged in age from their 40s to late sixties. They wore regular clothes on their regular bodies, simple dresses with tie belts, housecoats or tunic pantsuits (varied slightly to reflect their characters’ social status) — outfits any audience member might find in a department store. Their hair and makeup were unobtrusive.

Yet within these parameters lay real power. In their unflashy outfits, they had a commanding appeal different from and more enduring than that of all the bikini- and evening-gown-clad glamour girls of the era. (In her floor-length vests, Bea Arthur as the feminist suburbanite Maude could at times resemble a Roman senator.)

Mr. Lear’s characters held our attention, making us care about their struggles and joys, marriages and children, their money or work woes. They made us laugh. What’s more, these women had romantic lives. Sometimes, they would hint at having actual sex, despite the serious handicap of being over 40.

Esther Rolle was 53 when she began playing Florida Evans on “Good Times” (spinning off from her role in “Maude”) — 19 years older than John Amos, the handsome actor who played her husband, James. Yet they were depicted as having a vital, erotic relationship. In one episode, James whisks Florida off to a snowbound cabin for a second honeymoon, carries her across the threshold and murmurs that he wants to “get it on.”

Even the demure and innocent Edith Bunker — played by Jean Stapleton from age 47 to 56 — referred on occasion to her still-active bedroom activities. In an episode titled “The Joys of Sex,” Edith consults a sex manual to spice up her marriage. “Ain’t I always there when you’re in the mood?” asks a wounded Archie. “Yeah, Archie, and even when I ain’t,” Edith replies.

Mr. Lear’s heroines also confronted feminine reproductive issues: Edith endured a rocky menopause — replete with crying, rage and mood swings. On “The Jeffersons,” Louise Jefferson (played by Isabel Sanford from age 57 to 67) tries some marriage therapy techniques on her recalcitrant husband, George (Sherman Hemsley), trying gamely to get him to talk about sex. Most dramatically, Maude had a late-life abortion (when the character was 47 and Arthur was 50). In other words, these female characters had female bodies, and those bodies got to be part of the story: not as jiggling eye candy, objects of leering jokes or fashion plates, but as the flesh-and-blood, complex, flawed and sexual entities that bodies actually are — and that all women have, whether they’re 25 or 60, supermodels or not.

Norman Lear (1922-2023)

Norman Lear, Whose Comedies Changed the Face of TV, Is Dead at 101

Dec. 6, 2023

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FOR ONCE IN MY LIFE: THE SONGS OF RON MILLER celebrates the work and genius of one of the greatest Grammy Award-winning songwriters of all time whose standards include “For Once in My Life,” “Touch Me in the Morning,” “Heaven Help Us All,” “A Place in the Sun,” “Yester-me, Yester-you, Yesterday,” “Someday at Christmas,” “I’ve Never Been to Me,” “If I Could,” and many more. Ron’s daughter, producer, singer, song-writer Lisa Dawn Miller, shares anecdotes and stories that inspired the hits while introducing never-before-heard song gems discovered after Ron’s death in 2007.

Showcasing at Midwest Arts
Email: Producers@LDMWorld.com
Call: 818-704-7444

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In “In The Hole,” nine-year-old David Kimball finds his safe and secure world unexpectedly unraveling after discovering his father has lost the family restaurant business, and subsequently their home. Forced to live in a borrowed car until it too is lost, David, together with his parents and sister, Julia, desperately seek shelter. After finding temporary housing in a decrepit inn, together with other individuals facing homelessness, David struggles to maintain a sense of normalcy even as his family faces the challenges and trauma of being homeless. Over time, through hard work and the support of their family and community, David searches for the inner strength and outward skills needed to help his family triumph over their dire circumstances. Will David and his family make it out of the hole?

#ben #levin #autistic #passion #writing #in #the #hole #true #inspiration #curse #gift #david #kimball #safe #secure #family #restaurant #julia #homelessness

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