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This article is about the Lantern Festival in China. For related festivals in the East Asian cultural sphere, see First Full Moon Festival.

The Lantern Festival (traditional Chinese: 元宵節; simplified Chinese: 元宵节; pinyin: Yuánxiāo jié), also called Shangyuan Festival (traditional Chinese: 上元節; simplified Chinese: 上元节; pinyin: Shàngyuán jié) and Cap Go Meh (Chinese: 十五暝; Pe̍h-ōe-jī: Cha̍p-gō͘-mê), is a Chinese traditional festival celebrated on the fifteenth day of the first month in the lunisolar Chinese calendar, during the full moon. Usually falling in February or early March on the Gregorian calendar, it marks the final day of the traditional Chinese New Year celebrations.^[1] As early as the Western Han dynasty (206 BC–AD 25), it had become a festival with great significance.^[2]

During the Lantern Festival, children go out at night carrying paper lanterns and solving riddles written on them (traditional Chinese: 猜燈謎; simplified Chinese: 猜灯谜; pinyin: cāidēngmí).^[3][4] In ancient times, lanterns were fairly simple, and only the emperor and noblemen had large, ornate ones..^[5] In modern times, lanterns have been embellished with intricate designs.^[4] For example, lanterns are now often made in the shape of animals. The lanterns can symbolize the people letting go of their past selves and getting new ones,^[6] which they will let go of the next year. The lanterns are almost always red to symbolize good fortune.^[7]

The festival acts as an Uposatha day on the Chinese calendar.^[8][9] It should not be confused with the Mid-Autumn Festival, which is sometimes also known as the “Lantern Festival” in locations such as Indonesia, Malaysia, and Singapore.^[2][10] Lantern Festivals have also become popular in Western countries, such as the Water Lantern Festival held in multiple locations in the United States.^[11]

Origin

There are several beliefs about the origin of the Lantern Festival. However, its roots trace back more than 2,000 years and is popularly linked to the reign of Emperor Wen of the Han dynasty.^[12] Emperor Ming, an advocate of Buddhism, noticed Buddhist monks would light lanterns in temples on the fifteenth day of the first lunisolar month. As a result, he ordered all households, temples and the imperial palace to light lanterns on that evening.^[13] From there it developed into a folk custom. Another likely origin is the celebration of “the declining darkness of winter” and community’s ability to “move about at night with human-made light,” namely, lanterns. During the Han dynasty, the festival was connected to Ti Yin, the deity of the North Star.^[1]

There is one legend that states that it was a time to worship Taiyi, the God of Heaven in ancient times. The belief was that Taiyi controlled the destiny of the human world. He had sixteen dragons at his beck and call and he decided when to inflict drought, storms, famine or pestilence upon human beings. Beginning with Qin Shi Huang, the first emperor of China, all the emperors ordered splendid ceremonies each year. The emperor would ask Taiyi to bring favorable weather and good health to him and his people.^[14][5]

Emperor Wu of the Han dynasty directed special attention to this event. In 104 BC, he proclaimed it to be one of the most important celebrations and the ceremony would last throughout the night.

Another legend associates the Lantern Festival with Taoism. Tianguan is the Taoist deity responsible for good fortune. His birthday falls on the fifteenth day of the first lunisolar month. It is said that Tianguan likes all types of entertainment, so followers prepare various kinds of activities during which they pray for good fortune.^[15]

Another legend associates with the Lantern Festival with an ancient warrior named Lan Moon, who led a rebellion against the tyrannical king in ancient China. He was killed in the storming of the city and the successful rebels commemorated the festival in his name.^[15]

Yet another common legend dealing with the origins of the Lantern Festival speaks of a beautiful crane that flew down to earth from heaven. After it landed on earth it was hunted and killed by some villagers. This angered the Jade Emperor in heaven because the crane was his favorite. So, he planned a storm of fire to destroy the village on the fifteenth lunisolar day. The Jade Emperor’s daughter warned the inhabitants of her father’s plan to destroy their village. The village was in turmoil because nobody knew how they could escape their imminent destruction. However, a wise man from another village suggested that every family should hang red lanterns around their houses, set up bonfires on the streets, and explode firecrackers on the fourteenth, fifteenth, and sixteenth lunisolar days. This would give the village the appearance of being on fire to the Jade Emperor. On the fifteenth lunisolar day, troops sent down from heaven whose mission was to destroy the village saw that the village was already ablaze, and returned to heaven to report to the Jade Emperor. Satisfied, the Jade Emperor decided not to burn down the village. From that day on, people celebrate the anniversary on the fifteenth lunisolar day every year by carrying lanterns on the streets and exploding firecrackers and fireworks.^[16]

Another legend about the origins of Lantern Festival involves a maid named Yuan-Xiao. In the Han dynasty, Dongfang Shuo was a favorite adviser of the emperor. One winter day, he went to the garden and heard a little girl crying and getting ready to jump into a well to commit suicide. Shuo stopped her and asked why. She said she was Yuan-Xiao, a maid in the emperor’s palace and that she never had a chance to see her family since she started working there. If she could not have the chance to show her filial piety in this life, she would rather die. Shuo promised to find a way to reunite her with her family. Shuo left the palace and set up a fortune-telling stall on the street. Due to his reputation, many people asked for their fortunes to be told but everyone got the same prediction – a calamitous fire on the fifteenth lunisolar day. The rumor spread quickly.^[15]

Everyone was worried about the future so they asked Dongfang Shuo for help. Dongfang Shuo said that on the thirteenth lunisolar day, the God of Fire would send a fairy in red riding a black horse to burn down the city. When people saw the fairy they should ask for her mercy. On that day, Yuan-Xiao pretended to be the red fairy. When people asked for her help, she said that she had a copy of a decree from the God of Fire that should be taken to the emperor. After she left, people went to the palace to show the emperor the decree which stated that the capital city would burn down on the fifteenth. When the emperor asked Dongfang Shuo for advice, the latter said that the God of Fire liked to eat tangyuan (sweet dumplings). Yuan-Xiao should cook tangyuan on the fifteenth lunisolar day and the emperor should order every house to prepare tangyuan to worship the God of Fire at the same time. Also, every house in the city should hang red lantern and explode fire crackers. Lastly, everyone in the palace and people outside the city should carry their lanterns on the street to watch the lantern decorations and fireworks. The Jade Emperor would be deceived and everyone would avoid the disastrous fire.^[16]

The emperor happily followed the plan. Lanterns were everywhere in the capital city on the night of the fifteenth lunisolar day and people were walking on the street and there were noisy firecrackers. It looked as if the entire city was on fire. Yuan-Xiao’s parents went into the palace to watch the lantern decorations and were reunited with their daughter. The emperor decreed that people should do the same thing every year. Since Yuan-Xiao cooked the best tangyuan, people called the day Yuan-Xiao Festival.

For each festival celebrated, a switch in the Chinese Zodiac takes place. For example, 2022—the year of the tiger; 2023—the year of the rabbit (water rabbit); and so on.

In the early days, young people were chaperoned in the streets in hopes of finding love. Matchmakers acted busily in hopes of pairing couples. The brightest lanterns were symbolic of good luck and hope. As time has passed, the festival no longer has such implications in most of Mainland China, Taiwan, or Hong Kong.^[10]

Eaten during the Lantern Festival, tangyuan ‘湯圓’ (Southern China, Taiwan and Southeast Asia) or yuanxiao ‘元宵’ (Northern China) is a glutinous rice ball typically filled with sweet red bean paste, sesame paste, or peanut butter.^[3] Tangyuan is different from yuanxiao due to different manual making and filling processes.^[17] It can be boiled, fried or steamed, each has independent taste. However, they are very similar in shape and taste, so most people do not distinguish them for convenience and consider them as the same thing.^[17] Chinese people believe that the round shape of the balls and the bowls in which they are served symbolize family togetherness, and that eating tangyuan or yuanxiao may bring the family harmony, happiness and luck in the new year.^[2][4]

6th century and afterwards

During the Sui dynasty in the sixth century, Emperor Yang invited envoys from other countries to China to see the colourful lighted lanterns and enjoy the gala performances.^[18]

By the beginning of the Tang dynasty in the seventh century, the lantern displays would last three days. The emperor also lifted the curfew, allowing the people to enjoy the festive lanterns day and night. It is not difficult to find Chinese poems which describe this happy scene.^[18]

In the Song dynasty, the festival was celebrated for five days^[12] and the activities began to spread to many of the big cities in China.

Today, displaying lanterns remains a major tradition across China on the fifteenth day of the first lunisolar month. Chengdu in southwest China’s Sichuan Province, for example, holds a lantern fair each year in Culture Park. During the Lantern Festival, the park is a virtual ocean of lanterns. Many new designs attract large numbers of visitors. The most eye-catching lantern is the Dragon Pole. This is a lantern in the shape of a golden dragon, spiraling up a 38-meter-high pole, spewing fireworks from its mouth. Cities such as Hangzhou and Shanghai have adopted electric and neon lanterns, which can often be seen beside their traditional paper or wooden counterparts. Another popular activity at this festival is guessing lantern riddles,^[19] a tradition which dates back to the Song dynasty.^[20]

Lion dance (舞獅), walk on stilts (踩高蹺), riddle games (猜燈謎), dragon dances (耍龍燈) are very popular activities during the festival day and the days following.

The lantern riddle, according to Japanese scholars, became popular as early as the Northern Song dynasty (960–1126). The lantern riddles are done by a host blocking one side of the lantern and pasting riddles on the remaining three sides of the lanterns. Participants will guess the blocked side by solving the riddles, which is called “breaking/solving lantern riddles”. The theme of riddles can be drawn from classics, biographies, poetry, the various philosophers’ well-known stories and novels, proverbs, (the names of) all kinds of birds, animals, and insects, as well as flowers, grasses, vegetables, and herbs. Participants can tear off the riddle of the lantern and let the host verify their answers. Those who answer the correct answer can get a “riddle reward”, including ink, paper, writing brushes, ink slabs, fans, perfumed sachets, fruit, or eatables.^[21]

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Mahjong or mah-jongg (English pronunciation: /mɑːˈdʒɒŋ/ mah-JONG, Mandarin Chinese: [mǎ.tɕjâŋ]) is a tile-based game that was developed in the 19th century in China and has spread throughout the world since the early 20th century. It is commonly played by four players (with some three-player variations found in parts of China, Japan, South Korea, and Southeast Asia). The game and its regional variants are widely played throughout Eastern and South-Eastern Asia and have also become popular in Western countries. The game has also been adapted into widespread online entertainment. Similar to the Western card game rummy, Mahjong is a game of skill, strategy, and luck. To distinguish it from mahjong solitaire, it is sometimes referred to as mahjong rummy. The game is played with a set of 144 tiles based on Chinese characters and symbols, although some regional variations may omit some tiles or add unique ones. In most variations, each player begins by receiving 13 tiles. In turn, players draw and discard tiles until they complete a legal hand using the 14th drawn tile to form four melds (or sets) and a pair (eye). A player can also win with a small class of special hands. While many variations of mahjong exist, most variations have some basic rules in common including how a piece is drawn and discarded, how a piece is robbed from another player, the use of suits (numbered tiles) and honors (winds and dragons), the basic kinds of melds allowed, how to deal the tiles and the order of play. Beyond these basic common rules, numerous regional variations exist which may have notably different criteria for legal melds and winning hands, radically different scoring systems, and even elaborate extra rules. A group of players may introduce their own house rules which can notably change the feel of the play.
Mahjong players in Hangzhou in 2006	Local play on the street in Lanzhou A set of Mahjong tiles
In Chinese, the game was originally called 麻雀 (pinyin: máquè)—meaning sparrow—which is still used in some languages in southern China. It is said that the clacking of tiles during shuffling resembles the chattering of sparrows. It has also been suggested that the name came from an evolution of an earlier card game called Madiao from which mahjong tiles were adapted. Most Mandarin-speaking Chinese now call the game 麻將 (májiàng). Its name is similar in other languages, except in Thai, where it is called (phai nok krachok), a calque meaning “sparrow cards.”

#Chian #Taiwan #Mahjong #Chinese #Game

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翠玉牛片鍋、喜洋洋乾鍋雞

紅麴梅頭肉炊飯、桂花糯米棗

上課時間：02/05/2021 (星期五) 10:00am – 12:00pm (美西時間)
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*歡迎全球僑胞線上參與，並有搶答送禮物

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这是我的新书，有学生参与。
This is my new book, my student also joined in writing this.

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Speaking at the Chinese New Year Spring Reception organised by the Hong Kong Economic and Trade Office in New York (HKETONY), Mr Leung said that international airlines opened new direct flights to Seattle, Dallas/Fort Worth and Newark, adding that Cathay Pacific Airways will launch its inaugural direct flight from Hong Kong to Boston in May.

Hong Kong imported US$40 billion worth of U.S. goods last year (2014), and improved access for US agricultural products and made the city the most open market for US beef in Asia. Meanwhile, Hong Kong and the US concluded agreements to combat tax evasion.

Noting that The Heritage Foundation and the Wall Street Journal have recently ranked Hong Kong as the freest economy in the world for 21 consecutive years, Mr. Leung said Hong Kong would continue to capitalise its position as China’s global financial center. “We’ll leverage our ‘superconnector’ role between the Mainland of China and the rest of the world.”

He told the American guests that Hong Kong was working to promote new growth sectors of arbitration, intellectual property trading, creative industries, as well as innovation and technology. “We are upgrading the quality of our workforce as we are facing an aging population and are making it easier for talented people and entrepreneurs from around the globe to come, stay, live, work and establish a business there,” he added.

Also speaking at the occasion, Director of HKETONY, Mr Steve Barclay said aside from promoting closer economic, investment and trade ties, his office aims also to foster cultural ties between Hong Kong and the 31 eastern states.

He highlighted the first collaboration with the Yale-China Association to bring two promising Hong Kong artists to Yale University on a fellowship program. Parry Ling , a relational artist, and Hao Yang, a choreographer/dancer, are currently on a six-month residency at Yale.

Mr Barclay said the Office would organise a week-long “Spotlight Hong Kong” exhibition at Time Warner Center from February 25. The exhibition will focus on Hong Kong’s vibrant mix of East-meets-West cultures – from cultural heritage, creative and film industries to performing arts.

One of the exhibits will be a series of Hong Kong Street Markets which were painted by US nationally recognized illustrationist Michael Sloan during his residency in Hong Kong in 2012-14.

The exhibition will also help promote the US debut of the Hong Kong Dance Company’s performance, “The Legend of Mulan”, at Lincoln Center from March 5 to 8.

To reach out to the US young generation, Mr Barclay said his office has launched a new Facebook – Hong Kong Meets America. It carries all sorts of trendy, useful and interesting information about the city.
To promote Hong Kong music talents, the reception featured performances by the Cornelia String Quartet, led by violinist CheHo Lam; and singer songwriter Mara Measor, both Hong Kong-born and raised.
The reception ended with a grand lucky draw, with the winner receiving a pair of Newark-Hong Kong round trip premium economy tickets sponsored by Cathay Pacific Airways.

About 370 guests, mainly comprising key members of the business, government, academic and media sectors, attended the reception in New York.

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The World Peace Prayer Society
asks you to join us in sending prayers to the 239 People missing on Malaysian Airlines Flight MH307

Malaysian Airlines flight MH370 took off at 12.41am local time on Saturday, May 8th from Kuala Lumpur, Malaysia and was due to land in Beijing, China at 6.05am the same day. As of now, the plane remains missing.

Please join us in sending our prayers to the 239 people who are missing on the Malaysia Airlines plane and to their friends and family. We are sending our prayers of safety and hope for your return.

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